Category Archives: Poem

Paradise Lost: Book  1 (1674 version)

(Image from Amaopn.com)

By John Milton

OF Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav’nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav’ns and Earth
Rose out of Chaos: or if Sion Hill
Delight thee more, and Siloa’s brook that flow’d
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th’ Aonian Mount, while it pursues
Things unattempted yet in Prose or Rhime.
And chiefly Thou, O Spirit, that dost prefer
Before all Temples th’ upright heart and pure,
Instruct me, for Thou know’st; Thou from the first
Wast present, and with mighty wings outspread
Dove-like satst brooding on the vast Abyss
And mad’st it pregnant: What in me is dark
Illumin, what is low raise and support;
That to the highth of this great Argument
I may assert Eternal Providence,
And justifie the wayes of God to men.

Say first, for Heav’n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov’d our Grand Parents in that happy State,
Favour’d of Heav’n so highly, to fall off
From thir Creator, and transgress his Will
For one restraint, Lords of the World besides?
Who first seduc’d them to that foul revolt?
Th’ infernal Serpent; he it was, whose guile
Stird up with Envy and Revenge, deceiv’d
The Mother of Mankind, what time his Pride
Had cast him out from Heav’n, with all his Host
Of Rebel Angels, by whose aid aspiring
To set himself in Glory above his Peers,
He trusted to have equal’d the most High,
If he oppos’d; and with ambitious aim
Against the Throne and Monarchy of God
Rais’d impious War in Heav’n and Battel proud
With vain attempt.   Him the Almighty Power
Hurld headlong flaming from th’ Ethereal Skie
With hideous ruine and combustion down
To bottomless perdition, there to dwell
In Adamantine Chains and penal Fire,
Who durst defie th’ Omnipotent to Arms.
Nine times the Space that measures Day and Night
To mortal men, he with his horrid crew
Lay vanquisht, rowling in the fiery Gulfe
Confounded though immortal: But his doom
Reserv’d him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him; round he throws his baleful eyes
That witness’d huge affliction and dismay
Mixt with obdurate pride and stedfast hate:
At once as far as Angels kenn he views
The dismal Situation waste and wilde,
A Dungeon horrible, on all sides round
As one great Furnace flam’d, yet from those flames
No light, but rather darkness visible
Serv’d onely to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery Deluge, fed
With ever-burning Sulphur unconsum’d:
Such place Eternal Justice had prepar’d
For those rebellious, here thir prison ordained
In utter darkness, and thir portion set
As far remov’d from God and light of Heav’n
As from the Center thrice to th’ utmost Pole.
O how unlike the place from whence they fell!
There the companions of his fall, o’rewhelm’d
With Floods and Whirlwinds of tempestuous fire,
He soon discerns, and weltring by his side
One next himself in power, and next in crime,
Long after known in Palestine, and nam’d
Beelzebub.   To whom th’ Arch-Enemy,
And thence in Heav’n call’d Satan, with bold words
Breaking the horrid silence thus began.

If thou beest he; But O how fall’n! how chang’d
From him, who in the happy Realms of Light
Cloth’d with transcendent brightness didst out-shine
Myriads though bright: If he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the Glorious Enterprize,
Joynd with me once, now misery hath joynd
In equal ruin: into what Pit thou seest
From what highth fall’n, so much the stronger prov’d
He with his Thunder: and till then who knew
The force of those dire Arms?   yet not for those,
Nor what the Potent Victor in his rage
Can else inflict, do I repent or change,
Though chang’d in outward lustre; that fixt mind
And high disdain, from sence of injur’d merit,
That with the mightiest rais’d me to contend,
And to the fierce contention brought along
Innumerable force of Spirits arm’d
That durst dislike his reign, and me preferring,
His utmost power with adverse power oppos’d
In dubious Battel on the Plains of Heav’n,
And shook his throne.   What though the field be lost?
All is not lost; the unconquerable Will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That Glory never shall his wrath or might
Extort from me.   To bow and sue for grace
With suppliant knee, and deifie his power,
Who from the terrour of this Arm so late
Doubted his Empire, that were low indeed,
That were an ignominy and shame beneath
This downfall; since by Fate the strength of Gods
And this Empyreal substance cannot fail,
Since through experience of this great event
In Arms not worse, in foresight much advanc’t,
We may with more successful hope resolve
To wage by force or guile eternal Warr
Irreconcileable, to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the Tyranny of Heav’n.

So spake th’ Apostate Angel, though in pain,
Vaunting aloud, but rackt with deep despare:
And him thus answer’d soon his bold Compeer.

O Prince, O Chief of many Throned Powers,
That led th’ imbattelld Seraphim to Warr
Under thy conduct, and in dreadful deeds
Fearless, endanger’d Heav’ns perpetual King;
And put to proof his high Supremacy,
Whether upheld by strength, or Chance, or Fate,
Too well I see and rue the dire event,
That with sad overthrow and foul defeat
Hath lost us Heav’n, and all this mighty Host
In horrible destruction laid thus low,
As far as Gods and Heav’nly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our Glory extinct and happy state
Here swallow’d up in endless misery.
But what if he our Conquerour, (whom I now
Of force believe Almighty, since no less
Then such could hav orepow’rd such force as ours)
Have left us this our spirit and strength intire
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of Warr, what e’re his business be
Here in the heart of Hell to work in Fire,
Or do his Errands in the gloomy Deep;
What can it then avail though yet we feel
Strength undiminisht, or eternal being
To undergo eternal punishment?
Whereto with speedy words th’ Arch-fiend reply’d.

Fall’n Cherube, to be weak is miserable
Doing or Suffering: but of this be sure,
To do ought good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist.   If then his Providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which oft times may succeed, so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from thir destind aim.
But see the angry Victor hath recall’d
His Ministers of vengeance and pursuit
Back to the Gates of Heav’n: the Sulphurous Hail
Shot after us in storm, oreblown hath laid
The fiery Surge, that from the Precipice
Of Heav’n receiv’d us falling, and the Thunder,
Wing’d with red Lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn,
Or satiate fury yield it from our Foe.
Seest thou yon dreary Plain, forlorn and wilde,
The seat of desolation, voyd of light,
Save what the glimmering of these livid flames
Casts pale and dreadful?   Thither let us tend
From off the tossing of these fiery waves,
There rest, if any rest can harbour there,
And reassembling our afflicted Powers,
Consult how we may henceforth most offend
Our Enemy, our own loss how repair,
How overcome this dire Calamity,
What reinforcement we may gain from Hope,
If not what resolution from despare.

Thus Satan to his neerest Mate
With Head up-lift above the wave, and Eyes
That sparkling blaz’d, his other Parts besides
Prone on the Flood, extended long and large
Lay floating many a rood, in bulk as huge
As whom the Fables name of monstrous size,
Titanian, or Earth-born, that warr’d on Jove,
Briareos or Typhon, whom the Den
By ancient Tarsus held, or that Sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ Ocean stream:
Him haply slumbring on the Norway foam
The Pilot of some small night-founder’d Skiff,

Deeming some Island, oft, as Sea-men tell,
With fixed Anchor in his skaly rind
Moors by his side under the Lee, while Night
Invests the Sea, and wished Morn delayes:
So stretcht out huge in length the Arch-fiend lay
Chain’d on the burning Lake, nor ever thence
Had ris’n or heav’d his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enrag’d might see
How all his malice serv’d but to bring forth
Infinite goodness, grace and mercy shewn
On Man by him seduc’t, but on himself
Treble confusion, wrath and vengeance pour’d.
Forthwith upright he rears from off the Pool
His mighty Stature; on each hand the flames
Drivn backward slope thir pointing spires, and rowld
In billows, leave i’th’midst a horrid Vale.
Then with expanded wings he stears his flight
Aloft, incumbent on the dusky Air
That felt unusual weight, till on dry Land
He lights, as if it were Land that ever burn’d
With solid, as the Lake with liquid fire;
And such appear’d in hue, as when the force
Of subterranean wind transports a Hill
Torn from Pelorus, or the shatter’d side
Of thundring Aetna, whose combustible
And fewel’d entrals thence conceiving Fire,
Sublim’d with Mineral fury, aid the Winds,
And leave a singed bottom all involv’d
With stench and smoak: Such resting found the sole
Of unblest feet.   Him followed his next Mate,
Both glorying to have scap’t the Stygian flood
As Gods, and by thir own recover’d strength,
Not by the sufferance of supernal Power.
Is this the Region, this the Soil, the Clime,
Said then the lost Arch-Angel, this the seat
That we must change for Heav’n, this mournful gloom
For that celestial light?   Be it so, since he
Who now is Sovran can dispose and bid
What shall be right: fardest from him is best
Whom reason hath equald, force hath made supream
Above his equals.   Farewel happy Fields
Where Joy for ever dwells: Hail horrours, hail
Infernal world, and thou profoundest Hell
Receive thy new Possessor:   One who brings
A mind not to be chang’d by Place or Time.
The mind is its own place, and in it self
Can make a Heav’n of Hell, a Hell of Heav’n.
What matter where, if I be still the same,
And what I should be, all but less then he
Whom Thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure, and in my choyce
To reign is worth ambition though in Hell:
Better to reign in Hell, then serve in Heav’n.
But wherefore let we then our faithful friends,
Th’ associates and copartners of our loss
Lye thus astonisht on th’ oblivious Pool,
And call them not to share with us their part
In this unhappy Mansion, or once more
With rallied Arms to try what may be yet
Regaind in Heav’n, or what more lost in Hell?

So Satan spake, and him Beelzebub
Thus answer’d.   Leader of those Armies bright,
Which but th’ Omnipotent none could have foyld,
If once they hear that voyce, thir liveliest pledge
Of hope in fears and dangers, heard so oft
In worst extreams, and on the perilous edge
Of battel when it rag’d, in all assaults
Thir surest signal, they will soon resume
New courage and revive, though now they lye
Groveling and prostrate on yon Lake of Fire,
As we erewhile, astounded and amaz’d,
No wonder, fall’n such a pernicious highth.
He scarce had ceas’t when the superiour Fiend
Was moving toward the shoar; his ponderous shield
Ethereal temper, massy, large and round,
Behind him cast; the broad circumference
Hung on his shoulders like the Moon, whose Orb
Through Optic Glass the Tuscan Artist views
At Ev’ning from the top of Fesole,
Or in Valdarno, to descry new Lands,
Rivers or Mountains in her spotty Globe.
His Spear, to equal which the tallest Pine
Hewn on Norwegian hills, to be the Mast
Of some great Ammiral, were but a wand,
He walkt with to support uneasie steps
Over the burning Marle, not like those steps
On Heavens Azure, and the torrid Clime
Smote on him sore besides, vaulted with Fire
Nathless he so endur’d, till on the Beach
Of that inflamed Sea, he stood and call’d
His Legions, Angel Forms, who lay intrans’t
Thick as Autumnal Leaves that strow the Brooks
In Vallombrosa, where th’ Etrurian shades
High overarch’t imbowr; or scatterd sedge
Afloat, when with fierce Winds Orion arm’d
Hath vext the Red-Sea Coast, whose waves orethrew
Busirus and his Memphian Chivalry,
While with perfidious hatred they pursu’d
The Sojourners of Goshen, who beheld
From the safe shore thir floating Carkases
And broken Chariot Wheels, so thick bestrown
Abject and lost lay these, covering the Flood,
Under amazement of thir hideous change.
He call’d so loud, that all the hollow Deep
Of Hell resounded. Princes, Potentates
Warriers, the Flowr of Heav’n, once yours, now lost,
If such astonishment as this can sieze
Eternal spirits; or have ye chos’n this place
After the toyl of Battel to repose
Your wearied vertue, for the ease you find
To slumber here, as in the Vales of Heav’n?
Or in this abject posture have ye sworn
To adore the Conquerour?   who now beholds
Cherube and Seraph rowling in the Flood
With scatter’d Arms and Ensigns, till anon
His swift pursuers from Heav’n Gates discern
Th’ advantage, and descending tread us down
Thus drooping, or with linked Thunderbolts
Transfix us to the bottom of this Gulfe.
Awake, arise, or be for ever fall’n.

They heard, and were abasht, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceave the evil plight
In which they were, or the fierce pains not feel;
Yet to thir Generals Voyce they soon obeyd
Innumerable.   As when the potent Rod
Of Amrams Son in Egypts evill day
Wav’d round the Coast, up call’d a pitchy cloud
Of Locusts, warping on the Eastern Wind,
That ore the Realm of impious Pharaoh hung
Like Night, and darken’d all the Land of Nile:
So numberless were those bad Angels seen
Hovering on wind under the Cope of Hell
‘Twixt upper, nether, and surrounding Fires;
Till, as a signal giv’n, th’ uplifted Spear
Of thir great Sultan waving to direct
Thir course, in even ballance down they light
On the firm brimstone, and fill all the Plain;
A multitude, like which the populous North
Pour’d never from her frozen loyns, to pass
Rhene or the Danaw, when her barbarous Sons
Came like a Deluge on the South, and spread
Beneath Gibralter to the Lybian sands.
Forthwith from every Squadron and each Band
The Heads and Leaders thither hast where stood
Thir great Commander; Godlike shapes and forms
Excelling human, Princely Dignities,
And Powers that earst in Heaven sat on Thrones;
Though of thir Names in heav’nly Records now
Be no memorial blotted out and ras’d
By thir Rebellion, from the Books of Life.
Nor had they yet among the Sons of Eve
Got them new Names, till wandring ore the Earth,
Through Gods high sufferance for the tryal of man,
By falsities and lyes the greatest part
Of Mankind they corrupted to forsake
God thir Creator, and th’ invisible
Glory of him that made them, to transform
Oft to the Image of a Brute, adorn’d
With gay Religions full of Pomp and Gold,
And Devils to adore for Deities:
Then were they known to men by various Names,
And various Idols through the Heathen World.
Say, Muse, the Names then known, who first, who last,
Rous’d from the slumber, on that fiery Couch,
At thir great Emperors call, as next in worth
Came singly where he stood on the bare strand,
While the promiscuous croud stood yet aloof?
The chief were those who from the Pit of Hell
Roaming to seek thir prey on earth, durst fix
Thir Seats long after next the Seat of God,
Thir Altars by his Altar, Gods ador’d
Among the Nations round, and durst abide
Jehovah thundring out of Sion, thron’d
Between the Cherubim; yea, often plac’d
Within his Sanctuary it self thir Shrines,
Abominations; and with cursed things
His holy Rites, and solemn Feasts profan’d,
And with thir darkness durst affront his light.
First Moloch, horrid King besmear’d with blood
Of human sacrifice, and parents tears,
Though for the noyse of Drums and Timbrels loud
Thir childrens cries unheard, that past through fire
To his grim Idol.   Him the Ammonite
Worshipt in Rabba and her watry Plain,
In Argob and in Basan, to the stream
Of utmost Arnon.   Not content with such
Audacious neighbourhood, the wisest heart
Of Solomon he led by fraud to build
His Temple right against the Temple of God
On that opprobrious Hill, and made his Grove
The pleasant Vally of HinnomTophet thence
And black Gehenna call’d, the Type of Hell.
Next Chemos, th’ obscene dread of Moabs Sons,
From Aroar to Nebo, and the wild
Of Southmost Abarim; in Hesebon
And HeronaimSeons Realm, beyond
The flowry Dale of Sibma clad with Vines,
And Eleale to th’ Asphaltick Pool.
Peor his other Name, when he entic’d
Israel in Sittim on thir march from Nile
To do him wanton rites, which cost them woe.
Yet thence his lustful Orgies he enlarg’d
Even to that Hill of scandal, but the Grove
Of Moloch homicide, lust hard by hate;
Till good Josiah drove them hence to Hell.
With these cam they, who from the bordring flood
Of old Euphrates to the Brook that parts
Egypt from Syrian ground, had general names
Of Baalim and Ashtaroth, those male,
These Feminine.   For Spirits when they please
Can either Sex assume, or both; so soft
And uncompounded is thir Essence pure,
Nor ti’d or manacl’d with joynt or limb,
Nor founded on the brittle strength of bones,
Like cumbrous flesh; but in what shape they choose
Dilated or condens’t, bright or obscure,
Can execute thir aerie purposes,
And works of love or enmity fulfill.
For those the Race of Israel oft forsook
Thir living strength, and unfrequented left
His righteous Altar, bowing lowly down
To bestial Gods; for which thir heads as low
Bow’d down in Battel, sunk before the Spear
Of despicable foes.   With these in troop
Came Astoreth, whom the Phoenicians call’d
Astarte, Queen of Heav’n, with crescent Horns;
To whose bright Image nightly by the Moon
Sidonian Virgins paid thir Vows and Songs,
In Sion also not unsung, where stood
Her Temple on th’ offensive Mountain, built
By that uxorious King, whose heart though large,
Beguil’d by fair Idolatresses, fell
To idols foul.   Thammuz came next behind,
Whose annual wound in Lebanon allur’d
The Syrian Damsels to lament his fate
In amorous dittyes all a Summers day,
While smooth Adonis from his native Rock
Ran purple to the Sea, suppos’d with blood
Of Thammuz yearly wounded; the Love-tale
Infected Sions daughters with like heat,
Whose wanton passions in the sacred Porch
Ezekial saw, when by the Vision led
His eye survay’d the dark Idolatries
Of alienated Judah.   Next came one
Who mourn’d in earnest, when the Captive Ark
Maim’d his brute Image, head and hands lopt off
In his own Temple, on the grunsel edge,
Where he fell flat, and sham’d his Worshipers:
Dagon his Name, Sea Monster, upward Man
And downward Fish: yet had his Temple high
Rear’d in Azotus, dreaded through the Coast
Of Palestine, in Gath and Ascalon
And Accaron and Gaza‘s frontier bounds.
Him follow’d Rimmon, whose delightful Seat
Was fair Damascus, on the fertil Banks
Of Abbana and Pharphar, lucid streams.
He also against the house of God was bold:
A Leper once he lost and gain’d a King,
Ahaz his sottish Conquerour, whom he drew
Gods Altar to disparage and displace
For one of Syrian mode, whereon to burn
His odious offrings, and adore the Gods
Whom he had vanquisht.   After these appear’d
A crew who under Names of old Renown,
OsirisIsisOrus and thir Train
With monstrous shapes and sorceries abus’d
Fanatic Egypt and her Priests, to seek
Thir wandring Gods Disguis’d in brutish forms
Rather then human.   Nor did Israel scape
Th’ infection when thir borrow’d Gold compos’d
The Calf in Oreb: and the Rebel King
Doubl’d that sin in Bethel and in Dan,
Lik’ning his Maker to the Grazed Ox,
Jehovah, who in one Night when he pass’d
From Egypt marching, equal’d with one stroke
Both her first born and all her bleating Gods
Belial came last, then whom a Spirit more lewd
Fell not from Heaven, or more gross to love
Vice for it self: To him no Temple stood
Or Altar smoak’d; yet who more oft then hee
In Temples and at Altars, when the Priest
Turns Atheist, as did Ely’s Sons, who fill’d
With lust and violence the house of God.

In Courts and Palaces he also Reigns

And in luxurious Cities, where the noyse

Of riot ascends above thir loftiest Towrs,

And injury and outrage: And when Night

Darkens the Streets, then wander forth the Sons

Of Belial, flown with insolence and wine.

Witness the Streets of Sodom, and that night

In Gibeah, when the hospitable door

Expos’d a Matron to avoid worse rape.

These were the prime in order and in might;

The rest were long to tell, though far renown’d,

Th’ Ionian Gods, of Javans issue held

Gods, yet confest later then Heav’n and Earth

Thir boasted Parents; Titan Heav’ns first born

With his enormous brood, and birthright seis’d

By younger Saturn, he from mightier Jove

His own and Rhea’s Son like measure found;

So Jove usurping reign’d: these first in Creet

And Ida known, thence on the Snowy top
Of cold Olympus rul’d the middle Air
Thir highest Heav’n; or on the Delphian Cliff,
Or in Dodona, and through all the bounds
Of Doric Land; or who with Saturn old
Fled over Adria to th’ Hesperian Fields,
And ore the Celtic roam’d the utmost Isles.
All these and more came flocking; but with looks
Down cast and damp, yet such wherein appear’d
Obscure some glimps of joy, to have found thir chief
Not in despair, to have found themselves not lost
In loss itself; which on his count’nance cast
Like doubtful hue: but he his wonted pride
Soon recollecting, with high words, that bore
Semblance of worth, not substance, gently rais’d
Thir fanting courage, and dispel’d thir fears.
Then strait commands that at the warlike sound
Of Trumpets loud and Clarions be upreard
His mighty Standard; that proud honour claim’d
Azazel as his right, a Cherube tall:
Who forthwith from the glittering Staff unfurld
Th’ Imperial Ensign, which full high advanc’t
Shon like a Meteor streaming to the Wind
With Gemms and Golden lustre rich imblaz’d,
Seraphic arms and Trophies: all the while
Sonorous mettal blowing Martial sounds:
At which the universal Host upsent
A shout that tore Hells Concave, and beyond
Frighted the Reign of Chaos and old Night.
All in a moment through the gloom were seen
Ten thousand Banners rise into the Air
With Orient Colours waving: with them rose
A Forrest huge of Spears: and thronging Helms
Appear’d, and serried Shields in thick array
Of depth immeasurable: Anon they move
In perfect Phalanx to the Dorian mood
Of Flutes and soft Recorders; such as rais’d
To hight of noblest temper Hero’s old
Arming to Battel, and in stead of rage
Deliberate valour breath’d, firm and unmov’d
With dread of death to flight or foul retreat,
Nor wanting power to mitigate and swage
With solemn touches, troubl’d thoughts, and chase
Anguish and doubt and fear and sorrow and pain
From mortal or immortal minds.   Thus they
Breathing united force with fixed thought
Mov’d on in silence to soft Pipes that charm’
Thir painful steps o’re the burnt soyle; and now
Advanc’t in view, they stand, a horrid Front
Of dreadful length and dazling Arms, in guise
Of Warriers old with order’d Spear and Shield,
Awaiting what command thir mighty Chief
Had to impose: He through the armed Files
Darts his experienc’t eye, and soon traverse
The whole Battalion views, thir order due,
Thir visages and stature as of Gods,
Thir number last he summs.   And now his heart
Distends with pride, and hardning in his strength
Glories: For never since created man,
Met such imbodied force, as nam’d with these
Could merit more then that small infantry
Warr’d on by Cranes: though all the Giant brood
Of Phlegra with th’ Heroic Race were joyn’d
That fought at Theb’s and Ilium, on each side
Mixt with auxiliar Gods;   and what resounds
In Fable or Romance of Uthers Sons
Begirt with British and Armoric Knights;
And all who since Baptiz’d or Infidel
Jousted in Aspramont or Montalban,
Damasco, or Marocco, or Trebisond
Or whom Biserta sent from Afric shore
When Charlemain with all his Peerage fell
By Fontarabbia.   Thus far these beyond
Compare of mortal prowess, yet observ’d
Thir dread commander: he above the rest
In shape and gesture proudly eminent
Stood like a Towr; his form had yet not lost
All her Original brightness, nor appear’d
Less then Arch Angel ruind, and th’ excess
Of Glory obscur’d;   As when the Sun new ris’n
Looks through the Horizontal misty Air
Shorn of his Beams, or from behind the Moon
In dim Eclips disastrous twilight sheds
On half the Nations, and with fear of change
Perplexes Monarch.   Dark’n’d so, yet shon
Above them all th’ Arch Angel; but his face
Deep scars of Thunder had intrencht, and care
Sat on his faded cheek, but under Browes
Of dauntless courage, and considerate Pride
Waiting revenge: cruel his eye, but cast
Signs of remorse and passion to behold
The fellows of his crime, the followers rather
(Far other once beheld in bliss) condemn’d
For ever now to have thir lot in pain,
Millions of Spirits for his fault amerc’t
Of Heav’n, and from Eternal Splendors flung
For his revolt, yet faithfull how they stood,
Thir Glory witherd.   As when Heavens Fire
Hath scath’d the Forrest Oaks, or Mountain Pines,
With singed top thir stately growth though bare
Stands on the blasted Heath.   He now prepar’d
To speak; whereat thir doubl’d Ranks they bend
From wing to wing, and half enclose him round
With all his Peers: attention held them mute.
Thrice he assayd, and thrice in spight of scorn,
Tears such as Angels weep, burst forth: at last
Words interwove with sighs found out thir way.

O Myriads of immortal Spirits, O PowersMatchless, but with th’ Almighty, and that strife
Was not inglorious, though th’ event was dire,
As this place testifies, and this dire change
Hateful to utter: but what power of mind
Foreseeing or presaging, from the Depth
Of knowledge past or present, could have fear’d,
How such united force of Gods, how such
As stood like these, could ever know repulse?
For who can yet beleeve, though after loss,
That all these puissant Legions, whose exile
Hath emptied Heav’n, shall fail to re-ascend
Self-rais’d, and repossess thir native seat?
For mee be witness all the Host of Heav’n,
If counsels different, or danger shun’d
By mee, have lost our hopes.   But he who reigns
Monarch in Heav’n, till then as one secure
Sat on his Throne, upheld by old repute,
Consent or custome, and his Regal State
Put forth at full, but still his strength conceal’d,
Which tempted our attempt, and wrought our fall.
Henceforth his might we know, and know our own
So as not either to provoke, or dread
New warr, provok’t; our better part remains
To work in close design, by fraud or guile
What force effected not: that he no less
At length from us may find, who overcomes
By force, hath overcome but half his foe.
Space may produce new Worlds; whereof so rife
There went a fame in Heav’n that he ere long
Intended to create, and therein plant
A generation, whom his choice regard
Should favour equal to the Sons of Heaven:
Thither, if but to pry, shall be perhaps
Our first eruption, thither or elsewhere:
For this Infernal Pit shall never hold
Caelestial Spirits in Bondage, nor th’ Abyss
Long under darkness cover.   But these thoughts
Full Counsel must mature: Peace is despaird,
For who can think Submission? Warr then, Warr
Open or understood must be resolv’d.

He spake: and to confirm his words, out-flew
Millions of flaming swords, drawn from the thighs
Of mighty Cherubim; the sudden blaze
Far round illumin’d hell: highly they rag’d
Against the Highest, and fierce with grasped Arms
Clash’d on thir sounding Shields the din of war,
Hurling defiance toward the Vault of Heav’n.

There stood a hill not far whose griesly top
Belch’d fire and rowling smoak; the rest entire
Shon with a glossie scurff, undoubted sign
That in his womb was hid metallic Ore,
The work of Sulphur.   Thither wing’d with speed
A numerous Brigad hasten’d.   As when Bands
Of Pioners with Spade and Pickax arm’d
Forerun the Royal Camp, to trench a Field,
Or cast a Rampart.   Mammon led them on,
Mammon, the least erected Spirit that fell
From heav’n, for ev’n in heav’n his looks and thoughts
Were always downward bent, admiring more
The riches of Heav’ns pavement, trod’n Gold,
Then aught divine or holy else enjoy’d
In vision beatific: by him first
Men also, and by his suggestion taught
Ransack’d the Center, and with impious hands
Rifl’d the bowels of thir mother Earth
For Treasures better hid.   Soon had his crew
Op’nd into the Hill a spacious wound
And dig’d out ribs of Gold.   Let none admire
That riches grow in Hell; that soyle may best
Deserve the precious bane.   And here let those
Who boast in mortal things, and wond’ring tell
Of Babel, and the works of Memphian Kings
Learn how thir greatest Monuments of Fame,
And Strength and Art are easily out-done
By Spirits reprobate, and in an hour
What in an age they with incessant toyle
And hands innumerable scarce perform.
Nigh on the Plain in many cells prepar’d
That underneath had veins of liquid fire
Sluc’d from the Lake, a second multitude
With wond’rous Art found out the massie Ore,
Severing each kind, and scum’d the Bullion dross:
A third as soon had form’d within the ground
A various mould, and from the boyling cells
By strange conveyance fill’d each hollow nook,
As in an Organ from one blast of wind
To many a row of Pipes the sound-board breaths.
Anon out of the earth a Fabrick huge
Rose like an Exhalation, with the sound
Of Dulcet Symphonies and voices sweet,
Built like a Temple, where Pilasters round
Were set, and Doric pillars overlaid
With Golden Architrave; nor did there want
Cornice or Freeze, with bossy Sculptures grav’n,
The Roof was fretted Gold.   Not Babilon,
Nor great Alcairo such magnificence
Equal’d in all thir glories, to inshrine
Belus or Serapis thir Gods, or seat
Thir Kings, when Aegypt with Assyria strove
In wealth and luxurie.   Th’ ascending pile
Stood fixt her stately highth, and strait the dores
Op’ning thir brazen foulds discover wide
Within, her ample spaces, o’re the smooth
And level pavement: from the arched roof
Pendant by suttle Magic many a row
Of Starry Lamps and blazing Cressets fed
With Naphtha and Asphaltus yeilded light
As from a sky.   The hasty multitude
Admiring enter’d, and the work some praise
And some the Architect: his hand was known
In Heav’n by many a Towred structure high,
Where Scepter’d Angels held thir residence,
And sat as Princes, whom the supreme King
Exalted to such power, and gave to rule,
Each in his Hierarchie, the Orders bright.
Nor was his name unheard or unador’d
In ancient Greece; and in Ausonian land
Men call’d him Mulciber; and how he fell
From Heav’n, they fabl’d, thrown by angry Jove
Sheer o’re the Chrystal Battlements; from Morn
To Noon he fell, from Noon to dewy Eve,
A Summers day; and with the setting Sun
Dropt from the Zenith like a falling Star,
On Lemnos th’ Aegaean Ile: thus they relate,
Erring; for he with this rebellious rout
Fell long before; nor aught avail’d him now
To have built in Heav’n high Towrs; nor did he scape
By all his Engins, but was headlong sent
With his industrious crew to build in hell.
Mean while the winged Haralds by command
Of Sovran power, with awful Ceremony
And Trumpets sound throughout the Host proclaim
A solemn Councel forthwith to be held
At Pandaemonium, the high Capital
Of Satan and his Peers: thir summons call’d
From every Band and squared Regiment
By place or choice the worthiest; they anon
With hunderds and with thousands trooping came
Attended: all access was throng’d, the Gates
And Porches wide, but chief the spacious Hall
(Though like a cover’d field, where Champions bold
Wont ride in arm’d, and at the Soldans chair
Defi’d the best of Panim chivalry
To mortal combat or carreer with Lance)
Thick swarm’d, both on the ground and in the air,
Brusht with the hiss of russling wings.   As Bees
In spring time, when the Sun with Taurus rides,
Pour forth thir populous youth about the Hive
In clusters; they among fresh dews and flowers
Flie to and fro, or on the smoothed Plank,
The suburb of thir Straw-built Cittadel,
New rub’d with Baum, expatiate and confer
Thir State affairs.   So thick the aerie crowd
Swarm’d and were straitn’d; till the Signal giv’n
Behold a wonder! they but now who seemd
In bigness to surpass Earths Giant Sons
Now less then smallest Dwarfs, in narrow room
Throng numberless, like that Pigmean Race
Beyond the Indian Mount, or Faerie Elves,
Whose midnight Revels, by a Forrest side
Or Fountain some belated Peasant sees,
Or dreams he sees, while over-head the Moon
Sits Arbitress, and neerer to the Earth
Wheels her pale course, they on thir mirth and dance
Intent, with jocond Music charm his ear;
At once with joy and fear his heart rebounds.
Thus incorporeal Spirits to smallest forms
Reduc’d thir shapes immense, and were at large,
Though without number still amidst the Hall
Of that infernal Court.   But far within
And in thir own dimensions like themselvesThe great Seraphic Lords and CherubimIn close recess and secret conclave sat
A thousand Demy-Gods on golden seat’s,
Frequent and full.   After short silence then
And summons read, the great consult began.

Copyright Credit: John Milton, “Book I” from Paradise Lost, 2nd edn. (London: Samuel Simmons, 1674). Public domain.

Source: Paradise Lost (Samuel Simmons, 1674)

Two Poems for Our Time

(Courtesy of Robert Reich)

One from the ruins of World War I, the other from the gathering storm of World War II

Today I’m again sharing two poems with you. The first was written in the ruins of World War I; the second, in the gathering storm of World War II. To me, both feel appropriate to the dark time we’re now living through, which is why I am sharing them with you again.

Robert Reich Aug 26, 2026

The Second Coming

William Butler Yeats (1919)

Turning and turning in the widening gyre

The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world,

The blood-dimmed tide is loosed, and everywhere

The ceremony of innocence is drowned;

The best lack all conviction, while the worst

Are full of passionate intensity.

Surely some revelation is at hand;

Surely the Second Coming is at hand.

The Second Coming! Hardly are those words out

When a vast image out of Spiritus Mundi

Troubles my sight: somewhere in sands of the desert

A shape with lion body and the head of a man,

A gaze blank and pitiless as the sun,

Is moving its slow thighs, while all about it

Reel shadows of the indignant desert birds.

The darkness drops again; but now I know

That twenty centuries of stony sleep

Were vexed to nightmare by a rocking cradle,

And what rough beast, its hour come round at last,

Slouches towards Bethlehem to be born?

***

Leap Before You Look

W. H. Auden (1940)

The sense of danger must not disappear:

The way is certainly both short and steep,

However gradual it looks from here;

Look if you like, but you will have to leap.

Tough-minded men get mushy in their sleep

And break the by-laws any fool can keep;

It is not the convention but the fear

That has a tendency to disappear.

The worried efforts of the busy heap,

The dirt, the imprecision, and the beer

Produce a few smart wisecracks every year;

Laugh if you can, but you will have to leap.

The clothes that are considered right to wear

Will not be either sensible or cheap,

So long as we consent to live like sheep

And never mention those who disappear.

Much can be said for social savoir-faire,

But to rejoice when no one else is there

Is even harder than it is to weep;

No one is watching, but you have to leap.

A solitude ten thousand fathoms deep

Sustains the bed on which we lie, my dear:

Although I love you, you will have to leap;

Our dream of safety has to disappear.

An Arundel Tomb: “What will survive of us is love.”

(Image from Wikipedia.org)

By Philip Larkin

Side by side, their faces blurred,   
The earl and countess lie in stone,   
Their proper habits vaguely shown   
As jointed armour, stiffened pleat,   
And that faint hint of the absurd—   
The little dogs under their feet.

Such plainness of the pre-baroque 
Hardly involves the eye, until
It meets his left-hand gauntlet, still   
Clasped empty in the other; and   
One sees, with a sharp tender shock,   
His hand withdrawn, holding her hand.

They would not think to lie so long.   
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor’s sweet commissioned grace   
Thrown off in helping to prolong   
The Latin names around the base.

They would not guess how early in
Their supine stationary voyage
The air would change to soundless damage,   
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths   
Of time. Snow fell, undated. Light
Each summer thronged the glass. A bright   
Litter of birdcalls strewed the same
Bone-riddled ground. And up the paths   
The endless altered people came,

Washing at their identity.   
Now, helpless in the hollow of   
An unarmorial age, a trough
Of smoke in slow suspended skeins 
Above their scrap of history,   
Only an attitude remains:

Time has transfigured them into   
Untruth. The stone fidelity
They hardly meant has come to be   
Their final blazon, and to prove   
Our almost-instinct almost true:   
What will survive of us is love.

Copyright Credit: Philip Larkin, “An Arundel Tomb” from Collected Poems. Copyright © Estate of Philip Larkin.  Reprinted by permission of Faber and Faber, Ltd.

Source: Collected Poems (Farrar Straus and Giroux, 1988)

(poetryfoundation.org)

The 32 Most Iconic Poems in the English Language

Plus Some Bonus Poems, Because We Love You

Emily Temple March 7, 2019 (lithub.com)

Today is the anniversary of the publication of Robert Frost’s iconic poem “Stopping by Woods on a Snowy Evening,” a fact that spurred the Literary Hub office into a long conversation about their favorite poems, the most iconic poems written in English, and which poems we should all have already read (or at least be reading next). Turns out, despite frequent (false) claims that poetry is dead and/or irrelevant and/or boring, there are plenty of poems that have sunk deep into our collective consciousness as cultural icons. (What makes a poem iconic? For our purposes here, it’s primarily a matter of cultural ubiquity, though unimpeachable excellence helps any case.) So for those of you who were not present for our epic office argument, I have listed some of them here.

NB that I limited myself to one poem per poet—which means that the impetus for this list actually gets bumped for the widely quoted (and misunderstood) “The Road Not Taken,” but so it goes. I also excluded book-length poems, because they’re really a different form. Finally, despite the headline, I’m sure there are many, many iconic poems out there that I’ve missed—so feel free to extend this list in the comments. But for now, happy reading (and re-reading):

William Carlos Williams, “The Red Wheelbarrow

The most anthologized poem of the last 25 years for a reason. See also: “This is Just to Say,” which, among other things, has spawned a host of memes and parodies.

T. S. Eliot, “The Waste Land

Without a doubt one of the most important poems of the 20th century. “It has never lost its glamour,” Paul Muldoon observed. “It has never failed to be equal to both the fracture of its own era and what, alas, turned out to be the even greater fracture of the ongoing 20th century and now, it seems, the 21st century.” See also: “The Love Song of J. Alfred Prufrock.”

Robert Frost, “The Road Not Taken

Otherwise known as “the most misread poem in America.” See also: “Stopping by Woods on a Snowy Evening.” And “Birches.” All begin in delight and end in wisdom, as Frost taught us great poems should.

Gwendolyn Brooks, “We Real Cool

This blew my mind in high school, and I wasn’t the only one.

Elizabeth Bishop, “One Art

Bishop’s much loved and much discussed ode to loss, which Claudia Roth Pierpont called “a triumph of control, understatement, wit. Even of self-mockery, in the poetically pushed rhyme word “vaster,” and the ladylike, pinkies-up “shan’t.” An exceedingly rare mention of her mother—as a woman who once owned a watch. A continent standing in for losses larger than itself.”

emily dickinson complete poems

Emily Dickinson, “Because I could not stop for Death –

The truth is, there are lots of equally iconic Dickinson poems, so consider this a stand-in for them all. Though, as Jay Parini has noted, this poem is perfect, “one of Dickinson’s most compressed and chilling attempts to come to terms with mortality.”

The Collected Poems of Langston Hughes

Langston Hughes, “Harlem

One of the defining works of the Harlem Renaissance, by its greatest poet. It also, of course, gave inspiration and lent a title to another literary classic: Lorraine Hansberry’s A Raisin in the Sun.

Sylvia Plath, “Daddy

To be quite honest, my favorite Plath poem is “The Applicant.” But “Daddy” is still the most iconic, especially if you’ve ever heard her read it aloud.

Robert Hayden, “Middle Passage

The most famous poem, and a terribly beautiful one, by our country’s first African-American Poet Laureate (though the position was then called Consultant in Poetry to the Library of Congress). See also: “Those Winter Sundays, which despite what I wrote above may be equally as famous.”

Wallace Stevens, “Thirteen Ways of Looking at a Blackbird

This one takes the cake for the sheer number of “thirteen ways of looking at x” knockoffs that I’ve seen. But please see also: “The Emperor of Ice-Cream.”

howl

Allen Ginsberg, “Howl

With On the Road, the most enduring piece of literature from the mythologized Beat Generation, and of the two, the better one. Even the least literate of your friends would probably recognize the line “I saw the best minds of my generation destroyed by madness . . .”

Maya Angelou, Still I Rise

Maya Angelou, “Still I Rise

So iconic, it was a Google Doodle.

Dylan Thomas, “Do Not Go Gentle into That Good Night” copy

Dylan Thomas, “Do Not Go Gentle into That Good Night

I mean, have you seen Interstellar? (Or Dangerous Minds or Independence Day?)

Samuel Taylor Coleridge, “Kubla Khan

Or Citizen Kane? (See also: “The Rime of the Ancient Mariner.”)

Percy Bysshe Shelley, "Ozymandias"

Percy Bysshe Shelley, “Ozymandias

. . . or Breaking Bad?

Edgar Allan Poe, “The Raven

We had some votes for “Annabel Lee,” on account of its earworminess, but among the many appearances and references of Poe in pop culture, “The Raven” is certainly the most common.

Louise Glück, “Mock Orange

One of those poems passed hand to hand between undergraduates who will grow up to become writers.

Paul Laurence Dunbar, “We Wear the Mask

Dunbar’s most famous poem, and arguably his best, which biographer Paul Revell described as “a moving cry from the heart of suffering. The poem anticipates, and presents in terms of passionate personal regret, the psychological analysis of the fact of blackness in Frantz Fanon’s Peau Noire, Masques Blancs, with a penetrating insight into the reality of the black man’s plight in America.”

e.e. cummings, “i carry your heart with me

As quoted at many, many weddings.

Marianne Moore, “Poetry

All else aside, the fact that it starts with hating poetry has made it a favorite among schoolchildren of all ages. See also: “The Fish.”

Rudyard Kipling, “If

According to someone in the Literary Hub office who would know, this poem is all over sports stadiums and locker rooms. Serena Williams is into it, which is proof enough for me.

Gertrude Stein, “Sacred Emily

Because a rose is a rose is a rose is a rose.

William Blake, “The Tyger

Tyger, tyger, burning bright . . . Blake famously wrote music to go along with his poems—the originals have been lost, but this verse has been widely interpreted by musicians as well as repeated to many sleepy children.

Robert Burns, "To a Mouse"

Robert Burns, “To a Mouse

As (further) immortalized by John Steinbeck.

Walt Whitman, “Song of Myself

The most famous poem from Whitman’s celebrated Leaves of Grass, and selected by Jay Parini as the best American poem of all time. “Whitman reinvents American poetry in this peerless self-performance,” Parini writes, “finding cadences that seem utterly his own yet somehow keyed to the energy and rhythms of a young nation waking to its own voice and vision. He calls to every poet after him, such as Ezra Pound, who notes in “A Pact” that Whitman “broke the new wood.””

Philip Larkin, “This Be The Verse

We know, we know, it’s all your parents’ fault.

William Shakespeare, “Sonnet 18” (“Shall I compare thee to a summer’s day?”)

Like Dickinson, we could have put several of Shakespeare’s sonnets in this slot. Most people only recognize the first couplets anyway.

Audre Lorde, “Power

A uniquely American poem, written in 1978, that should be outdated by now, but still is not.

Frank O’Hara, “Meditations in an Emergency

Courtesy Don Draper, circa season 2.

John McCrae, “In Flanders Fields

Probably the most iconic—and most quoted—poem from WWI. Particularly popular in Canada, where McCrae is from.

Lewis Carroll, “Jabberwocky

Still the most iconic nonsense poem ever written.

W. B. Yeats, “The Second Coming

Otherwise known as “the most thoroughly pillaged piece of literature in English.” Just ask our hero Joan Didion. Joan knows what’s up.

*

One more thing. The above list is too white and male and old, because our literary iconography is still too white and male and old. So, here are some other poems that we here at the Literary Hub office also consider iconic, though they are perhaps not as widely anthologized/quoted/referenced/used to amp up the corny drama in films as some of the above (yet).

Adrienne Rich, “Diving into the Wreck

One of my very favorites from Rich’s rich (sorry) oeuvre. I read it in college and have been quoting it ever since.

Patricia Lockwood, “Rape Joke

The poem that officially broke the internet in 2013.

Lucille Clifton, “Homage to My Hips

She’s just . . . so . . . damn . . . sexy. See also: “To a Dark Moses” and “won’t you celebrate with me,” because Clifton is the greatest.

Lucie Brock-Broido, “Am Moor

This happens to be my own personal favorite Brock-Broido poem, though almost any would do here.

Sappho, “The Anactoria Poem” (tr. Jim Powell)

I’m breaking my rule about the poems being written in English to include Sappho, whose work is uniquely appealing for being almost lost to us. The Anactoria poem is her most famous, though I have to say I also have a major soft spot for this fragment, translated by Anne Carson:

so
]

]
]
]
]

Go                     [
so we may see [
]
lady

of gold arms     [
]
]
doom
]

Kevin Young, “Errata

The greatest wedding poem that no one ever reads at their wedding.

Beauty Was the Case that They Gave Me mark leidner

Mark Leidner, “Romantic Comedies

For those who enjoy snorting their coffee while reading poetry.

Muriel Rukeyser, “The Book of the Dead

A long, legendary poem, written in 1938, about the illness of a group of miners in Gauley Bridge, West Virginia. “Coming hot on the heels of modernist long poem masterpieces like Eliot’s “The Wasteland” or Stein’s “Tender Buttons,” the poem’s deliberate lucidity isn’t just an aesthetic choice—it’s a political one,” Colleen Abel wrote in Ploughshares. “Rukeyser, from the beginning of “Book of the Dead,” seeks the reader’s participation in the journey to Gauley Bridge. The reader is implicated from the first section, “The Road,” in which Rukeyser calls outward to her audience: “These are roads you take when you think of your country.” The disaster Rukeyser is about to explore is a part of “our country” and the reader will have no choice but to confront it.”

Carolyn Forché, “The Colonel

What you have heard is true. This poem is unforgettable.

Rita Dove, “After Reading Mickey in the Night Kitchen for the Third Time Before Bed

Again, a thousand poems by Rita Dove would do; this is the one that sticks in my brain.

Nikki Giovanni, “Ego Tripping

I mean, “I am so hip even my errors are correct” should probably be your mantra. Watch Giovanni perform her poem here.

Terrance Hayes, “The Golden Shovel

Hayes’s homage to Gwendolyn Brooks is a masterpiece in its own right.

Adrienne Rich Allen Ginsberg Carolyn Forché classic literature Dylan Thomas Edgar Allan Poe Elizabeth Bishop Emily Dickinson Gwendolyn Brooks iconic poems Kevin Young Langston Hughes Louise Gluck Lucie Brock-Broido Lucille Clifton Marianne Moore Mark Leidner Maya Angelou Muriel Rukeyser Nikki Giovanni Patricia Lockwood Paul Laurence Dunbar poems poetry Rita Dove Robert Frost Robert Hayden Rudyard Kipling Samuel Taylor Coleridge Sappho Sylvia Plath T. S. Eliot Terrance Hayes Wallace Stevens William Carlos Williams

Emily Temple

Emily Temple

Emily Temple is the managing editor at Lit Hub. Her first novel, The Lightness, was published by William Morrow/HarperCollins in June 2020. You can buy it here.

The Thunder, Perfect Mind

(PBS.org)

(Image from IMDb)

This mysterious poem, discovered among the gnostic manuscripts at Nag Hammadi, is narrated by a female divine revealer.

” ‘Thunder Perfect Mind’ is a marvelous, strange poem. It speaks in the voice of a feminine divine power, but one that unites all opposites. One that is not only speaking in women, but also in all people. One that speaks not only in citizens, but aliens, it says, in the poor and in the rich. It’s a poem which sees the radiance of the divine in all aspects of human life, from the sordidness of the slums of Cairo or Alexandria, as they would have been, to the people of great wealth, from men to women to slaves. In that poem, the divine appears in every, and the most unexpected, forms….

‘Thunder Perfect Mind’ may have been written in Egypt. It’s probably written by somebody who knows the traditions of Isis, knows the traditions of the Jews. It shows that this movement grew up in a world in which Jewish, Egyptian, Greek, Roman traditions are mingled and mixing and well-known to many sophisticated people. All you had to do is travel around a city, like Carnac, and you saw all these images, and these various religions and these various cultures mixing.’

— Elaine Pagels, from her interview in FRONTLINE’s
From Jesus to Christ (link to two-part series on PBS.org: https://www.pbs.org/wgbh/frontline/documentary/showsreligion/

The Thunder, Perfect Mind

Translated by George W. MacRae

I was sent forth from the power,
and I have come to those who reflect upon me,
and I have been found among those who seek after me.
Look upon me, you who reflect upon me,
and you hearers, hear me.
You who are waiting for me, take me to yourselves.
And do not banish me from your sight.
And do not make your voice hate me, nor your hearing.
Do not be ignorant of me anywhere or any time. Be on your guard!
Do not be ignorant of me.
For I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am <the mother> and the daughter.
I am the members of my mother.
I am the barren one
and many are her sons.
I am she whose wedding is great,
and I have not taken a husband.
I am the midwife and she who does not bear.
I am the solace of my labor pains.
I am the bride and the bridegroom,
and it is my husband who begot me.
I am the mother of my father
and the sister of my husband
and he is my offspring.
I am the slave of him who prepared me.
I am the ruler of my offspring.
But he is the one who begot me before the time on a birthday.
And he is my offspring in (due) time,
and my power is from him.
I am the staff of his power in his youth,
and he is the rod of my old age.
And whatever he wills happens to me.
I am the silence that is incomprehensible
and the idea whose remembrance is frequent.
I am the voice whose sound is manifold
and the word whose appearance is multiple.
I am the utterance of my name.

Why, you who hate me, do you love me,
and hate those who love me?
You who deny me, confess me,
and you who confess me, deny me.
You who tell the truth about me, lie about me,
and you who have lied about me, tell the truth about me.
You who know me, be ignorant of me,
and those who have not known me, let them know me.
For I am knowledge and ignorance.
I am shame and boldness.
I am shameless; I am ashamed.
I am strength and I am fear.
I am war and peace.
Give heed to me.
I am the one who is disgraced and the great one.
Give heed to my poverty and my wealth.
Do not be arrogant to me when I am cast out upon the earth,
and you will find me in those that are to come.
And do not look upon me on the dung-heap
nor go and leave me cast out,
and you will find me in the kingdoms.
And do not look upon me when I am cast out among those who
are disgraced and in the least places,
nor laugh at me.
And do not cast me out among those who are slain in violence.
But I, I am compassionate and I am cruel.
Be on your guard!
Do not hate my obedience
and do not love my self-control.
In my weakness, do not forsake me,
and do not be afraid of my power.
For why do you despise my fear
and curse my pride?
But I am she who exists in all fears
and strength in trembling.
I am she who is weak,
and I am well in a pleasant place.
I am senseless and I am wise.
Why have you hated me in your counsels?
For I shall be silent among those who are silent,
and I shall appear and speak,
Why then have you hated me, you Greeks?
Because I am a barbarian among the barbarians?
For I am the wisdom of the Greeks
and the knowledge of the barbarians.
I am the judgement of the Greeks and of the barbarians.
I am the one whose image is great in Egypt
and the one who has no image among the barbarians.
I am the one who has been hated everywhere
and who has been loved everywhere.
I am the one whom they call Life,
and you have called Death.
I am the one whom they call Law,
and you have called Lawlessness.
I am the one whom you have pursued,
and I am the one whom you have seized.
I am the one whom you have scattered,
and you have gathered me together.
I am the one before whom you have been ashamed,
and you have been shameless to me.
I am she who does not keep festival,
and I am she whose festivals are many.
I, I am godless,
and I am the one whose God is great.
I am the one whom you have reflected upon,
and you have scorned me.
I am unlearned,
and they learn from me.
I am the one that you have despised,
and you reflect upon me.
I am the one whom you have hidden from,
and you appear to me.
But whenever you hide yourselves,
I myself will appear.
For whenever you appear,
I myself will hide from you.
Those who have […] to it […] senselessly […].
Take me [… understanding] from grief.
and take me to yourselves from understanding and grief.
And take me to yourselves from places that are ugly and in ruin,
and rob from those which are good even though in ugliness.
Out of shame, take me to yourselves shamelessly;
and out of shamelessness and shame,
upbraid my members in yourselves.
And come forward to me, you who know me
and you who know my members,
and establish the great ones among the small first creatures.
Come forward to childhood,
and do not despise it because it is small and it is little.
And do not turn away greatnesses in some parts from the smallnesses,
for the smallnesses are known from the greatnesses.
Why do you curse me and honor me?
You have wounded and you have had mercy.
Do not separate me from the first ones whom you have known.
And do not cast anyone out nor turn anyone away
[…] turn you away and [… know] him not.
[…].
What is mine […].
I know the first ones and those after them know me.
But I am the mind of […] and the rest of […].
I am the knowledge of my inquiry,
and the finding of those who seek after me,
and the command of those who ask of me,
and the power of the powers in my knowledge
of the angels, who have been sent at my word,
and of gods in their seasons by my counsel,
and of spirits of every man who exists with me,
and of women who dwell within me.
I am the one who is honored, and who is praised,
and who is despised scornfully.
I am peace,
and war has come because of me.
And I am an alien and a citizen.
I am the substance and the one who has no substance.
Those who are without association with me are ignorant of me,
and those who are in my substance are the ones who know me.
Those who are close to me have been ignorant of me,
and those who are far away from me are the ones who have known me.
On the day when I am close to you, you are far away from me,
and on the day when I am far away from you, I am close to you.
[I am …] within.
[I am …] of the natures.
I am […] of the creation of the spirits.
[…] request of the souls.
I am control and the uncontrollable.
I am the union and the dissolution.
I am the abiding and I am the dissolution.
I am the one below,
and they come up to me.
I am the judgment and the acquittal.
I, I am sinless,
and the root of sin derives from me.
I am lust in (outward) appearance,
and interior self-control exists within me.
I am the hearing which is attainable to everyone
and the speech which cannot be grasped.
I am a mute who does not speak,
and great is my multitude of words.
Hear me in gentleness, and learn of me in roughness.
I am she who cries out,
and I am cast forth upon the face of the earth.
I prepare the bread and my mind within.
I am the knowledge of my name.
I am the one who cries out,
and I listen.
I appear and […] walk in […] seal of my […].
I am […] the defense […].
I am the one who is called Truth
and iniquity […].
You honor me […] and you whisper against me.
You who are vanquished, judge them (who vanquish you)
before they give judgment against you,
because the judge and partiality exist in you.
If you are condemned by this one, who will acquit you?
Or, if you are acquitted by him, who will be able to detain you?
For what is inside of you is what is outside of you,
and the one who fashions you on the outside
is the one who shaped the inside of you.
And what you see outside of you, you see inside of you;
it is visible and it is your garment.
Hear me, you hearers
and learn of my words, you who know me.
I am the hearing that is attainable to everything;
I am the speech that cannot be grasped.
I am the name of the sound
and the sound of the name.
I am the sign of the letter
and the designation of the division.
And I […].
(3 lines missing)
[…] light […].
[…] hearers […] to you
[…] the great power.
And […] will not move the name.
[…] to the one who created me.
And I will speak his name.
Look then at his words
and all the writings which have been completed.
Give heed then, you hearers
and you also, the angels and those who have been sent,
and you spirits who have arisen from the dead.
For I am the one who alone exists,
and I have no one who will judge me.
For many are the pleasant forms which exist in numerous sins,
and incontinencies,
and disgraceful passions,
and fleeting pleasures,
which (men) embrace until they become sober
and go up to their resting place.
And they will find me there,
and they will live,
and they will not die again.

James M. Robinson, ed., The Nag Hammadi Library, revised edition. HarperCollins, San Francisco, 1990.