Warner Bros. PicturesWarner Bros. Pictures The Matrix Resurrections in theaters and on HBO Max December 22 #TheMatrixMovie —————– https://www.facebook.com/TheMatrixMovie/https://twitter.com/TheMatrixMoviehttps://www.instagram.com/thematrixmo… —————– From visionary filmmaker Lana Wachowski comes “The Matrix Resurrections,” the long-awaited fourth film in the groundbreaking franchise that redefined a genre. The new film reunites original stars Keanu Reeves and Carrie-Anne Moss in the iconic roles they made famous, Neo and Trinity. The film also stars Yahya Abdul-Mateen II (the “Aquaman” franchise) Jessica Henwick (TV’s “Iron Fist,” “Star Wars: Episode VII – The Force Awakens”), Jonathan Groff (“Hamilton,” TV’s “Mindhunter”), Neil Patrick Harris (“Gone Girl”), Priyanka Chopra Jonas (TV’s “Quantico,”), Christina Ricci (TV’s “Escaping the Madhouse: The Nellie Bly Story,” “The Lizzie Borden Chronicles”), Telma Hopkins (TV’s “Dead to Me,”), Eréndira Ibarra (series “Sense8,” “Ingobernable”), Toby Onwumere (TV’s “Empire”), Max Riemelt (series “Sense8”), Brian J. Smith (series “Sense8,” “Treadstone”), and Jada Pinkett Smith (“Angel Has Fallen,” TV’s “Gotham”). Lana Wachowski directed from a screenplay by Wachowski & David Mitchell & Aleksander Hemon, based on characters created by The Wachowskis. The film was produced by Grant Hill, James McTeigue and Lana Wachowski. The executive producers were Garrett Grant, Terry Needham, Michael Salven, Jesse Ehrman and Bruce Berman. Wachowski’s creative team behind the scenes included “Sense8” collaborators: directors of photography Daniele Massaccesi and John Toll, production designers Hugh Bateup and Peter Walpole, editor Joseph Jett Sally, costume designer Lindsay Pugh, visual effects supervisor Dan Glass, and composers Johnny Klimek and Tom Tykwer. Warner Bros. Pictures Presents, In Association with Village Roadshow Pictures, In Association with Venus Castina Productions, “The Matrix Resurrections.” The film will be distributed by worldwide by Warner Bros. Pictures. It will be in theaters nationwide and on HBO Max via the Ad-Free plan on December 22, 2021; it will be available on HBO Max for 31 days from theatrical release.

Community Update September 2021 HERE’S WHAT’S HAPPENING!

Upcoming Classes We’re getting ready for an exciting Fall series, which will include some unique offerings! Two great classes are coming up in October. Then, in November, we’ll be presenting two more very special classes that haven’t been given in years – you’ll want to reserve time to experience these treasures!To learn more about all our events, please visit our website at https://www.theprosperos.org/events. We look forward to seeing you soon! COSMIC INTENTION THERAPY October 2-3, 2021 – Denver, CO – Richard Hartnett, H.W., M., instructor The ever-transcending Life force has created a new species adapted to a new universe. The old must give way to the new, and the new must retain only the best of what has come before. Cosmic Intention Therapy examines the new paradigm, and offers guidance for both young and old. The class web page will have more information soon: https://www.theprosperos.org/prosperos-events/cit-live-in-denver-by-richard-hartnet TRANSLATION October 16-17, 2021 – Online – Calvin Harris, H.W., M., instructor Translation, The Prosperos primary Foundation Class, provides the fundamental resource required for shedding limitation, disorder, and confusion from your world: straight thinking in the abstract. Learn to see through what seems to be – limitation, anxiety, oppression – to Truth: reality, wholeness, innate integrity. For more information, visit: https://www.theprosperos.org/prosperos-events/translation-class-by-calvin-harris-hw-m-monitor‘ Sunday Meetings  Presenting talks by Prosperos Mentors and inspiring guests, these online events are open to all who are interested. There is no charge, although we do encourage contributions. Join us at: https://us02web.zoom.us/j/332275676! Coming up this month: SUNDAY, SEPTEMBER 19  (11:00 am PDT) “In the Name of Sanity”  Anne Bollman, H.W., M., addresses how irrationality is discussed in Lewis Mumford’s book, which is based on Shakespeare’s play The Tempest. She will discuss Mumford’s ideas as they relate to irrationality in today’s world, with the “tempests” we are now facing, and the need for sanity.   SUNDAY, SEPTEMBER 26  (11:00 am PDT) “Conversations with Calvin”  Calvin Harris, H.W., M., enjoys conversing with people who have a transformational outlook on life and Being. This interview with William Fennie, H.W., M. promises insights and fun as we discuss highlights of William’s life journey: Career Choices; Tidbits about Education, Having a Calling, Purpose, Goals, and a journey path from and to the Prosperos. Have you missed a meeting? Recordings of selected Sunday Meetings areavailable online. For information, please contact us at info@theprosperos.org. JOIN OUR STUDENT BLOG!>>    “VESPER FLIGHTS” WANTS YOUR INPUT    <<Do you have an insight or experience you’d like to share with the School and our friends? Please write down your thoughts and send them to our coordinator, Pam Rodolph, H.W., M., at pam.rodolph@theprosperos.org. You can get inspired by reading published posts, and sharing your comments, at https://www.theprosperos.org/vespers. We look forward to hearing from you! Plan Now for Assembly 2022! LABOR DAY WEEKEND, SEPT. 2-5, 2022 – COLORADO We are really looking forward to next year’s gathering! Won’t you join us? We’re planning interesting and inspiring presentations, activities and experiences, and of course, friendship and lots of ALOHA! So, clear your calendar and start saving up for that trip to gorgeous Colorado! Watch this space for more information….   THE  PROSPEROS  HISTORY  IN  PHOTOGRAPHS“PROSPEROS PRESENT AND PAST” Find pix of your friends, and savor the memories! We’ve been collecting photos from Prosperos events over the years, and now they’re being assembled into a wonderful online gallery at https://www.theprosperos.org/prosperos-photos. We’d love to include pictures you may have, of interest to fellow students. Please send them to Pam Rodolph, H.W., M., at pam.rodolph@theprosperos.org. We’ll be seeing you! MAY WE HELP YOU? High Watch Translation ServiceNeed help with a problem? You can request Translation for any issue: illness, relationships, professional difficulties, etc. Members of The Prosperos High Watch—students who have shown their understanding of Translation—will work to reveal the Truth behind the appearance. Contributions are welcome; all information is confidential. Please post your request at: http://TheProsperos.org/community/hwts. Personal Counseling Our Mentors (Teacher/Counselors) offer lay counseling based on the techniques of Translation and Releasing the Hidden Splendour taught through The Prosperos. If you wish to arrange for personal counseling, or need questions answered about the techniques, or just want to talk, Prosperos Mentors are ready to help. For counselor names and contact information, please contact us at info@theprosperos.org. Volunteer Opportunities  WEBSITE ASSISTANCE: We are currently seeking volunteers with experience in web design and social media. To offer your services, or request more information on how you can help, please write to info@theprosperos.org. Thank you! FOR MORE INFORMATION…We invite you to visit our websites for information about the School, as well as for descriptions of our wide selection of printed, recorded, and online resources (many are free; others are available for purchase). General Information – For our calendar, class descriptions and blogs, as well as other articles and information, please visit https://TheProsperos.org.  Audio Center – This site offers free podcasts, talks and lectures, plus a wealth of other recorded material for our students and friends. To see what’s available, please visit https://TheProsperos.com.

The Six of Swords

The Lord of Science appears in a reading when we have passed through a stormy or difficult time, and into the safety of a sheltered harbour, where we can recuperate, and consider the difficulties which have arisen around us.

Often we will have passed through a period of dreadful confusion – and frequently a time of emotional suffering. But this card indicates that, at least for the moment, pressure has eased, and we can try to sort out what we really feel. Frequently we need first to rest until we feel refreshed, but eventually we will be required to assess events and make new decisions for our future.

Because we will find ourselves seeing things more clearly, difficult and demanding decisions will be easier to make. We will find ourselves with a more clear overview of the issues we are facing. And we will be able to make choices which bring us peace of mind and happiness.

Expect to find greater objectivity, clarity and new perspectives as a result of the 6 of Swords. This is a card that indicates a healthy balance between the emotions and the intellect, where we can think through even delicate situations, with detached impartiality.

(via angelpaths.com nad Alan Blackman)

Rational ReligionRational Religion [TIMINGS BELOW] | In our interview with the “world’s most controversial scientist,” Rupert Sheldrake takes us on the journey of his life – from a sceptical undergraduate to a ground-breaking scientist. Rupert Sheldrake, who gave the famous ‘banned TED talk’, and recently seen on the Joe Rogan podcast and Russell Brand’s ‘Under the Skin’ Podcast, joins Rational Religion for a discussion on atheism, spirituality, and consciousness. In Dialogue Ep. 5 the author of “The Science Delusion” and “Science and Spiritual Practices,” and originator of the ‘morphic resonance’ theory, discusses the big questions he encountered along the way. We sat down with him and asked him to distill some of those essential thoughts. In Dialogue brings you fresh perspectives from a range of diverse voices challenging the status quo in science and society. It is hosted by Umar & Tahir Nasser, two UK-based doctors and founders of Rational Religion. ————————————— TIMINGS: 1:09 – Rupert explains why he is not an atheist 12:44 – 20:30 – A Brief History of Materialism 20:32–35:20 – Is Telepathy Real? 36:26 – 42:16 – Is the Universe Conscious? 42:18 – 50:20 – Has religion evolved? ————————————— Rupert Sheldrake official website: https://www.sheldrake.org/ Rupert Sheldrake YouTube Channel: https://www.youtube.com/c/RupertSheld… ————————————— Rational Religion: Making Sense of Spirituality FOLLOW US ON SOCIAL MEDIA: http://www.TWITTER.com/RRanswershttp://www.FACEBOOK.com/RRanswershttp://INSTAGRAM.com/rationalreligionhttp://www.rationalreligion.co.uk You can get in touch at contact@rationalreligion.co.uk or by tweeting us @RRanswers. ————————————— Learn more about Islam Ahmadiyya, the peaceful religious philosophy of the Rational Religion team, here: Intro & Beliefs: http://rationalreligion.co.uk/messian… And don’t forget to SUBSCRIBE below, and SHARE THIS VIDEO!

Little by little, the Taliban are resuming their hardline approach to just about everything in Afghanistan. To be fair, they did allow a charter flight to leave for Qatar today, carrying Americans and others wanting to leave. But at the other extreme, they also beat up some journalists for covering their crackdown on demonstrations. The extent of their hardline can be summed up with one fact: They’ve banned music. It would be comical if it weren’t such a dreadful indicator of the nature of the Taliban mind. ~ Benedict Gilberti

Jeff Foster Official Full TIFF interview: https://www.youtube.com/watch?v=LMnrH… TIFF Long Take – Ep. 32: Jim Carrey on Comedy, Characters and Existence: https://www.tiff.net/the-review/tiff-… Jeff Foster:

“[Christian Scientists] gave up drink, tobacco, tea, coffee–dangerous drugs–they gave up sex, and wrecked their marriages on this account, and it was notoriously a menopause religion.”

“Many of the good people–though mostly the bossy ones–in the church that met at the Town Hall were knowing the Truth about each other right and left. And even more, they were enjoined to “voice” it when it was opportune; it was constantly opportune and rarely complimentary. Father “voiced” very often to a Mrs. E. who “voiced” back. Not to “know the Truth” was a certain way of “letting Error into consciousness.”

–V.S. Pritchett in A Cab to the Door

Sir Victor Sawdon Pritchett CH CBE FRSL (December 16, 1900 – March 20, 1997) was a British writer and literary critic. Pritchett was known particularly for his short stories, collated in a number of volumes. His non-fiction works include the memoirs A Cab at the Door and Midnight Oil, and many collections of essays on literary biography and criticism. Wikipedia

“Fragile I am not. Affection is a pressure I can bear.”

–Katherine Hepburn as Eleanor of Aquitaine in The Lion in Winter

Eleanor of Aquitaine (1122 – April 1, 1204) was Queen of France from 1137 to 1152 as the wife of King Louis VII, Queen of England from 1154 to 1189 as the wife of King Henry II, and Duchess of Aquitaine in her own right from 1137 until her death in 1204. Wikipedia

ACIM 43

God is my source. i cannot see apart from Him.

–Marianne Williamson

From Wikipedia, the free encyclopedia

The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States.^[1] The artist saw his creation as representing the composite of “thousands of American girls”.

Image

Gibson Girls at the beach

The Gibson Girl image that appeared in the 1890s combined elements of older American images of contemporary female beauty, such as the “fragile lady” and the “voluptuous woman”. From the “fragile lady” she took the basic slender lines, and a sense of respectability. From the “voluptuous woman” she took a large bust and hips, but was not vulgar or lewd,^[2] as previous images of women with large busts and hips had been depicted. From this combination emerged the Gibson Girl, who was tall and slender, yet with ample bosom, hips and buttocks. She had an exaggerated S-curve torso shape achieved by wearing a swan-bill corset. Images of her epitomized the late 19th- and early 20th-century Western preoccupation with youthful features and ephemeral beauty. Her neck was thin and her hair piled high upon her head in the contemporary bouffant, pompadour, and chignon (“waterfall of curls”) fashions. The statuesque, narrow-waisted ideal feminine figure was portrayed as being at ease and stylish.“Woman: the Eternal Question”

She was a member of upper middle class society, always perfectly dressed in the latest fashionable attire appropriate for the place and time of day. The Gibson Girl was also one of the new, more athletic-shaped women, who could be found cycling through Central Park, often exercised and was emancipated to the extent that she could enter the workplace.^[3] In addition to the Gibson Girl’s refined beauty, in spirit, she was calm, independent, confident, and sought personal fulfillment. She could be depicted attending college and vying for a good mate, but she would never have participated in the suffrage movement.

Taking part in the suffrage movement was something more associated with the New Woman, another cultural image of women that emerged around the same time as the Gibson Girl. As a more popular version of the New Woman, the Gibson Girl both undermined and sanctioned women’s desires for progressive sociopolitical change.^[4] The New Woman was the more disconcerting of the two images at the time as she was seen as an example of change and disruption within the old patterns of social order, asking for the right to equal educational and work opportunities as well as progressive reform, sexual freedom and suffrage. Whilst the Gibson Girl took on many characteristics of the New Woman, she did so without involving herself in politics and thus did not appear to contemporaries at the time to be usurping traditionally masculine roles as the New Woman was deemed to. She therefore managed to stay within the boundaries of feminine roles without too much transgression.

Gibson depicted her as an equal and sometimes teasing companion to men.^[5] She was also sexually dominant, for example, literally examining comical little men under a magnifying glass, or, in a breezy manner, crushing them under her feet. Next to the beauty of a Gibson Girl, men often appeared as simpletons or bumblers; and even men with handsome physiques or great wealth alone could not provide satisfaction to her. Gibson illustrated men so captivated by her looks that they would follow her anywhere, attempting to fulfill any desire, even if it was absurd. One memorable drawing shows dumbstruck men following a Gibson Girl’s command to plant a young, leafless tree upside-down, roots in the air, simply because she wanted it that way. Most often, a Gibson Girl appeared single and uncommitted. However, a romance always relieved her boredom. Once married, she was shown deeply frustrated if romantic love had disappeared from her life, but satisfied if socializing with girlfriends or happy when doting on her infant child. In drawings such as these there was no hint at pushing the boundaries of women’s roles; instead they often cemented the long-standing beliefs held by many from the old social orders, rarely depicting the Gibson Girl as taking part in any activity that could be seen as out of the ordinary for a woman.Drawing for The Weaker Sex. Gibson Girls examining a man under a magnifying glass“The Crush”“Love in a Garden”

The artist believed that the Gibson Girl represented the beauty of American women:

I’ll tell you how I got what you have called the ‘Gibson Girl.’ I saw her on the streets, I saw her at the theatres, I saw her in the churches. I saw her everywhere and doing everything. I saw her idling on Fifth Avenue and at work behind the counters of the stores … I haven’t really created a distinctive type, the nation made the type. What Zangwill calls the ‘Melting Pot of Races’ has resulted in a certain character; why should it not also have turned out a certain type of face? … There isn’t any ‘Gibson Girl,’ but there are many thousands of American girls, and for that let us all thank God.^[6]

Gibson believed that America’s Gibson Girls would become more beautiful:

They are beyond question the loveliest of all their sex … In the United States, of course, where natural selection has been going on, as elsewhere, and where, much more than elsewhere, that has been a great variety to choose from. The eventual American woman will be even more beautiful than the woman of to-day. Her claims to that distinction will result from a fine combination of the best points of all those many races which have helped to make our population.^[6]

Many women posed for Gibson Girl-style illustrations, including Gibson’s wife, Irene Langhorne, who may have been the original model, and was a sister of Viscountess Nancy (Langhorne) Astor. Other models included Mabel Normand,^[7] Evelyn Nesbit, Minnie Clark,^[8] and Clara B. Fayette.^[9] The most famous Gibson Girl was probably the American-British stage actress, Camille Clifford, whose high coiffure and long, elegant gowns that wrapped around her hourglass figure and tightly corseted wasp waist defined the style.^[10]

Among the many “Gibson Girl” illustrators were Howard Chandler Christy whose work celebrating American “beauties” was similar to Gibson’s, and Harry G. Peter, who was most famous for his art on Wonder Woman comics.

In the newly developing art of cinema, although most leading actresses were at the cutting style of the day, the ones who came to embody it best were the Biograph girls, Florence Lawrence and to a more ingénue side of it, Mary Pickford. They personified and catapulted the cult of the ideal woman for the masses beyond American borders. Camille Clifford, a woman known as the “ideal Gibson Girl”, posed for various photographers and produced photographs that exemplified the physical characteristics of the Gibson Girl.

Popularity

Some people^[who?] argue that the Gibson Girl was the first national beauty standard for American women. Gibson’s fictional images of her published in newspapers and magazines during the Belle Époque were extremely popular.^[11] Merchandise bearing her image included saucers, ashtrays, tablecloths, pillow covers, chair covers, souvenir spoons, screens, fans, and umbrella stands.^{[12][unreliable source?]}

By the outbreak of World War I, changing fashions caused the Gibson Girl to fall out of favor as women favored practical clothing compatible with changing times over the elegant dresses, bustle gowns, shirtwaists, and terraced, floor-length skirts favored by the Gibson Girl.^{[citation needed]} The image was not forgotten, however, with the USAAF World War II-era SCR-578, and the similar post-war AN/CRT-3, survival radio transmitters carried by aircraft on over-water operations being given the nickname “Gibson Girl” because of their “hourglass” shape, which allowed them to be held stationary between the legs while the generator handle was turned.^[13]

More at: https://en.wikipedia.org/wiki/Gibson_Girl