Narcissus and Goldmund
Hermann Hesse, Ursule Molinaro (Translator)
Narcissus and Goldmund tells the story of two medieval men whose characters are diametrically opposite: Narcissus, an ascetic monk firm in his religious commitment, and Goldmund, a romantic youth hungry for knowledge and worldly experience. First published in 1930, Hesse’s novel remains a moving and pointed exploration of the conflict between the life of the spirit and the life of the flesh. It is a theme that transcends all time.
About the author
Hermann Hesse
Many works, including Siddhartha (1922) and Steppenwolf (1927), of German-born Swiss writer Hermann Hesse concern the struggle of the individual to find wholeness and meaning in life; he won the Nobel Prize for literature in 1946.
Other best-known works of this poet, novelist, and painter include The Glass Bead Game , which, also known as Magister Ludi, explore a search of an individual for spirituality outside society.
In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. Young Germans desiring a different and more “natural” way of life at the time of great economic and technological progress in the country, received enthusiastically Peter Camenzind , first great novel of Hesse.
Throughout Germany, people named many schools. In 1964, people founded the Calwer Hermann-Hesse-Preis, awarded biennially, alternately to a German-language literary journal or to the translator of work of Hesse to a foreign language. The city of Karlsruhe, Germany, also associates a Hermann Hesse prize.
The Transposed Heads: A Legend of India
Thomas Mann, H.T. Lowe-Porter (Translator)
The novella, ‘The Transposed Heads’ is Thomas Mann’s philosophical version of an Indian legend about the conflict between mind and body. In a twinned paroxysm, two friends, the intellectual Shridaman and the earthy Nanda, behead themselves. Magically, their severed heads are restored – but to the wrong body, and Shridaman’s wife, Sita, is unable to decide which combination represents her real husband. The story is further complicated by the fact that Sita happens to be in love with both men.
Mann retells the tale from a metaphysical, yet ironic viewpoint. He strongly reacts to the axiomatic assumption that there is a dichotomy between spirit and life, mind and body. He, like many 20th century writers felt the necessity of reshuffling the present scale of values and meanings by constantly juxtaposing them with older ones.
(Goodreads.com)