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Friend, Foe, Family, Stranger: Fourteen Books on Black Motherhood by Black Daughters

Tramaine Suubi Recommends Toi Derricotte, Toni Morrison, Deesha Philyaw, and More

Tramaine Suubi May 9, 2025 (LitHub.com)

In 1859, Harriet Wilson published Our Nig. This forgotten novel was the first book published by a Black woman in the United States. Wilson’s main character, Frado, is parentified too young and then becomes a mother too soon. This traumatic experience is widely caricatured in global literature, but then again misogynoir is older than the so-called democracies of the West.

Across the diaspora, Black women are desexualized and hypersexualized at every age. And as with most anti-Black racism in the United States, it stems from chattel slavery. During this same enslavement, Black midwives pioneered the field of obstetrics and gynecology, yet Black mothers still have the highest mortality rate in the nation, if not the world. With all this and more intersectional and systematic prejudice, the very existence of Black motherhood is a miracle.

Thankfully, more and more Black authors are challenging this dehumanization. They remind us that every Black mother is unique and that each of them has a story worth telling. For some daughters, their mother is their first friend. For some daughters, their mother is their first foe. For others still, their mother is both.

The latter is a pattern in our stories. It is worth noting that most of the authors in this article have experienced or do experience estrangement from their mothers or estrangement from their daughters. What is motherhood if not an act of dismembering; as in putting the whole into separate parts? And what is daughterhood if not an act of remembering; as in putting separate parts of the whole together again?

The tragedy and comedy of it all is that these members, be they mental or physical or spiritual, cannot be truly separate or truly whole again. As I continue to move through the complexities of Black daughterhood, I am grounded in my lifelong love of books. Beginning with the ancestors, these are books that resonate with me on this Mother’s Day.

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Passing bookcover

Nella Larsen, Passing

“I think that being a mother is the cruelest thing in the world.” To describe the two biracial mothers in this 1929 novella as “complicated” is an oversimplification. In theory, both women could be black-presenting and white-presenting, but one makes the fateful choice to be white-passing as an adult. Their tense encounters, complete with homoerotic undertones, are explored against the backdrop of 1920s Harlem.

The 2021 film adaptation was poignantly shot in black-and-white and directed by Rebecca Hall. This controversial second book unjustly ended her career but made Nella Larsen the first Black woman to win a Guggenheim Fellowship.

Mom & Me & Mom bookcover

Maya Angelou, Mom & Me & Mom

“My mother’s gifts of courage to me were both large and small. The latter are woven so subtly into the fabric of my psyche that I can hardly distinguish where she stops and I begin.” In this 2013 New York Times bestseller memoir, Maya Angelou graciously offers an intimate portrait of her absent mother.

Much can be made of the mother who sends her children away to protect them from herself. They later reconnect, and this last book of hers is ultimately one of redemption. Maya Angelou was awarded the National Medal of Arts and the Presidential Medal of Freedom before she died in 2014.

Beloved bookcover

Toni Morrison, Beloved

“I don’t care what she is. Grown don’t mean a thing to a mother. A child is a child. They get bigger, older, but grown? What’s that supposed to mean? In my heart it don’t mean a thing.” This 1987 ghost story focuses on a formerly enslaved mother who is haunted by her dead daughter and her living daughter. The horrors of motherhood and daughterhood are dissected throughout the book.

This masterpiece was adapted into a 1998 film cast and a 2016 radio series. This novel eventually made Toni Morrison the first Black woman to win the Nobel Prize in Literature.

Paperback Natural Birth Book

Toi Derricotte, Natural Birth

“all the girls were cheering when i went downstairs. i was / the one who told them to be tough, to stop believing / in their mother’s pain, that poison… / it wouldn’t hurt / like we’d been told. birth was beautiful if we believed / that it was beautiful and right and good!” This vulnerable poetry collection was published in 1983, and it chronicles the author’s experience with unplanned pregnancy and whirlwind marriage.

Toi Derricotte later co-founded Cave Canem in 1996 and won the 2020 Frost Medal from the Poetry Society of America.

The Color Purple bookcover

Alice Walker, The Color Purple

“But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all.” This 1982 novel examines a spectrum of relationships between women, including the spectrum of forced motherhood.

This epistolary epic was adapted into a 1985 film, a 2005 stage musical, a 2008 radio series, and a 2023 film musical. This novel made Alice Walker the first Black woman to win the National Book Award in Fiction, and to win the Pulitzer Prize in Fiction.

Parable of the Sower bookcover

Octavia Butler, Parable of the Sower

“All that you touch You Change. All that you Change Changes you.” This New York Times bestseller is arguably the most prophetic science fiction novel for our times. The heart of this novel and the sequel is a hyperempathetic prodigy turned revolutionary, but the sequel is unempathetically narrated by her daughter. Both books also explore adoptive motherhood and other forms of chosen family.

The Parables duology has been adapted into a 2015 opera and a 2020 graphic novel. The sequel won the Nebula Award, and Octavia Butler eventually became the first science-fiction writer to win a MacArthur Fellowship.

A Girl Is a Body of Water bookcover

Jennifer Nansubuga Makumbi, A Girl is a Body of Water

“When children arrive, the window closes. Wife, mother, age, and role model—the ‘respect’ that comes with these roles is the water they pour on your fire.” This multigenerational epic offers a sweeping view of the blessings and curses that daughters can inherit from their mothers.

Aside from cementing the author as the greatest writer in Buganda’s history, this 2020 novel is unique in its expansive definitions of family, and its tender affirmation of being raised by multiple mothers. It also happens to be my favorite book title of all time. Dr. Jennifer Nansubuga Makumbi won the Jhalak Prize for this classic.

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