Tag Archives: May Sarton

May Sarton on Generosity

By Maria Popova (themarginalian.org)

“Anything you do not give freely and abundantly becomes lost to you,” Annie Dillard wrote in her beautiful essay on generosity. “You open your safe and find ashes.” I feel this truth deeply, daily — for nearly two decades of offering these writings freely, I have lived by the generosity of strangers.

It is especially gratifying to perpetuate the spirit of generosity if you have arrived at the ability to do so by way of struggle and privation. No one takes more joy in giving than those who come from little.

That is what the philosopher-poet May Sarton (May 3, 1912–July 16, 1995) explores in a passage from her endlessly rewarding 1972 book Journal of a Solitude (public library).

May Sarton

In her sixtieth year, after decades of struggling to live by her pen as she went on channeling the human experience in her ravishing poems, Sarton finds herself at last solvent, and giddily so. Reflecting on her belief in the “free flow” of energy and means, she writes:

Both human problems and money flow out of this house very freely, and I believe that is good. At least, it has to do in both cases with a vision of life, with an ethos… I am always so astonished, after all the years when I had none, that I now have money to give away that sometimes I may speak of it out of sheer joy. No one who has inherited a fortune would ever do this, I suspect — noblesse oblige. No doubt it is shocking to some people. But I am really rather like a child who runs about saying, “Look at this treasure I found! I am going to give it to Peter, who is sad, or to Betty, who is sick.”

She offers a simple, lovely definition of wealth:

Being very rich so far as I am concerned is having a margin. The margin is being able to give.

Complement with John Steinbeck on the equally important art of receiving and Seneca on what it really means to be a generous human being, then revisit May Sarton on the cure for despairthe relationship between presence, solitude, and love, and the art of living alone.

May Sarton on the Art of Living Alone

By Maria Popova (themarginalian.org)

“There is no place more intimate than the spirit alone,” the young May Sarton (May 3, 1912–July 16, 1995) wrote in her stunning ode to solitude — the solitude she came to know, over the course of her long and prolific life, as the seedbed of creativity.

Living alone can be deeply rewarding and deeply challenging. It is not for everyone. It is not for those who romanticize its offerings of freedom and focus, but excise its menacing visitations of loneliness and alienation. It is not for those who find silence shattering. It is especially not for those who hunger for another consciousness to validate their experience and redeem their reality. It is only for the whole.

In her elder years, living alone on the coast of Maine and savoring a renaissance of creative energy after a long depression, Sarton returns to the subject of what solitude is and is not on the pages of her boundlessly rewarding journal The House by the Sea (public library).

May Sarton

Looking back on her life, she writes:

Solitude, like a long love, deepens with time.

But what solitude brings to a person is shaped by what the person brings to solitude. One August day, life brings Sarton a prompt to consider the art of living alone and the necessary preconditions for making of solitude not a resignation but a rapture:

Yesterday I had a letter from a young woman who is living alone, a film maker of some reputation. She wants to do a film on people who live alone, and will come next week to talk about her plans. I gather she has some doubts about the solitary life. I told her that I feel it is not for the young (she is only thirty-three). I did not begin to live alone till I was forty-five, and had “lived” in the sense of passionate friendships and love affairs very richly for twenty-five years. I had a huge amount of life to think about and to digest, and, above all, I was a person by then and knew what I wanted of my life. The people we love are built into us. Every day I am suddenly aware of something someone taught me long ago — or just yesterday — of some certainty and self-awareness that grew out of conflict with someone I loved enough to try to encompass, however painful that effort may have been.

Complement with the Buddhist scholar and teacher Stephen Batchelor on the art of solitude, Emerson on what solitude really means, and a contemporary field guide to how to be alone, then revisit Sarton on gardening and creativityhow to cultivate your talenthow to live openheartedly in a harsh world, and her stunning poem about the relationship between presence, solitude, and love.