Egregore

From Wikipedia, the free encyclopedia

This article is about the esoteric concept. For the album by Smak, see Egregor (album).

An egregore (also spelled egregor; from French égrégore, from Ancient Greek ἐγρήγορος, egrēgoros ‘wakeful’) is a concept in Western esotericism of a non-physical entity or thoughtform that arises from the collective thoughts and emotions of a distinct group of individuals.[1][2][3]

Overview

In magical and other occult traditions, it is typically seen as having an independent existence, but in other kinds of esotericism, it is merely the collective mind of a religious community, either esoteric or exoteric. In the latter sense, as a collective mind, the term collective entity, preferred by René Guénon, is synonymous with egregore.[1] See the usage overview below.

In the apocryphal Book of Enoch, the term referred to angelic beings known as watchers,[4][5] and was also used by associated (Enochian) traditions to refer to the specific rituals and practices associated with these entities.[6] Some other literary and religious works, such as The Manuscript Found in Saragossa, have also made references to these angelic beings.[7]

Variant descriptions

As independent angelic being

Main article: Watcher (angel)

Egregores are quite independent entities in the Book of Enoch, and there was then no notion that they arose from a collective. In literature, especially older literature, “egregores” have often been straightforward references to these Enochian entities. This is the case in Jan Potocki’s novel The Manuscript Found in Saragossa, which calls egregores “the most illustrious of fallen angels”.[7] The French author Victor Hugo, in La Légende des siècles (1859) (“The Legend of the Ages”), also uses the word égrégore, first as an adjective, then as a noun, while leaving the meaning obscure.[8]

As spiritual elite

The Traditionalist School philosopher Julius Evola, in his Revolt Against the Modern World, referred to an elite of spiritually aware people, who keep Tradition alive,[8][9] as “those who are awake, whom in Greek are called the εγρῄγοροι”,[9] apparently alluding to the Watchers,[8] and the most literal sense of their name, which is “wakeful” or “awake”.

As group mind

In esotericism, “egregore” has been used to denote a “group mind”[2] or “collective consciousness” of a religious community. René Guénon said, “the collective, in its psychic as well as its corporeal aspects, is nothing but a simple extension of the individual, and thus has absolutely nothing transcendent with respect to it, as opposed to spiritual influences, which are of a wholly different order”.[1] This usage was followed by Gnosis magazine[2] and by Olavo de Carvalho,[10] and, according to Guénon, began with Éliphas Lévi.[1]

As independent magical being arising from collective mind

Thought form of Charles Gounod‘s music, according to Annie Besant and C.W. Leadbeater in Thought Forms (1901)

See also: Tulpa

Some authors seem to have merged the esoteric concept with the Enochian concept to arrive at an idea of “spiritual entities” that “feed off the thoughts and energy of a unified multitude”,[11] as the website Occultist.net described it, while nevertheless having more of a life of their own; their more specific features and powers depend on the author. Kate Strong, writing for the newsletter “Know Thyself, Heal Thyself”, called egregores “symbols, ideas, or ideals that exist in the collective psyche of a group of people and are thought to have an autonomous existence”.[12] This usage seems to have come largely from the Meditations on the Tarot. The concept of a tulpa is similar, as Gary Lachman[13] and Mark Stavish[8] noted.

In occult and magical thought

In Meditations on the Tarot

The Meditations on the Tarot describe the Antichrist as “an egregore, an artificial being who owes his existence to collective generation from below“. Elsewhere, the book calls egregores “demons engendered by the collective will and imagination of nations”.[14] The book cites, but does not completely agree with, the usage of Robert Ambelain in his La Kabbale pratique. Ambelain defined the egregore as “a force generated by a powerful spiritual current and then nourished at regular intervals, according to a rhythm in harmony with the universal life of the cosmos, or to a union of entities united by a common characteristic nature”. The author of the Meditations on the Tarot calls this passage from Ambelain “a definition which leaves nothing more to be desired”, but disagrees with Ambelain’s description of CatholicismFreemasonry, and Protestantism as egregores.[14]

In the work of Gary Lachman

Gary Lachman follows the usage of the Meditations on the Tarot in his book Dark Star Rising, which also suggests that Pepe the Frog may be an egregore in this sense—or a tulpa, which Lachman sees as a similar phenomenon.[13] In the usage of Lachman and of the Meditations on the Tarot, “there are no ‘good’ egregores, only ‘negative’ ones”.[13] Lachman cited Joscelyn Godwin’s The Golden Thread, which itself cited the Meditations on the Tarot,[15] as a source for the idea that, while a religious (or other) group who creates an egregore can “rely” on it as “an efficacious magical ally”, “the egregore’s help comes at a price”,[13] since, as Godwin put it, its creators must thenceforth meet the egregore’s “unlimited appetite for their future devotion”.[15][13]

More at: https://en.wikipedia.org/wiki/Egregore

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