Book: “The Language of Emotions: What Your Feelings Are Trying to Tell You”

Front Cover

by Karla Mclaren

ReadHowYouWant.com, Limited, 2010 – Psychology – 730 pages

Emotions – especially the dark and dishonored ones – hold a tremendous amount of energy. We’ve all seen what happens when we repress or blindly express them. With The Language of Emotions, empathic counselor Karla McLaren shows you how to meet your emotions and receive their life-saving wisdom to safely move toward resolution and equilibrium. Through experiential exercises covering a full spectrum of feelings from anger, fear, and shame to jealousy, grief, joy, and more, you will discover how to work with your own and others’ emotions with fluency and expertise. Here is a much-needed resource filled with revolutionary teachings and breakthrough skills for cultivating a new and empowering relationship with your feeling states through The Language of Emotions.

(Google Books)

“The Book of Urizen” by William Blake

Title page of The Book of Urizen, copy G (printed 1818). In the collection of the Library of Congress.

The Book of Urizen is one of the major prophetic books of the English writer William Blake, illustrated by Blake’s own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the “First”. The book takes its name from the character Urizen in Blake’s mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the “primeaval priest” and tells how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma. Los and Enitharmon create a space within Urizen’s fallen universe to give birth to their son Orc, the spirit of revolution and freedom.

In form the book is a parody of the Book of Genesis. Urizen’s first four sons are ThirielUthaGrodna and Fuzon (respectively elemental Air, Water, Earth, Fire, according to Chapter VIII). The last of these plays a major role in The Book of Ahania, published in 1795.

Background

In autumn 1790 Blake moved to Lambeth, Surrey. In the studio of his new house he wrote what became known as his “Lambeth Books”, which included The Book of Urizen. In all these books, Blake completed their design composition, their printing and colouring, and their sales from that house. Blake included early sketches for The Book of Urizen in a notebook containing images created between 1790 and 1793. The Book of Urizen was one of the few works that Blake describes as “illuminated printing”, one of his colour printed works with the coloured ink being placed on the copperplate before the page was printed.

The Book of Urizen was printed from 1794 until 1818 and was larger than his America, A Prophecy. Only eight copies of the work survive, with many variations between them of the plate orders and the number of plates. All the surviving copies were colour-printed.

Poem

Copy G, plate 7. Urizen is cast out from eternity

The story deals with a struggle within the divine mind to establish and define both itself and the universe. It is a creation myth that begins before creation:

Earth was not: nor globes of attraction
The will of the Immortal expanded
Or contracted his all flexible senses.
Death was not, but eternal life sprung. (36-39)

The creator is Urizen, a blind exile who was kept from eternity and who establishes a world that he could rule. As such, he creates laws:

Laws of peace, of love, of unity;
Of pity, compassion, forgiveness.
Let each chuse one habitation:
His ancient infinite mansion:
One command, one joy, one desire,
One curse, one weight, one measure
One King, one God, one Law. (78-84)

Copy G, plate 21. Los, Enitharmon, and Orc are depicted; Los with his usual attribute of the hammer

However, Urizen suffers a fall when he creates a barrier to protect himself from eternity:

And a roof, vast petrific around,
On all sides He fram’d: like a womb;
…Like a human heart strugling & beating
The vast world of Urizen appear’d.

He is chained by Los, the prophet, from whom Urizen had been rent:

In chains of the mind locked up,
Like fetters of ice shrinking together,
Disorganiz’d, rent from Eternity.
Los beat on his fetters of iron (190-193)

Los forges a human image for Urizen in the course of seven ages, but pities him and weeps. From these tears Enitharmon is created, who soon bears the child of Los, Orc. Orc’s infant cries awaken Urizen, who begins to survey and measure the world he has created. Urizen explores his world and witnesses the birth of his four sons, who represent the four classical elements. From these experiences Urizen’s hopes are crushed and his:

soul sicken’d! he curs’d
Both sons & daughters: for he saw
That no flesh nor spirit could keep
His iron laws one moment. (443-446)

In response, he creates a web of religion, which serve as chains to the mind.

More at:  https://en.wikipedia.org/wiki/The_Book_of_Urizen

Adam and Lillith

Lilith (1892) by John Collier in Southport Atkinson Art Gallery

Lilith is a figure in Jewish mythology, developed earliest in the Babylonian Talmud (3rd to 5th centuries). Lilith is a dangerous demon of the night, who is sexually wanton, and who steals babies in the darkness. The character is generally thought to derive in part from a historically far earlier class of female demons (lilītu) in ancient Mesopotamian religion, found in cuneiform texts of Sumer, the Akkadian EmpireAssyria, and Babylonia.

In Jewish folklore, from the satirical book Alphabet of Sirach (c. 700–1000) onwards, Lilith appears as Adam‘s first wife, who was created at the same time (Rosh Hashanah) and from the same dirt as Adam – compare Genesis 1:27. (This contrasts with Eve, who was created from one of Adam’s ribs: Genesis 2:22.) The legend developed extensively during the Middle Ages, in the tradition of Aggadah, the Zohar, and Jewish mysticism. For example, in the 13th-century writings of Isaac ben Jacob ha-Cohen, Lilith left Adam after she refused to become subservient to him and then would not return to the Garden of Edenafter she had coupled with the archangel Samael.

Evidence in later Jewish materials is plentiful, but little information has survived relating to the original Sumerian, AkkadianAssyrian and Babylonian view of these demons. While the connection is almost universally agreed upon, recent scholarship has disputed the relevance of two sources previously used to connect the Jewish lilith to an Akkadian lilītu—the Gilgamesh appendix and the Arslan Tash amulets(See below for discussion of the two problematic sources.)

In Hebrew-language texts, the term lilith or lilit (translated as “night creatures”, “night monster”, “night hag”, or “screech owl”) first occurs in a list of animals in Isaiah 34:14, either in singular or plural form according to variations in the earliest manuscripts. In the Dead Sea Scrolls 4Q510-511, the term first occurs in a list of monsters. In Jewish magical inscriptions on bowls and amulets from the 6th century CE onwards, Lilith is identified as a female demon and the first visual depictions appear.

The resulting Lilith legend continues to serve as source material in modern Western culture, literature, occultism, fantasy, and horror.

More at:  https://en.wikipedia.org/wiki/Lilith

Einstein on miracles

“There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”

–attributed to Albert Einstein (March 14, 1879 – April 18, 1955) was a German-born theoretical physicist. Einstein developed the theory of relativity, one of the two pillars of modern physics. Einstein’s work is also known for its influence on the philosophy of science. Wikipedia

May 1, 1969: Fred Rogers testifies before the Senate Subcommittee on Communications


On May 1, 1969, Fred Rogers, host of the (then) recently nationally syndicated children’s television series, Mister Rogers’ Neighborhood (named Misterogers’ Neighborhood at the time), testified before the Senate Committee on Commerce Subcommittee on Communications to defend $20 million in federal funding proposed for the newly formed non-profit Corporation for Public Broadcasting, which was at risk of being reduced to $10 million. Subcommittee chairman, Senator John Pastore (D-RI), unfamiliar with Fred Rogers, is initially abrasive toward him. Over the course of Rogers’ 6 minutes of testimony, Pastore’s demeanor gradually transitions to one of awe and admiration as Rogers speaks.

Robin Hanson: What would happen if we upload our brains to computers (TED talk)


Meet the “ems” — machines that emulate human brains and can think, feel and work just like the brains they’re copied from. Futurist and social scientist Robin Hanson describes a possible future when ems take over the global economy, running on superfast computers and copying themselves to multitask, leaving humans with only one choice: to retire, forever. Glimpse a strange future as Hanson describes what could happen if robots ruled the earth.

This talk was presented at an official TED conference, and was featured by our editors on the home page.

Pierre Teilhard de Chardin on harnessing the energies of love

“Some day, after mastering the winds, the waves, the tides and gravity, we shall harness for God the energies of love, and then, for the second time in the history of the world, man will have discovered fire.”

–Pierre Teilhard de Chardin (May 1, 1881 – April 10, 1955) was a French idealist philosopher and Jesuit priest who trained as a paleontologist and geologist and took part in the discovery of Peking Man. Wikipedia

“The Perfect Man” by William P. Chiles

A man walks out on 5th avenue and manages to instantly flag a taxi.  The cabbie flips the meter and in pulling away, says, “Perfect timing. You’re just like Frank.”

“Passenger: “Who?”

Cabbie: “Frank Falstaff.  He’s a guy who did everything right all the time.  Like my coming along when you needed a cab?  Things  like that happened to Frank Falstaff every single time.” 

Passenger: “There are always a few clouds over everybody.”

Cabbie: “Not  Frank Falstaff. He was a terrific athlete. He could have won the Grand-Slam at tennis. He could golf with the pros.  He sang like an opera baritone, danced like a Broadway star and you should have heard him play the piano.  He was an amazing guy.”

Passenger: “Sounds like he was really something special.”

Cabbie: “There’s more.  Frank had a memory like a computer.  He remembered everybody’s birthday. He was a wine connoisseur, a food critic, a master of  social etiquette and THE statesman whenever it came to diplomacy.  And Frank could fix anything.  Not like me.  I change a fuse, and the whole goddam street blacks out.  But Frank Falstaff could do everything right.”

Passenger: “Wow, what a guy!”

Cabbie: ‘He always knew the quickest way to go in traffic and avoid every traffic jam. Not like me, I’m never fast enough in changing lanes or beating a stoplight. But Frank, he never made a mistake, and he really knew how to treat a woman. He always made her feel like a goddess. He would never argue or back-talk her, even if she was in the wrong.  He never left the toilet lid up, and his clothing? Always immaculate, right down to a shoe-shine you could see your face in …never a hair out of place, with Frank!  He was the perfect man, if there ever was one. No one could ever measure up to Frank Falstaff.” 

Passenger: “Incredible, how did you meet him?”

Cabbie: “I never actually met Frank.  He died and I married his wife.”  Sunglasses

“On Ray Bradbury’s Birthday, Revisit His Rejected Planetarium Script” by Mindy Weisberger

On Ray Bradbury's Birthday, Revisit His Rejected Planetarium Script
The late author Ray Bradbury, who would have been 97 years old on Aug. 22, 2017, captivated readers with his science fiction — but his 1981 planetarium script left museum officials unmoved.

Credit: Evening Standard/Getty

August 22, 2017 (livescience.com)

Today (Aug. 22) would have been author Ray Bradbury’s 97th birthday. Bradbury, who died in 2012, is acclaimed worldwide for his literary science fiction, but fewer people know about one of his science writing projects that never panned out: a forgotten planetarium-show script for the Smithsonian’s National Air and Space Museum (NASM) in Washington, D.C.

Bradbury was working on the NASM project — eventually titled “The Ghosts of Forever: The Great Shout of the Universe!” — in 1980, writer and editor David Romanowski explained in a NASM blog post published online June 2012. Romanowski was a staff writer for Abrams Planetarium at Michigan State University (MSU) in 1980; he found out about the NASM script when he corresponded with Bradbury in the fall of that year about penning a show for the MSU planetarium, Romanowski reported.

Romanowski left MSU several months after he received Bradbury’s letter, and the prospect of Bradbury writing for the university planetarium advanced no further. But about 10 years later, after Romanowski joined NASM as a writer-editor in the Exhibits Division, he found something unexpected in the archives: a copy of Bradbury’s NASM planetarium script, which had been roundly criticized by museum reviewers in 1981 and was never produced, Romanowski wrote. [5 Great Ray Bradbury Quotes About Death]

As a writer, Bradbury is known and respected for his poetic language, honed over a career that spanned seven decades. But in 1981, Bradbury’s flowery prose describing cosmic phenomena failed to impress NASM exhibit developers, whose remarks about the script were incorporated into the files that Romanowski uncovered.

“Many of the phrases are crude and devoid of meaning. Some of it flows nicely, then suddenly it changes and becomes awkward,” a reviewer noted.

Other comments proposed that Bradbury’s words did not accurately represent the science of the Big Bang and the formation of stars and planets, Romanowski reported. One reviewer scoffed at Bradbury’s line about “suns that must birth themselves,” saying that his description “reeks with misunderstanding,” while another pointed to the phrase “life cooking itself,” identifying it as “a poor way of describing/summarizing evolution,” according to Romanowski.

In his lifetime, Bradbury published over 500 works, including novels, poetry, plays, and scripts for film and television, according to the author’s official website. Though his one attempt at a planetarium production was consigned to the museum archives and never saw the light of day, Bradbury’s enthusiasm for space exploration and his skill as a storyteller have captivated readers for more than half a century, and will likely continue to entice sci-fi fans for decades to come.

Original article on Live Science.

Quantum experiment to test if human consciousness is beyond the physical world

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