Paradise Lost: Book  1 (1674 version)

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By John Milton

OF Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav’nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav’ns and Earth
Rose out of Chaos: or if Sion Hill
Delight thee more, and Siloa’s brook that flow’d
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th’ Aonian Mount, while it pursues
Things unattempted yet in Prose or Rhime.
And chiefly Thou, O Spirit, that dost prefer
Before all Temples th’ upright heart and pure,
Instruct me, for Thou know’st; Thou from the first
Wast present, and with mighty wings outspread
Dove-like satst brooding on the vast Abyss
And mad’st it pregnant: What in me is dark
Illumin, what is low raise and support;
That to the highth of this great Argument
I may assert Eternal Providence,
And justifie the wayes of God to men.

Say first, for Heav’n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov’d our Grand Parents in that happy State,
Favour’d of Heav’n so highly, to fall off
From thir Creator, and transgress his Will
For one restraint, Lords of the World besides?
Who first seduc’d them to that foul revolt?
Th’ infernal Serpent; he it was, whose guile
Stird up with Envy and Revenge, deceiv’d
The Mother of Mankind, what time his Pride
Had cast him out from Heav’n, with all his Host
Of Rebel Angels, by whose aid aspiring
To set himself in Glory above his Peers,
He trusted to have equal’d the most High,
If he oppos’d; and with ambitious aim
Against the Throne and Monarchy of God
Rais’d impious War in Heav’n and Battel proud
With vain attempt.   Him the Almighty Power
Hurld headlong flaming from th’ Ethereal Skie
With hideous ruine and combustion down
To bottomless perdition, there to dwell
In Adamantine Chains and penal Fire,
Who durst defie th’ Omnipotent to Arms.
Nine times the Space that measures Day and Night
To mortal men, he with his horrid crew
Lay vanquisht, rowling in the fiery Gulfe
Confounded though immortal: But his doom
Reserv’d him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him; round he throws his baleful eyes
That witness’d huge affliction and dismay
Mixt with obdurate pride and stedfast hate:
At once as far as Angels kenn he views
The dismal Situation waste and wilde,
A Dungeon horrible, on all sides round
As one great Furnace flam’d, yet from those flames
No light, but rather darkness visible
Serv’d onely to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery Deluge, fed
With ever-burning Sulphur unconsum’d:
Such place Eternal Justice had prepar’d
For those rebellious, here thir prison ordained
In utter darkness, and thir portion set
As far remov’d from God and light of Heav’n
As from the Center thrice to th’ utmost Pole.
O how unlike the place from whence they fell!
There the companions of his fall, o’rewhelm’d
With Floods and Whirlwinds of tempestuous fire,
He soon discerns, and weltring by his side
One next himself in power, and next in crime,
Long after known in Palestine, and nam’d
Beelzebub.   To whom th’ Arch-Enemy,
And thence in Heav’n call’d Satan, with bold words
Breaking the horrid silence thus began.

If thou beest he; But O how fall’n! how chang’d
From him, who in the happy Realms of Light
Cloth’d with transcendent brightness didst out-shine
Myriads though bright: If he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the Glorious Enterprize,
Joynd with me once, now misery hath joynd
In equal ruin: into what Pit thou seest
From what highth fall’n, so much the stronger prov’d
He with his Thunder: and till then who knew
The force of those dire Arms?   yet not for those,
Nor what the Potent Victor in his rage
Can else inflict, do I repent or change,
Though chang’d in outward lustre; that fixt mind
And high disdain, from sence of injur’d merit,
That with the mightiest rais’d me to contend,
And to the fierce contention brought along
Innumerable force of Spirits arm’d
That durst dislike his reign, and me preferring,
His utmost power with adverse power oppos’d
In dubious Battel on the Plains of Heav’n,
And shook his throne.   What though the field be lost?
All is not lost; the unconquerable Will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That Glory never shall his wrath or might
Extort from me.   To bow and sue for grace
With suppliant knee, and deifie his power,
Who from the terrour of this Arm so late
Doubted his Empire, that were low indeed,
That were an ignominy and shame beneath
This downfall; since by Fate the strength of Gods
And this Empyreal substance cannot fail,
Since through experience of this great event
In Arms not worse, in foresight much advanc’t,
We may with more successful hope resolve
To wage by force or guile eternal Warr
Irreconcileable, to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the Tyranny of Heav’n.

So spake th’ Apostate Angel, though in pain,
Vaunting aloud, but rackt with deep despare:
And him thus answer’d soon his bold Compeer.

O Prince, O Chief of many Throned Powers,
That led th’ imbattelld Seraphim to Warr
Under thy conduct, and in dreadful deeds
Fearless, endanger’d Heav’ns perpetual King;
And put to proof his high Supremacy,
Whether upheld by strength, or Chance, or Fate,
Too well I see and rue the dire event,
That with sad overthrow and foul defeat
Hath lost us Heav’n, and all this mighty Host
In horrible destruction laid thus low,
As far as Gods and Heav’nly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our Glory extinct and happy state
Here swallow’d up in endless misery.
But what if he our Conquerour, (whom I now
Of force believe Almighty, since no less
Then such could hav orepow’rd such force as ours)
Have left us this our spirit and strength intire
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of Warr, what e’re his business be
Here in the heart of Hell to work in Fire,
Or do his Errands in the gloomy Deep;
What can it then avail though yet we feel
Strength undiminisht, or eternal being
To undergo eternal punishment?
Whereto with speedy words th’ Arch-fiend reply’d.

Fall’n Cherube, to be weak is miserable
Doing or Suffering: but of this be sure,
To do ought good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist.   If then his Providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which oft times may succeed, so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from thir destind aim.
But see the angry Victor hath recall’d
His Ministers of vengeance and pursuit
Back to the Gates of Heav’n: the Sulphurous Hail
Shot after us in storm, oreblown hath laid
The fiery Surge, that from the Precipice
Of Heav’n receiv’d us falling, and the Thunder,
Wing’d with red Lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn,
Or satiate fury yield it from our Foe.
Seest thou yon dreary Plain, forlorn and wilde,
The seat of desolation, voyd of light,
Save what the glimmering of these livid flames
Casts pale and dreadful?   Thither let us tend
From off the tossing of these fiery waves,
There rest, if any rest can harbour there,
And reassembling our afflicted Powers,
Consult how we may henceforth most offend
Our Enemy, our own loss how repair,
How overcome this dire Calamity,
What reinforcement we may gain from Hope,
If not what resolution from despare.

Thus Satan to his neerest Mate
With Head up-lift above the wave, and Eyes
That sparkling blaz’d, his other Parts besides
Prone on the Flood, extended long and large
Lay floating many a rood, in bulk as huge
As whom the Fables name of monstrous size,
Titanian, or Earth-born, that warr’d on Jove,
Briareos or Typhon, whom the Den
By ancient Tarsus held, or that Sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ Ocean stream:
Him haply slumbring on the Norway foam
The Pilot of some small night-founder’d Skiff,

Deeming some Island, oft, as Sea-men tell,
With fixed Anchor in his skaly rind
Moors by his side under the Lee, while Night
Invests the Sea, and wished Morn delayes:
So stretcht out huge in length the Arch-fiend lay
Chain’d on the burning Lake, nor ever thence
Had ris’n or heav’d his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enrag’d might see
How all his malice serv’d but to bring forth
Infinite goodness, grace and mercy shewn
On Man by him seduc’t, but on himself
Treble confusion, wrath and vengeance pour’d.
Forthwith upright he rears from off the Pool
His mighty Stature; on each hand the flames
Drivn backward slope thir pointing spires, and rowld
In billows, leave i’th’midst a horrid Vale.
Then with expanded wings he stears his flight
Aloft, incumbent on the dusky Air
That felt unusual weight, till on dry Land
He lights, as if it were Land that ever burn’d
With solid, as the Lake with liquid fire;
And such appear’d in hue, as when the force
Of subterranean wind transports a Hill
Torn from Pelorus, or the shatter’d side
Of thundring Aetna, whose combustible
And fewel’d entrals thence conceiving Fire,
Sublim’d with Mineral fury, aid the Winds,
And leave a singed bottom all involv’d
With stench and smoak: Such resting found the sole
Of unblest feet.   Him followed his next Mate,
Both glorying to have scap’t the Stygian flood
As Gods, and by thir own recover’d strength,
Not by the sufferance of supernal Power.
Is this the Region, this the Soil, the Clime,
Said then the lost Arch-Angel, this the seat
That we must change for Heav’n, this mournful gloom
For that celestial light?   Be it so, since he
Who now is Sovran can dispose and bid
What shall be right: fardest from him is best
Whom reason hath equald, force hath made supream
Above his equals.   Farewel happy Fields
Where Joy for ever dwells: Hail horrours, hail
Infernal world, and thou profoundest Hell
Receive thy new Possessor:   One who brings
A mind not to be chang’d by Place or Time.
The mind is its own place, and in it self
Can make a Heav’n of Hell, a Hell of Heav’n.
What matter where, if I be still the same,
And what I should be, all but less then he
Whom Thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure, and in my choyce
To reign is worth ambition though in Hell:
Better to reign in Hell, then serve in Heav’n.
But wherefore let we then our faithful friends,
Th’ associates and copartners of our loss
Lye thus astonisht on th’ oblivious Pool,
And call them not to share with us their part
In this unhappy Mansion, or once more
With rallied Arms to try what may be yet
Regaind in Heav’n, or what more lost in Hell?

So Satan spake, and him Beelzebub
Thus answer’d.   Leader of those Armies bright,
Which but th’ Omnipotent none could have foyld,
If once they hear that voyce, thir liveliest pledge
Of hope in fears and dangers, heard so oft
In worst extreams, and on the perilous edge
Of battel when it rag’d, in all assaults
Thir surest signal, they will soon resume
New courage and revive, though now they lye
Groveling and prostrate on yon Lake of Fire,
As we erewhile, astounded and amaz’d,
No wonder, fall’n such a pernicious highth.
He scarce had ceas’t when the superiour Fiend
Was moving toward the shoar; his ponderous shield
Ethereal temper, massy, large and round,
Behind him cast; the broad circumference
Hung on his shoulders like the Moon, whose Orb
Through Optic Glass the Tuscan Artist views
At Ev’ning from the top of Fesole,
Or in Valdarno, to descry new Lands,
Rivers or Mountains in her spotty Globe.
His Spear, to equal which the tallest Pine
Hewn on Norwegian hills, to be the Mast
Of some great Ammiral, were but a wand,
He walkt with to support uneasie steps
Over the burning Marle, not like those steps
On Heavens Azure, and the torrid Clime
Smote on him sore besides, vaulted with Fire
Nathless he so endur’d, till on the Beach
Of that inflamed Sea, he stood and call’d
His Legions, Angel Forms, who lay intrans’t
Thick as Autumnal Leaves that strow the Brooks
In Vallombrosa, where th’ Etrurian shades
High overarch’t imbowr; or scatterd sedge
Afloat, when with fierce Winds Orion arm’d
Hath vext the Red-Sea Coast, whose waves orethrew
Busirus and his Memphian Chivalry,
While with perfidious hatred they pursu’d
The Sojourners of Goshen, who beheld
From the safe shore thir floating Carkases
And broken Chariot Wheels, so thick bestrown
Abject and lost lay these, covering the Flood,
Under amazement of thir hideous change.
He call’d so loud, that all the hollow Deep
Of Hell resounded. Princes, Potentates
Warriers, the Flowr of Heav’n, once yours, now lost,
If such astonishment as this can sieze
Eternal spirits; or have ye chos’n this place
After the toyl of Battel to repose
Your wearied vertue, for the ease you find
To slumber here, as in the Vales of Heav’n?
Or in this abject posture have ye sworn
To adore the Conquerour?   who now beholds
Cherube and Seraph rowling in the Flood
With scatter’d Arms and Ensigns, till anon
His swift pursuers from Heav’n Gates discern
Th’ advantage, and descending tread us down
Thus drooping, or with linked Thunderbolts
Transfix us to the bottom of this Gulfe.
Awake, arise, or be for ever fall’n.

They heard, and were abasht, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceave the evil plight
In which they were, or the fierce pains not feel;
Yet to thir Generals Voyce they soon obeyd
Innumerable.   As when the potent Rod
Of Amrams Son in Egypts evill day
Wav’d round the Coast, up call’d a pitchy cloud
Of Locusts, warping on the Eastern Wind,
That ore the Realm of impious Pharaoh hung
Like Night, and darken’d all the Land of Nile:
So numberless were those bad Angels seen
Hovering on wind under the Cope of Hell
‘Twixt upper, nether, and surrounding Fires;
Till, as a signal giv’n, th’ uplifted Spear
Of thir great Sultan waving to direct
Thir course, in even ballance down they light
On the firm brimstone, and fill all the Plain;
A multitude, like which the populous North
Pour’d never from her frozen loyns, to pass
Rhene or the Danaw, when her barbarous Sons
Came like a Deluge on the South, and spread
Beneath Gibralter to the Lybian sands.
Forthwith from every Squadron and each Band
The Heads and Leaders thither hast where stood
Thir great Commander; Godlike shapes and forms
Excelling human, Princely Dignities,
And Powers that earst in Heaven sat on Thrones;
Though of thir Names in heav’nly Records now
Be no memorial blotted out and ras’d
By thir Rebellion, from the Books of Life.
Nor had they yet among the Sons of Eve
Got them new Names, till wandring ore the Earth,
Through Gods high sufferance for the tryal of man,
By falsities and lyes the greatest part
Of Mankind they corrupted to forsake
God thir Creator, and th’ invisible
Glory of him that made them, to transform
Oft to the Image of a Brute, adorn’d
With gay Religions full of Pomp and Gold,
And Devils to adore for Deities:
Then were they known to men by various Names,
And various Idols through the Heathen World.
Say, Muse, the Names then known, who first, who last,
Rous’d from the slumber, on that fiery Couch,
At thir great Emperors call, as next in worth
Came singly where he stood on the bare strand,
While the promiscuous croud stood yet aloof?
The chief were those who from the Pit of Hell
Roaming to seek thir prey on earth, durst fix
Thir Seats long after next the Seat of God,
Thir Altars by his Altar, Gods ador’d
Among the Nations round, and durst abide
Jehovah thundring out of Sion, thron’d
Between the Cherubim; yea, often plac’d
Within his Sanctuary it self thir Shrines,
Abominations; and with cursed things
His holy Rites, and solemn Feasts profan’d,
And with thir darkness durst affront his light.
First Moloch, horrid King besmear’d with blood
Of human sacrifice, and parents tears,
Though for the noyse of Drums and Timbrels loud
Thir childrens cries unheard, that past through fire
To his grim Idol.   Him the Ammonite
Worshipt in Rabba and her watry Plain,
In Argob and in Basan, to the stream
Of utmost Arnon.   Not content with such
Audacious neighbourhood, the wisest heart
Of Solomon he led by fraud to build
His Temple right against the Temple of God
On that opprobrious Hill, and made his Grove
The pleasant Vally of HinnomTophet thence
And black Gehenna call’d, the Type of Hell.
Next Chemos, th’ obscene dread of Moabs Sons,
From Aroar to Nebo, and the wild
Of Southmost Abarim; in Hesebon
And HeronaimSeons Realm, beyond
The flowry Dale of Sibma clad with Vines,
And Eleale to th’ Asphaltick Pool.
Peor his other Name, when he entic’d
Israel in Sittim on thir march from Nile
To do him wanton rites, which cost them woe.
Yet thence his lustful Orgies he enlarg’d
Even to that Hill of scandal, but the Grove
Of Moloch homicide, lust hard by hate;
Till good Josiah drove them hence to Hell.
With these cam they, who from the bordring flood
Of old Euphrates to the Brook that parts
Egypt from Syrian ground, had general names
Of Baalim and Ashtaroth, those male,
These Feminine.   For Spirits when they please
Can either Sex assume, or both; so soft
And uncompounded is thir Essence pure,
Nor ti’d or manacl’d with joynt or limb,
Nor founded on the brittle strength of bones,
Like cumbrous flesh; but in what shape they choose
Dilated or condens’t, bright or obscure,
Can execute thir aerie purposes,
And works of love or enmity fulfill.
For those the Race of Israel oft forsook
Thir living strength, and unfrequented left
His righteous Altar, bowing lowly down
To bestial Gods; for which thir heads as low
Bow’d down in Battel, sunk before the Spear
Of despicable foes.   With these in troop
Came Astoreth, whom the Phoenicians call’d
Astarte, Queen of Heav’n, with crescent Horns;
To whose bright Image nightly by the Moon
Sidonian Virgins paid thir Vows and Songs,
In Sion also not unsung, where stood
Her Temple on th’ offensive Mountain, built
By that uxorious King, whose heart though large,
Beguil’d by fair Idolatresses, fell
To idols foul.   Thammuz came next behind,
Whose annual wound in Lebanon allur’d
The Syrian Damsels to lament his fate
In amorous dittyes all a Summers day,
While smooth Adonis from his native Rock
Ran purple to the Sea, suppos’d with blood
Of Thammuz yearly wounded; the Love-tale
Infected Sions daughters with like heat,
Whose wanton passions in the sacred Porch
Ezekial saw, when by the Vision led
His eye survay’d the dark Idolatries
Of alienated Judah.   Next came one
Who mourn’d in earnest, when the Captive Ark
Maim’d his brute Image, head and hands lopt off
In his own Temple, on the grunsel edge,
Where he fell flat, and sham’d his Worshipers:
Dagon his Name, Sea Monster, upward Man
And downward Fish: yet had his Temple high
Rear’d in Azotus, dreaded through the Coast
Of Palestine, in Gath and Ascalon
And Accaron and Gaza‘s frontier bounds.
Him follow’d Rimmon, whose delightful Seat
Was fair Damascus, on the fertil Banks
Of Abbana and Pharphar, lucid streams.
He also against the house of God was bold:
A Leper once he lost and gain’d a King,
Ahaz his sottish Conquerour, whom he drew
Gods Altar to disparage and displace
For one of Syrian mode, whereon to burn
His odious offrings, and adore the Gods
Whom he had vanquisht.   After these appear’d
A crew who under Names of old Renown,
OsirisIsisOrus and thir Train
With monstrous shapes and sorceries abus’d
Fanatic Egypt and her Priests, to seek
Thir wandring Gods Disguis’d in brutish forms
Rather then human.   Nor did Israel scape
Th’ infection when thir borrow’d Gold compos’d
The Calf in Oreb: and the Rebel King
Doubl’d that sin in Bethel and in Dan,
Lik’ning his Maker to the Grazed Ox,
Jehovah, who in one Night when he pass’d
From Egypt marching, equal’d with one stroke
Both her first born and all her bleating Gods
Belial came last, then whom a Spirit more lewd
Fell not from Heaven, or more gross to love
Vice for it self: To him no Temple stood
Or Altar smoak’d; yet who more oft then hee
In Temples and at Altars, when the Priest
Turns Atheist, as did Ely’s Sons, who fill’d
With lust and violence the house of God.

In Courts and Palaces he also Reigns

And in luxurious Cities, where the noyse

Of riot ascends above thir loftiest Towrs,

And injury and outrage: And when Night

Darkens the Streets, then wander forth the Sons

Of Belial, flown with insolence and wine.

Witness the Streets of Sodom, and that night

In Gibeah, when the hospitable door

Expos’d a Matron to avoid worse rape.

These were the prime in order and in might;

The rest were long to tell, though far renown’d,

Th’ Ionian Gods, of Javans issue held

Gods, yet confest later then Heav’n and Earth

Thir boasted Parents; Titan Heav’ns first born

With his enormous brood, and birthright seis’d

By younger Saturn, he from mightier Jove

His own and Rhea’s Son like measure found;

So Jove usurping reign’d: these first in Creet

And Ida known, thence on the Snowy top
Of cold Olympus rul’d the middle Air
Thir highest Heav’n; or on the Delphian Cliff,
Or in Dodona, and through all the bounds
Of Doric Land; or who with Saturn old
Fled over Adria to th’ Hesperian Fields,
And ore the Celtic roam’d the utmost Isles.
All these and more came flocking; but with looks
Down cast and damp, yet such wherein appear’d
Obscure some glimps of joy, to have found thir chief
Not in despair, to have found themselves not lost
In loss itself; which on his count’nance cast
Like doubtful hue: but he his wonted pride
Soon recollecting, with high words, that bore
Semblance of worth, not substance, gently rais’d
Thir fanting courage, and dispel’d thir fears.
Then strait commands that at the warlike sound
Of Trumpets loud and Clarions be upreard
His mighty Standard; that proud honour claim’d
Azazel as his right, a Cherube tall:
Who forthwith from the glittering Staff unfurld
Th’ Imperial Ensign, which full high advanc’t
Shon like a Meteor streaming to the Wind
With Gemms and Golden lustre rich imblaz’d,
Seraphic arms and Trophies: all the while
Sonorous mettal blowing Martial sounds:
At which the universal Host upsent
A shout that tore Hells Concave, and beyond
Frighted the Reign of Chaos and old Night.
All in a moment through the gloom were seen
Ten thousand Banners rise into the Air
With Orient Colours waving: with them rose
A Forrest huge of Spears: and thronging Helms
Appear’d, and serried Shields in thick array
Of depth immeasurable: Anon they move
In perfect Phalanx to the Dorian mood
Of Flutes and soft Recorders; such as rais’d
To hight of noblest temper Hero’s old
Arming to Battel, and in stead of rage
Deliberate valour breath’d, firm and unmov’d
With dread of death to flight or foul retreat,
Nor wanting power to mitigate and swage
With solemn touches, troubl’d thoughts, and chase
Anguish and doubt and fear and sorrow and pain
From mortal or immortal minds.   Thus they
Breathing united force with fixed thought
Mov’d on in silence to soft Pipes that charm’
Thir painful steps o’re the burnt soyle; and now
Advanc’t in view, they stand, a horrid Front
Of dreadful length and dazling Arms, in guise
Of Warriers old with order’d Spear and Shield,
Awaiting what command thir mighty Chief
Had to impose: He through the armed Files
Darts his experienc’t eye, and soon traverse
The whole Battalion views, thir order due,
Thir visages and stature as of Gods,
Thir number last he summs.   And now his heart
Distends with pride, and hardning in his strength
Glories: For never since created man,
Met such imbodied force, as nam’d with these
Could merit more then that small infantry
Warr’d on by Cranes: though all the Giant brood
Of Phlegra with th’ Heroic Race were joyn’d
That fought at Theb’s and Ilium, on each side
Mixt with auxiliar Gods;   and what resounds
In Fable or Romance of Uthers Sons
Begirt with British and Armoric Knights;
And all who since Baptiz’d or Infidel
Jousted in Aspramont or Montalban,
Damasco, or Marocco, or Trebisond
Or whom Biserta sent from Afric shore
When Charlemain with all his Peerage fell
By Fontarabbia.   Thus far these beyond
Compare of mortal prowess, yet observ’d
Thir dread commander: he above the rest
In shape and gesture proudly eminent
Stood like a Towr; his form had yet not lost
All her Original brightness, nor appear’d
Less then Arch Angel ruind, and th’ excess
Of Glory obscur’d;   As when the Sun new ris’n
Looks through the Horizontal misty Air
Shorn of his Beams, or from behind the Moon
In dim Eclips disastrous twilight sheds
On half the Nations, and with fear of change
Perplexes Monarch.   Dark’n’d so, yet shon
Above them all th’ Arch Angel; but his face
Deep scars of Thunder had intrencht, and care
Sat on his faded cheek, but under Browes
Of dauntless courage, and considerate Pride
Waiting revenge: cruel his eye, but cast
Signs of remorse and passion to behold
The fellows of his crime, the followers rather
(Far other once beheld in bliss) condemn’d
For ever now to have thir lot in pain,
Millions of Spirits for his fault amerc’t
Of Heav’n, and from Eternal Splendors flung
For his revolt, yet faithfull how they stood,
Thir Glory witherd.   As when Heavens Fire
Hath scath’d the Forrest Oaks, or Mountain Pines,
With singed top thir stately growth though bare
Stands on the blasted Heath.   He now prepar’d
To speak; whereat thir doubl’d Ranks they bend
From wing to wing, and half enclose him round
With all his Peers: attention held them mute.
Thrice he assayd, and thrice in spight of scorn,
Tears such as Angels weep, burst forth: at last
Words interwove with sighs found out thir way.

O Myriads of immortal Spirits, O PowersMatchless, but with th’ Almighty, and that strife
Was not inglorious, though th’ event was dire,
As this place testifies, and this dire change
Hateful to utter: but what power of mind
Foreseeing or presaging, from the Depth
Of knowledge past or present, could have fear’d,
How such united force of Gods, how such
As stood like these, could ever know repulse?
For who can yet beleeve, though after loss,
That all these puissant Legions, whose exile
Hath emptied Heav’n, shall fail to re-ascend
Self-rais’d, and repossess thir native seat?
For mee be witness all the Host of Heav’n,
If counsels different, or danger shun’d
By mee, have lost our hopes.   But he who reigns
Monarch in Heav’n, till then as one secure
Sat on his Throne, upheld by old repute,
Consent or custome, and his Regal State
Put forth at full, but still his strength conceal’d,
Which tempted our attempt, and wrought our fall.
Henceforth his might we know, and know our own
So as not either to provoke, or dread
New warr, provok’t; our better part remains
To work in close design, by fraud or guile
What force effected not: that he no less
At length from us may find, who overcomes
By force, hath overcome but half his foe.
Space may produce new Worlds; whereof so rife
There went a fame in Heav’n that he ere long
Intended to create, and therein plant
A generation, whom his choice regard
Should favour equal to the Sons of Heaven:
Thither, if but to pry, shall be perhaps
Our first eruption, thither or elsewhere:
For this Infernal Pit shall never hold
Caelestial Spirits in Bondage, nor th’ Abyss
Long under darkness cover.   But these thoughts
Full Counsel must mature: Peace is despaird,
For who can think Submission? Warr then, Warr
Open or understood must be resolv’d.

He spake: and to confirm his words, out-flew
Millions of flaming swords, drawn from the thighs
Of mighty Cherubim; the sudden blaze
Far round illumin’d hell: highly they rag’d
Against the Highest, and fierce with grasped Arms
Clash’d on thir sounding Shields the din of war,
Hurling defiance toward the Vault of Heav’n.

There stood a hill not far whose griesly top
Belch’d fire and rowling smoak; the rest entire
Shon with a glossie scurff, undoubted sign
That in his womb was hid metallic Ore,
The work of Sulphur.   Thither wing’d with speed
A numerous Brigad hasten’d.   As when Bands
Of Pioners with Spade and Pickax arm’d
Forerun the Royal Camp, to trench a Field,
Or cast a Rampart.   Mammon led them on,
Mammon, the least erected Spirit that fell
From heav’n, for ev’n in heav’n his looks and thoughts
Were always downward bent, admiring more
The riches of Heav’ns pavement, trod’n Gold,
Then aught divine or holy else enjoy’d
In vision beatific: by him first
Men also, and by his suggestion taught
Ransack’d the Center, and with impious hands
Rifl’d the bowels of thir mother Earth
For Treasures better hid.   Soon had his crew
Op’nd into the Hill a spacious wound
And dig’d out ribs of Gold.   Let none admire
That riches grow in Hell; that soyle may best
Deserve the precious bane.   And here let those
Who boast in mortal things, and wond’ring tell
Of Babel, and the works of Memphian Kings
Learn how thir greatest Monuments of Fame,
And Strength and Art are easily out-done
By Spirits reprobate, and in an hour
What in an age they with incessant toyle
And hands innumerable scarce perform.
Nigh on the Plain in many cells prepar’d
That underneath had veins of liquid fire
Sluc’d from the Lake, a second multitude
With wond’rous Art found out the massie Ore,
Severing each kind, and scum’d the Bullion dross:
A third as soon had form’d within the ground
A various mould, and from the boyling cells
By strange conveyance fill’d each hollow nook,
As in an Organ from one blast of wind
To many a row of Pipes the sound-board breaths.
Anon out of the earth a Fabrick huge
Rose like an Exhalation, with the sound
Of Dulcet Symphonies and voices sweet,
Built like a Temple, where Pilasters round
Were set, and Doric pillars overlaid
With Golden Architrave; nor did there want
Cornice or Freeze, with bossy Sculptures grav’n,
The Roof was fretted Gold.   Not Babilon,
Nor great Alcairo such magnificence
Equal’d in all thir glories, to inshrine
Belus or Serapis thir Gods, or seat
Thir Kings, when Aegypt with Assyria strove
In wealth and luxurie.   Th’ ascending pile
Stood fixt her stately highth, and strait the dores
Op’ning thir brazen foulds discover wide
Within, her ample spaces, o’re the smooth
And level pavement: from the arched roof
Pendant by suttle Magic many a row
Of Starry Lamps and blazing Cressets fed
With Naphtha and Asphaltus yeilded light
As from a sky.   The hasty multitude
Admiring enter’d, and the work some praise
And some the Architect: his hand was known
In Heav’n by many a Towred structure high,
Where Scepter’d Angels held thir residence,
And sat as Princes, whom the supreme King
Exalted to such power, and gave to rule,
Each in his Hierarchie, the Orders bright.
Nor was his name unheard or unador’d
In ancient Greece; and in Ausonian land
Men call’d him Mulciber; and how he fell
From Heav’n, they fabl’d, thrown by angry Jove
Sheer o’re the Chrystal Battlements; from Morn
To Noon he fell, from Noon to dewy Eve,
A Summers day; and with the setting Sun
Dropt from the Zenith like a falling Star,
On Lemnos th’ Aegaean Ile: thus they relate,
Erring; for he with this rebellious rout
Fell long before; nor aught avail’d him now
To have built in Heav’n high Towrs; nor did he scape
By all his Engins, but was headlong sent
With his industrious crew to build in hell.
Mean while the winged Haralds by command
Of Sovran power, with awful Ceremony
And Trumpets sound throughout the Host proclaim
A solemn Councel forthwith to be held
At Pandaemonium, the high Capital
Of Satan and his Peers: thir summons call’d
From every Band and squared Regiment
By place or choice the worthiest; they anon
With hunderds and with thousands trooping came
Attended: all access was throng’d, the Gates
And Porches wide, but chief the spacious Hall
(Though like a cover’d field, where Champions bold
Wont ride in arm’d, and at the Soldans chair
Defi’d the best of Panim chivalry
To mortal combat or carreer with Lance)
Thick swarm’d, both on the ground and in the air,
Brusht with the hiss of russling wings.   As Bees
In spring time, when the Sun with Taurus rides,
Pour forth thir populous youth about the Hive
In clusters; they among fresh dews and flowers
Flie to and fro, or on the smoothed Plank,
The suburb of thir Straw-built Cittadel,
New rub’d with Baum, expatiate and confer
Thir State affairs.   So thick the aerie crowd
Swarm’d and were straitn’d; till the Signal giv’n
Behold a wonder! they but now who seemd
In bigness to surpass Earths Giant Sons
Now less then smallest Dwarfs, in narrow room
Throng numberless, like that Pigmean Race
Beyond the Indian Mount, or Faerie Elves,
Whose midnight Revels, by a Forrest side
Or Fountain some belated Peasant sees,
Or dreams he sees, while over-head the Moon
Sits Arbitress, and neerer to the Earth
Wheels her pale course, they on thir mirth and dance
Intent, with jocond Music charm his ear;
At once with joy and fear his heart rebounds.
Thus incorporeal Spirits to smallest forms
Reduc’d thir shapes immense, and were at large,
Though without number still amidst the Hall
Of that infernal Court.   But far within
And in thir own dimensions like themselvesThe great Seraphic Lords and CherubimIn close recess and secret conclave sat
A thousand Demy-Gods on golden seat’s,
Frequent and full.   After short silence then
And summons read, the great consult began.

Copyright Credit: John Milton, “Book I” from Paradise Lost, 2nd edn. (London: Samuel Simmons, 1674). Public domain.

Source: Paradise Lost (Samuel Simmons, 1674)

“The Compton Cafeteria Riot” (of 1966)

(Image from Instagram.com)

The Compton’s Cafeteria Riot is an immersive theatrical experience directly inspired by the 1966 uprising in San Francisco’s Tenderloin that marked a seminal act of collective resistance in the ongoing fight for transgender rights. The Tenderloin Museum is honored to present an ongoing new production in the heart of the neighborhood that holds the riot’s legacy in its reputation. (tenderloinmuseum.org)

PRESS

The Compton’s Cafeteria Riot play…isn’t just theater. It’s a time machine, a history lesson, and a punch to the gut in equal measure. [It] isn’t just a show you should see. It’s a space you need to sit in, feel, and carry with you. Because this history isn’t behind us. It’s right here in the room.” — TJ Payne, Broke-Ass Stuart

One of 2025’s must-see theatrical productions.” — SF Chronicle Datebook

At a time when queer and trans rights are under siege, The Compton’s Cafeteria Riot is not just relevant, it’s revolutionary” — Joshua Rotter, 48hills

To younger generations, the ’60s may seem like ancient history. But…[w]e’re lucky that some of the people who lived through [the riot] are still here to tell the tale. With trans rights under attack once again, these elders and their perspectives are precious. We can all learn from them, and Compton’s Cafeteria Riot is the perfect place to start.” — Nastia Voynovskaya, KQED

The Compton’s Cafeteria Riot is not simply a piece of immersive theatre. It’s a defiant, full-bodied act of historical restoration, and it is a living, breathing act of resistance.” — No Proscenium

Thank you ABC7 News for featuring The Compton’s Cafeteria Riot theater event in San Francisco on your show – https://www.facebook.com/reel/3330725840437722

(Courtesy of Calvin Harris, H.W., M.)

The Psychodynamics of Liberation, Part II, with Kathleen Speeth (1937 – 2025)

New Thinking Allowed with Jeffrey Mishlove Sep 4, 2026 Psychology and Psychotherapy This video is a special release from the original Thinking Allowed series that ran on public television from 1986 until 2002. It was recorded in about 1990. It will remain public for only one week.  The late Kathleen Speeth, PhD, was a clinical psychologist and co-editor (with Daniel Goleman) of Essential Psychotherapies. She is author of The Gurdjieff Work and Gurdjieff: Seeker of the Truth. She was a faculty member of the Institute for Transpersonal Psychology in Menlo Park, California. In this video, Dr. Speeth focuses on our tendency to sabotage ourselves – to act against our own best interests. She maintains that a distinction can be drawn between inner weaknesses for which we may forgive ourselves and those inner criminal impulses toward which we must remain forever vigilant. Now you can watch all of the programs from the original Thinking Allowed Video Collection, hosted by Jeffrey Mishlove. Subscribe to the new Streaming Channel (https://thinkingallowed.vhx.tv/) and watch more than 350 programs now, with more, previously unreleased titles added weekly. Free month of the classic Thinking Allowed streaming channel for New Thinking Allowed subscribers only. Use code THINKFREELY.

Gloria Steinem’s glamour was a means to an end

  • Vanessa Friedman | © 2025 The New York Times Company
  • Sep 3, 2026 (SFExaminer.com0
Gloria Steinem Wikimedia
Photo: Ms. Foundation for WomenCC BY 2.0, via Wikimedia CommonsKevin Wick

(Critic’s Notebook)

Of the millions of words associated with Gloria Steinem, the pioneering feminist and co-founder of Ms. magazine who died Wednesday, at age 92, perhaps the most famous were those she uttered as a casual aside during a birthday party in 1974.

A reporter observed that she didn’t look her age, Steinem remembered. “This is what 40 looks like,” she retorted. “We’ve been lying for so long, who would know?”

Little wonder Steinem became not just the voice but also the face of feminism, its aviator-wearing avatar who made it her mission to tear down the barriers around women as well as the stereotypes that helped build them. Those bromides included the expectation that age was a problem and thus something to hide, that any interest in appearance indicated an interest in superficiality and that, as National Geographic once characterized it (critically), “only plain women want equal rights because they aren’t hot enough to attract a husband.”

For Steinem, a woman’s agency included not just how she lived her life but also how she looked while she did so. It was part of the right to choose: who you were and where and how you appeared. And from the moment she appeared on the cover of Newsweek in 1971 under the banner “The New Woman,” smiling, her hair parted at the center and teased in back with blond streaks cascading around her face — and with (yes, of course) those aviators — she did it consciously and according to her own rules.

Her early employers may have labeled her a “girl reporter”; critics like Maxine Cheshire may have dismissed her as “the miniskirted pinup girl of the intelligentsia” (and an early connection to the CIA may have suggested her looks were a cover); but the glasses, the hairdo, the bell bottoms, hip-slung belts and bodysuits were merely weapons in her battle, and the troops she inspired were the legions of young women who came after. For her, style was a tool of change and a means of outreach.

“Fashion in the past meant conforming and losing oneself,” she said in “Gloria,” a 2011 HBO documentary, referring to the way designers and society had dictated femininity, with its corsets, crinolines and rules. “Fashion in the present means being unique and finding oneself.”

She did, thanks to the influence of Audrey Hepburn in “Breakfast at Tiffany’s,” whose attitude — a young woman navigating life in the city on her own terms — she could relate to. Also Wonder Woman, whose bullet-busting bangles inspired her own love of jewelry.

Steinem settled on her signature look, she told Teen Vogue, because she was nearsighted. “Growing up, people were always pinching me on the cheek, and so I felt I had a very fat face,” she said. “Those things were undercurrent somewhere, you know, causing me to wear my hair down and wear big glasses.”

What may have started as protective covering turned into a trademark over time, to the point that at a book party for Lena Dunham held at Steinem’s home this year, the guests’ goody bags included Warby Parker versions of her emblematic shades.

As for the clothes that went with them, they stayed similarly consistent. Steinem’s working uniform (she had one long before Steve Jobs) was, she told Dunham’s online newsletter, Lenny Letter, in 2015: “Boots, pants, a sweater or a T-shirt. A concha belt. Something that’s Native American or Indian or something that has a resonance from the past before patriarchy came along.”

The belts, she said in a video interview a few months before she died, were useful because with a belt “you didn’t have to change your clothes or buy new clothes; you could wear the same thing, black pants and a top.” You just changed your accessory.

As for that black, Steinem’s preferred color, she chose it because “it seemed much simpler.”

“You didn’t have to worry about what matched what, and you could wear whatever jewelry,” she said.

All of which meant she could spend her time thinking about the substance of what she wanted to convey since the style was taken care of. It was such an effective dressing formula, she once said, that when she was traveling around the country, she could stow everything — “a change of underwear, corduroy jeans and those turtleneck bodysuits” — in her briefcase.

And it worked in all contexts, including in 2017, when the Council of Fashion Designers of America bestowed a Board of Directors’ Tribute Award on Steinem (along with Cecile Richards of Planned Parenthood and Janelle Monáe). Accepting the honor, Steinem wore black sequined Michael Kors trousers, a black sweater and a black hip belt. She thanked the audience for their activism and Kors for the “great pants.” As far as she was concerned, the clothes enabled the cause rather than undermining it.

As a result, when vintage site What Goes Around Comes Around held an auction of some of Steinem’s wardrobe this year to benefit her foundation, the event was framed not as a fashion sale, but as an opportunity to “own a piece of history.” At that point in her life, as she was happy to admit, she was dyeing her hair, but she had never had plastic surgery. Those were her decisions, and she still believed in modeling them for all to see.

“I think we all choose to dress ourselves according to our taste, to people we admire, a little bit what the fashion is going on,” Steinem said in a video before her auction. But most of all, she continued, “for freedom.” Part of her legacy is showing the world how that might look.

This article originally appeared in The New York Times.

Featured Books from New Thinking Allowed

Kathleen Speeth learned at Gurdjieff’s knee as a child and later studied under his successor, Mme. Jeanne de Salzmann. She discusses Gurdjieff’s spiritual teachings, offers a brief profile of the philosopher, and assesses his influence on the modern world.


The Alchemy of Stones presents an inspired breakthrough in Robert Simmons’ thirty-five-year career of exploring and revealing the spiritual qualities and potentials of minerals, crystals, and gemstones. This holistic, Earth-based framework for understanding stones and their energies initiates readers into an alchemical worldview that leads to spiritual healing, transformation, and transcendence.


The late Jean Houston was at the cutting edge of the work on realizing the fullness of our human potential, which is as mainstream and pervasive in our culture as computer technology. A Mythic Life presents Jean Houston’s real, magical story and her true teaching. Here, she draws on her personal history and vast cultural knowledge to show how we can experience in our own lives the greater human story revealed in myths and discover our real potential.

Lagoon Nebula

Five thousand two hundred light-years away, the Lagoon Nebula glows as ultraviolet radiation from young, massive stars ionizes surrounding clouds of hydrogen, transforming an immense region of interstellar matter into a luminous tapestry of gas and dust. Within its sculpted forms, stellar radiation, gravity, and turbulent flows continually reshape the boundary between illuminated plasma and the dark molecular clouds from which new structures emerge. (New Thinking Allowed)

Marco Pierre White on roots

White in 2012

“A tree without roots is just a piece of wood.”

~ Marco Pierre White

Marco Pierre White is an English chef, restaurateur and television personality. In 1995, White became the first British chef and, at age 33, the youngest chef to earn three Michelin stars. He has trained chefs including Gordon Ramsay, Mario Batali, Shannon Bennett, Curtis Stone, Phil Howard and Stephen Terry. Wikipedia

Born December 11, 1961 (age 64 years), Leeds, United Kingdom

2 spacecraft will soon reach Mercury after 8 years in space. Here’s what BepiColombo can do

By Meghan Bartels

Published 2 days ago (Space.com)

The tiny planet hides big mysteries that scientists can’t wait to tackle.

A black and white image of a spacecraft wing in front of a large planet with some craters.
This image was taken by the BepiColombo mission on Jan. 8, 2025 as the spacecraft sped by Mercury for its sixth and final gravity assist at the planet.  (Image credit: ESA/BepiColombo/MTM)

Mercury, the tiniest and least-explored planet in the inner solar system, is hiding mysteries far larger than itself — and finally, scientists will soon be getting not one but two spacecraft designed to decode the strange world.

That’s thanks to the BepiColombo mission, a joint project of the European Space Agency (ESA) and Japan Aerospace Exploration Agency (JAXA) that launched in October 2018. After a harrowing journey through the inner solar system, the mission is tackling a crucial maneuver on Thursday (Sept. 3): separating its science equipment from the transport that carried it all that way. By April 2027, scientists hope the mission’s two instrument-heavy probes will be gathering a slew of observations that could help solve puzzles about Mercury — and maybe even the solar system we call home.

“I think being able to see new data come out about Mercury is going to be so fantastic,” Rachel Klima, a planetary geologist at the Johns Hopkins University Applied Physics Laboratory, told Space.com. The planet, she says, is “just so weird and beautiful and interesting.”

An enigmatic planet

For now, Mercury holds the dubious honor of being the least-explored planet in the inner solar system, visited by only two missions to date. NASA’s Mariner 10 spacecraft made a trio of zippy flybys in 1974 and 1975, giving scientists their first glimpses of the planet’s cracked and cratered surface, as well as confirming the world has both a very tenuous atmosphere and a magnetic field.

“It really gave us our first close-up view of Mercury,” Sean Solomon, a planetary scientist at Columbia University, told Space.com. “But it left a lot of pages blank.”You may like

And for decades, that was it. Scientists didn’t return to Mercury until 2011, when NASA’s MESSENGER spacecraft, with Solomon as its principal investigator, arrived at the tiny world. (Mercury has a radius of 1,516 miles, or 2,440 kilometers, meaning its width is just over a third of Earth’s.) The spacecraft was packed with tools tailored to the job, such as spectrometers tuned to gamma-rays, X-rays and neutrons, and instruments to sniff out the atmosphere and measure the magnetic field, and it was there to stay. Four years of observations with MESSENGER showed scientists Mercury’s complete surface for the first time, and by late in its mission, the spacecraft was passing just 15.5 miles (24.9 km) above the planet’s surface.

But even MESSENGER wasn’t sophisticated enough to crack Mercury’s puzzles or unveil the strange planet’s beginnings. “I think the jury’s still out on exactly how Mercury got assembled,” Solomon said.

Deep craters seen on a planet in this black and white image. A solar wing is visible on the right side.
Flying over Mercury’s north pole gave BepiColombo’s monitoring camera 1 (M-CAM 1) a unique opportunity to peer down into the shadowy polar craters on Jan. 8, 2025. (Image credit: ESA/BepiColombo/MTM)

MESSENGER opened up some smaller mysteries, too. It discovered bright, steep-sided pits that scientists dubbed “hollows.” It found a suite of elements — that planetary scientists call “volatiles” for their tendency to slip free of rock — somehow more prevalent in Mercury’s surface than Earth’s. It calculated that the center of the planet’s magnetic field is wildly offset from the planet’s core. Plus, MESSENGER’s tricky orbit also meant the spacecraft never saw the southern half of the planet as sharply as the northern half, leaving one side shadowed in doubt.

The arrival of BepiColombo

It’s these mysteries that the ambitious BepiColombo mission hopes to tackle. By April, if all goes well, the mission will consist of two separate spacecraft gathering independent but coordinated data about Mercury.

Europe’s Mercury Planetary Orbiter, or MPO, will focus on the planet proper. It’s packed with 11 science instruments that will map the terrain, minerals in the crust, and the gravity field, investigate the hollows and volcanic deposits, and observe how the barrage of charged particles from the sun affects this innermost planet.What to read next

Japan’s Mercury Magnetospheric Orbiter, or Mio, meanwhile, will focus on the planet’s surroundings — its magnetosphere and wispy atmosphere, as well as the dust cluttering up its neighborhood.

Both spacecraft also carry instruments to measure the planet’s magnetic field, offering simultaneous observations of different parts of the field to scientists who typically make do with data gathered from just one location at a time.

In fact, some of these instruments have been able to gather observations during BepiColombo’s long trek to Mercury and its six quick flybys of the planet so far. But because of how the spacecraft were configured for the journey, most of the instruments have not — and will not — get to work until after MPO and Mio have separated. That is expected to happen in December.

The mission’s science, then, has begun only in dribbles, while the bulk of its promise still lies ahead. “There is a growing literature of new results that have come from the BepiColombo flybys, but I expect that will explode once they go into orbit,” Solomon said.

Diagram showing the key moments in the BepiColombo mission's arrival at Mercury.
A diagram showing BepiColombo’s path to getting near Mercury. (Image credit: ESA)

He’s especially excited to see the spacecraft’s sharp views of the southern hemisphere, and particularly find hidden deposits of water ice across the area. These deposits would exist in deep craters that never feel the sun’s heat. In examining this region of the planet, scientists will be able to reduce the northerly bias of MESSENGER’s data and better see Mercury’s complete picture.

Meanwhile, Klima is most eagerly awaiting MPO’s work to map elements and minerals in the planet’s surface. This work eluded MESSENGER, which used a technique that relied on these rocks being rich in iron and similar materials — but as it turned out, those elements were absent, leaving scientists stymied. MPO carries different technology that will be able to read rocks on the world even without iron, which Klima said could help reveal how Mercury — and our whole solar system, as a matter of fact — formed.

Klima says she hopes BepiColombo can get people excited about Mercury, the overlooked terrestrial planet of the solar system: “It certainly doesn’t get the love and attention that Mars and Venus and everywhere else gets.”

Meghan Bartels

Meghan Bartels

Contributing Writer

Meghan Bartels is a freelance science journalist based in New York City who worked on staff for Space.com from 2018 to 2023. Her writing has also appeared in outlets including Scientific American, Science News, Wired, Newsweek and Audubon.

The Immigrant Workers Who Keep New York’s Restaurants Running

Nonfiction

Food books by chefs and celebrities arrive by the landslide. “Voices From the Kitchen” highlights workers who get far less attention.

A photograph of a restaurant interior, with people seated at tables in a space with low, red ceilings.
Credit…Janice Chung for The New York Times

By Dwight Garner

Aug. 3, 2026 Buy Book ▾ (NYTimes.com)

When you purchase an independently reviewed book through our site, we earn an affiliate commission. 

VOICES FROM THE KITCHEN: Personal Narratives From New York’s Immigrant Restaurant Workers, edited by Marc Meyer


This is a slim and modest book, a volume of oral histories in the vein of Studs Terkel’s “Working” (1974), but everyone who eats out regularly should know about it. Its title is “Voices From the Kitchen: Personal Narratives From New York’s Immigrant Restaurant Workers.” Its editor is Marc Meyer, a chef and a co-owner of the Manhattan restaurants Shuka, Cookshop, Vic’s, Shukette and Rosie’s.

Meyer’s methodology is straightforward. He sat down with 27 of his employees, many of whom have worked in his restaurants for decades, and recorded their stories on his iPhone. He transcribed the interviews and poured them with minimal editing into narratives.

Voices From the Kitchen: Personal Narratives From New York’s Immigrant Restaurant Workers

These men and women came from all over the globe — Ecuador, Bangladesh, Peru, Egypt, Mexico, the Ivory Coast, Bosnia, the Dominican Republic, Gambia — and their accounts of getting here, and scratching out lives in New York City, are plucky, harrowing, moving and often very funny. They’ve lately become anonymous political targets, and “Voices From the Kitchen” gives them back their human faces.

It’s possible to be cynical about Meyer’s project, and he’s aware of that. An obvious power dynamic is at play: No one is going to tell the entire gnarly truth about their lives, and especially about their jobs, to their employer. And Meyer is aware of whatever “white savior” vibe might cling to such a project.

It’s possible to hold those things in mind and admire “Voices From the Kitchen.” (All proceeds go to the narrators, and they’ve retained legal ownership over their stories.) Food titles arrive by the landslide in bookstores, yet so few dig into the lives of the immigrants who work in the back of the house as dishwashers, bussers and prep cooks, and increasingly in the front as servers and captains. More than a few by now are head chefs and managers.

Stories like these haven’t gone entirely uncollected. The Southern Foodways Alliance, the American Folklife Center and other organizations have assiduously compiled food-related oral histories you can find online. But it’s good to have these accounts between hard covers. “Voices From the Kitchen” is intrepid and timely enough to make you optimistic that someone will compile a more expansive book in this vein, not limited to the workers in one restaurant group.

Most of the men and women here came from small towns. Many had absent or abusive fathers, and no access to real educations. They fled to America to help support their families back home, to escape gang violence and corrupt governments, and to attempt to seize a part of what can only be called the American dream. Many had relatives who’d already come to New York.

The arrival stories are intense: days in the desert with little food or water, thieving coyotes (human smugglers), random gunmen, terrifying river crossings and long trips while packed “like cookies” into heavy trucks meant for hauling liquids, with few air vents. Many felt they would not survive. One rode to New York from Los Angeles in the back of a watermelon truck.

All started at, or near, the very bottom: cleaning bathrooms, bussing tables, working coat checks. All rose — first to a bit of prep work, then to a salad station, and so on — through hard work, thrift and perseverance. These are what we used to call, long before America’s descent into the ICE age, Horatio Alger stories.

Part of the pleasure of this book is following these men and women as they move between restaurants, assiduously climbing the ladder. There’s a built-in nostalgia factor in clocking the names of these places, some long gone and some standing: Big Kahuna, Ocean Grill, Red Gravy, Le Zoo, Clyde Frazier’s, Jean Georges, Mercer Kitchen, Momofuku Ssam Bar, Ernie’s, Lil’ Frankies, Bayamo, Poiret, Brown Betty, Avanti, Danji, Seventh Avenue Donuts, Charlie Bird, Calle Doa, Veranda, Fraunces Tavern, Sequoia, Maestro’s Steakhouse, Upland, Danube, A Voce Columbus, Aqualis Grill, Bayamo.

Not so long ago, most restaurant work was considered menial labor. Thanks in large part to Anthony Bourdain, it has become admired and cool (if still brutal) work. People want to look and be like chefs: raffish, tattooed, blunt, forearm scorch marks on display. The job offers intense camaraderie. It is a backdoor gateway to all manner of culture, in a way that most other blue-collar professions are not, should one wish to step through that gate.

A not-untypical story here is that of Vico (Meyer uses first names only, and sometimes pseudonyms), who arrived from a small village in Mexico in 1986 and started in restaurants as a porter. He’s now married and has been a United States citizen for eight years. He runs his own well-regarded restaurant, La Flor, in Queens, and oversees more than 20 restaurants in the Bowery restaurant group.

Vico’s daughter graduated from Amherst College. Another interviewee, Angel, also from a small town in Mexico (his father was a truck driver), is now a chef who has a son at Phillips Exeter Academy.

The book cover of "Voices From the Kitchen: Personal Narratives From New York's Immigrant Restaurant Workers."

The women in this book express feeling pressure to prove themselves in a male-dominated profession. They feel as squeezed as tubes of tomato paste between work and family. Some have been sexually abused. But more than a few have risen to the top. Carlha, whose father was a fisherman in the Dominican Republic, came here at age 6. She’s a chef and manager at Shuka.

Not all of these stories are happy. Some interviewees are depressed or have other health problems. “This city can give you economic stability, but it cannot give you emotional stability,” one says. Some merely want to go home to places that don’t quite exist any longer. “Why didn’t I stay?” another asks, about his hometown in Mexico. “I think I lost something from the past, and it’s gone forever. I can’t get it back.”

These interviews come most alive when narrators break the harmonious aura, when you sense someone scraping away at the pith. One woman admits that waiting tables too long can burn you out and make you snippy. Another remarks that working in diners sucks because so many are owned by big Greek families. Everyone in the family has an opinion, so you get it coming and going.

Rare comments like these remind you of the limitations of “Voices From the Kitchen.” Because these narrators are speaking to their boss, the underside of kitchen work is rarely on display — the rude customers, billing mistakes, racism, restroom hookups and cleanups, blood blisters on your feet, ego collisions, having to “push” menu items, trips and falls, the flameouts of co-workers, mandatory last-minute shifts, clearing away gross, half-eaten meals, tipping agonistes, cuts and punctures, dealing with celebrities and V.I.P.’s, cramped and noisy environments — everything that goes on below the deceptively smooth front-of-house choreography.

There is a more honest and encompassing oral history project out there, waiting to be compiled. Editors, start your engines.

I know about this book because I had lunch at Cookshop a few months ago, and copies were on the host’s table. It was a good find. Some of these stories are so tangled and involving they could be made into films.

This is not an explicitly political book. It has nothing concrete to say about immigration policy. It does not argue for wide-open borders. But it complicates easy narratives and asks that we see people not merely for what they are but for what they might become.

“They read my name and saw my face and pointed to the dishes,” says the job-seeking narrator of one of the stories in Bryan Washington’s collection, “Lot” (2019). This is surely happening daily in New York City restaurants. “Voices From the Kitchen” is an optimistic book — it reminds you that if many restaurant careers begin that way, they don’t have to end there.


VOICES FROM THE KITCHENPersonal Narratives From New York’s Immigrant Restaurant Workers | Edited by Marc Meyer | Beacon | 223 pp. | $29.95

Dwight Garner has been a book critic for The Times since 2008, and before that was an editor at the Book Review for a decade.

A version of this article appears in print on Aug. 30, 2026, Page 8 of the Sunday Book Review with the headline: Restaurant Takeaway. Order Reprints | Today’s Paper | Subscribe

(Contributed by Michael Kelly, H.W.)

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