Perception is in the eye (and nose) of the beholder

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What’s so special about human perception? The exhibition “Our Senses” at the American Museum of Natural History includes an interactive presentation that explains it all. CreditSam Hodgson for The New York Times

Prepare for sensory overload: Your eyes, ears, nose and, especially, brain are going to be tested at the American Museum of Natural History’s new exhibition, “Our Senses,” a playground that warps what we perceive to be reality.

The exhibition’s 11 interactive galleries help you make sense of your senses. You will probably be familiar with the traditional five senses: sight, smell, taste, touch and hearing. But try not to be thrown off when “Our Senses” adds a sixth — balance. “Our senses are the product of millions of years of evolution,” said Robert DeSalle, the exhibition’s curator. “That millions of years of evolution produces some really strange things in how we perceive the world.”

For example, you see a flower in a different way than a nectar-seeking bee perceives it. For us, the flower’s beauty lies in the pinks, purples, oranges and yellows that crown the center of its blossom. But to the insect, which can see ultraviolet light, those same petals look more like an alluring rave.

“Our Senses” takes you out of your comfort zone — that is, challenging the senses through which you’ve experienced your entire life — and places you in the unknown.

The Brain of the Beholder

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A pile of white blocks form the image of an eye when viewed from a particular angle.CreditSam Hodgson for The New York Times

In the first showcase, you’re welcomed by a pile of seemingly bland white blocks stacked atop one another. But if you stand in the right spot, you see what was hidden in plain sight: a large eye imprinted across the blocks. It is meant to show the power of the brain, which is the gatekeeper to your interactions with the world — taking in information and determining how to interpret it.

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In a gallery focused on the sense of sight, different images reveal themselves on the wall as the lighting alternates between blue, green and red. CreditSam Hodgson for The New York Times

Past the blocks, you reach a room where the lighting alternates between blue, green and red. As the colors cycle through, you’ll notice something odd: What once appeared to be a red lion on the wall transforms into a bunch of green leaves when the lighting turns green. Then blue lights reveal a blue baboon. It reinforces not only how our vision is dependent on light, but also how the range of colors we see differs from that of other animals.

What We Don’t See

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Flowers appear as they would to a bee or a butterfly in the American Museum of Natural History’s new exhibition. CreditSam Hodgson for The New York Times

An overgrown garden and larger-than-life flowers and insects? This is what the world looks like to a bee. The flowers bathed in ultraviolet light become beacons enticing them to land and pollinate. Here, you might ponder the meaning of “ultraviolet.” We see in a narrow band of the electromagnetic spectrum known as visible light. It ranges from the wavelength that produces violet light to the one that produces red. But other wavelengths of light extend far beyond these boundaries.

An infrared viewer mounted on a stalk makes it easier to “see” prey like a snake, which detects body heat. Another device, which resembles a platypus, can pick up electrical signals. When underwater, platypuses find their prey by detecting the electrical signals around it.

Hearing

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One gallery challenges visitors to track individual sounds, like an instrument within an orchestra.CreditSam Hodgson for The New York Times

Smooth jazz beckons in the sound room, where you learn about the more than 15,000 hair cells deep inside your ears. These cells lie within a spiral organ in the inner ear known as the cochlea. You can hear high-pitch noises because they trigger hairs near the outer part of the cochlea. These hairs often die off with age, which is why older people are usually unable to hear these sounds. (Deeper sounds travel farther into the ear.) A device demonstrates this with high-, medium- and low-pitch sounds, which is sure to make children laugh as they test how well (or not so well) their parents and grandparents can hear.

Neural Real Estate

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Man vs. wild: Comparing the brains of a dolphin, a human and a coyote at the exhibition “Our Senses.”CreditSam Hodgson for The New York Times

Outside the ear room, a station features the heads of a human, a coyote and a dolphin. If you touch the eyes, a screen shows you what parts of the brain are activated by that sense. But what happens when you move to the nose? The dolphin’s brain goes dormant while the coyote’s looks like a fireworks display. That’s because scientists believe dolphins lack the neural equipment to smell.

Balance

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Max Skiena, 1, seemed to have no problem finding the right balance in a room that appears to curve and ripple and makes some people feel light-headed. CreditSam Hodgson for The New York Times

You might get dizzy in the next room, where a swirl of parallel lines tricks the eyes into perceiving bumps and dips where there are none. It is designed to show the importance of balance and how your eyes can disrupt that sense. What you see and what you feel is often in conflict as you move around the room. It’s a pretty trippy experience and worthwhile — though the museum offers a way to bypass it.

Optical Illusions

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When your brain comes across an incomplete or inconclusive image, it presents you with the most likely interpretation. A series of activities in the correcting room include one in which a series of Einstein heads appear to be sticking out — but they could also be molds pointing inward.CreditSam Hodgson for The New York Times

The entrance to a futuristic-looking room is a wall lined with faces that all belong to Einstein. But the question remains, Are the faces sticking out or pointing in? The infamous blue-and-black dress (or was it white-and-gold?) is also in this room, with a panel explaining why so many people saw its colors differently.

Please Touch

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Do touch, please: Visitors can feel various textures at the “Our Senses” exhibition.CreditSam Hodgson for The New York Times

You can place your hands all over the next gallery, which shows how you perceive different textures and temperatures. A display details the different receptors that tell your brain what to feel when wiggling your fingers or gripping something in your hands.

Sweet Smell of Success

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Kevin Blewitt and his son Austin, 10, smell various fragrances that may or may not contribute to the complex scent of chocolate. CreditSam Hodgson for The New York Times

Next, you enter a white room that might remind you of “Willy Wonka & the Chocolate Factory,” particularly the Wonka Vision scene. In the center, a station displays chocolate cake and brownies. By lifting a flap, you can smell the deliciousness. Other stations may, or may not, contain ingredients that make chocolate. You can try to guess which ones are which. But be careful: While some smell sweet, others are downright offensive.

Enhancing Our Senses

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One last interactive element tests computers, which can learn to recognize shapes and patterns that have been assembled puzzlelike on top of a sensor. CreditSam Hodgson for The New York Times

The last room shows how we use technology to expand our senses, whether by seeing fine details on a mosquito’s foot with a scanning electron micrograph, by using ultraviolet fluorescence imaging to make scorpions glow or by examining the bones of a frog with an X-ray. But the main event is the Train a Brain machine, which lets you help a computer learn to recognize shapes and patterns. The idea is that you arrange some vibrantly colored shapes on top of a panel to form a house, a car, a flower or a face. Then the computer tries to figure out what you’ve made. Try your best to stump it or be amazed at how easily it learns. It is perhaps the final frontier for our senses, sharing what we know and how we perceive the world with machines.

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