Moses, and God’s Behind

God Almighty as visualized by Michelangelo

And he said, “I will make all my goodness pass before you and will proclaim before you my name ‘The Lord.’ And I will be gracious to whom I will be gracious, and will show mercy on whom I will show mercy. But,” he said, “you cannot see my face, for man shall not see me and live.” And the Lord said, “Behold, there is a place by me where you shall stand on the rock, and while my glory passes by I will put you in a cleft of the rock, and I will cover you with my hand until I have passed by. Then I will take away my hand, and you shall see my back, but my face shall not be seen.” (Ex. 33:19–23) (crossway.org)

Book: “The Good Man Jesus and the Scoundrel Christ”

The Good Man Jesus and the Scoundrel Christ

The Good Man Jesus and the Scoundrel Christ

by Philip Pullman 

This is a story. In this ingenious and spell-binding retelling of the life of Jesus, Philip Pullman revisits the most influential story ever told. Charged with mystery, compassion and enormous power, The Good Man Jesus and the Scoundrel Christ throws fresh light on who Jesus was and asks the reader questions that will continue to resonate long after the final page is turned. For, above all, this book is about how stories become stories.

(Goodman.com)

Book: “Paradise Lost”

Paradise Lost

Paradise Lost

by John MiltonJohn Leonard (Editor, Contributor)

John Milton’s Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind’s destiny. The struggle rages across three worlds – heaven, hell, and earth – as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, who are motivated by all too human temptations but whose ultimate downfall is unyielding love.

Marked by Milton’s characteristic erudition, Paradise Lost is a work epic both in scale and, notoriously, in ambition. For nearly 350 years, it has held generation upon generation of audiences in rapt attention, and its profound influence can be seen in almost every corner of Western culture.

(Goodreads.com)

Areopagitica Summary

Milton begins his written speech for the liberty of unlicensed printing in England with a quote from The Suppliants, a play by the Greek tragedian, Euripides. “This is true liberty when free-born men / Having to advise the public may speak free,” Milton quotes. “What can be juster in a state than this?” Milton addresses his speech to the “High Court of Parliament,” which in 1643 passed a Licensing Order that mandated “no book, pamphlet, or paper shall be henceforth printed, unless the same be first approved and licensed by such.” Milton is fervently opposed to Parliament’s order—at least the part that requires pre-publication licensing. He supports the portion of the order that “preserves justly every man’s copy to himself,” and argues that “the utmost bound of civil liberty” is attained only when “complaints are freely heard, deeply considered and speedily reformed.” He begins with a look at censorship through the ages and asserts that the type of pre-publication censorship mandated by Parliament’s Licensing Order (a law Milton describes as an “authentic Spanish policy of licensing books”), was not seen until after the year 800. Until then, Milton contends, “books were ever as freely admitted into the world as any other birth: the issue of the brain was no more stifled than the issue of the womb.” Indeed, Milton contends, pre-publication licensing was born “from the most antichristian council, and the most tyrannous inquisition that ever enquired.” Of course, Milton is referring to the Roman Catholic Church and the Spanish Inquisition, and he is speaking directly to an overwhelmingly Protestant Parliament. The “inventors” of pre-publication censorship, Milton says, “be those whom ye will loath to own.”

Books and ideas weren’t censored in biblical times to such an extent either, Milton argues, unless they were found to be heretical or defamatory. The English Parliament meant to suppress books they considered bad, or evil, and Milton asserts this is not only impossible but an affront to God as well. “God uses not to captivate under a perpetual childhood of prescription,” Milton writes, “but trusts [man] with the gift of reason to be his own chooser.” Furthermore, good and evil are inextricably linked, within books and in man, so they are impossible to “sort asunder.” Milton claims “it was from out the rind of one apple tasted, that the knowledge of good and evil as two twins cleaving together leapt forth into the world. And perhaps this is that doom which Adam fell into of knowing good and evil, that is to say of knowing good by evil.” God never intended for humankind to live a life independent of evil, which is why he gave Adam “reason,” and “gave him the freedom to choose.” To eliminate evil means that each Christian’s virtue is left untested and “is but a blank virtue, not a pure.” Without evil to reject, Adam is “a mere artificial Adam, such an Adam as he is in the motions.” In addition to negatively affecting the virtue of Christians, Milton maintains that Parliament’s Licensing Order violates God’s divine authority and plan as well.Get the entire Areopagitica LitChart as a printable PDF.”My students can’t get enough of your charts and their results have gone through the roof.” -Graham S.Download it!

Milton continues his argument by pointing out how inadequate Parliament’s Licensing Order is, claiming that it “conduces nothing to the end for which it was framed.” The law means to spare citizens from evil, but it only seeks to regulate printed material. “If we think to regulate printing, thereby to rectify manners, we must regulate all recreations and pastimes, all that is delightful to man.” What about music, Milton questions, and the gestures and motions of dance? Surely these things can be evil as well and need regulation, he contends. There is even “household gluttony” to consider, and the “daily rioting” of gossip, which is most certainly to blame for the spread of evil. Milton argues that “whatever thing we hear or see, sitting, walking, traveling, or conversing may be fitly called our book,” and to suppress books only “is far insufficient to the end which [Parliament’s order] intends.” One cannot “remove sin by removing the matter of sin,” Milton posits.

Books “cannot be suppressed without the fall of learning,” Milton also claims, which too “hinders and retards the importation of our richest merchandise, truth.” According to Milton, both “faith and knowledge thrives by exercise,” and suppressing books hampers this exercise. Truth, the product of study and knowledge, “is compared in scripture to a streaming fountain; if her waters flow not in a perpetual progression, they sicken into a muddy pool of conformity and tradition.” Parliament’s Licensing Order does just that, Milton claims, by controlling and mandating what is read and learned. “A man may be a heretic in the truth; and if he believe things only because his pastor says so, or the assembly so determines, without knowing other reason, though his belief be true, yet the very truth he holds,” Milton warns, “becomes his heresy.”

Milton contends that truth “came once into the world with her divine master, and was a perfect shape most glorious to behold.” But truth did not retain its original shape, Milton claims, and the “lovely form” of “virgin truth” was “hewed” into thousands of pieces, and “scattered” from “the four winds.” Pursuit of knowledge is searching for bits and pieces of scattered truth, but all the pieces are yet to be found and likely never will be, “till her master’s second coming,” Milton says. Additionally, Milton cautions, when truth is bound, as it is by Parliament’s order, “she speaks not true” but instead “turns herself into all shapes, except her own.” It is not “impossible,” Milton contends, that truth “may have more shapes than one,” and he implores Parliament to lend equal weight to all shapes of truth and not “fall again into a gross conforming stupidity” which “is more to the sudden degenerating of a church than many subdichotomies of petty schisms.”

Of course, Milton maintains, he cannot “think well of every light separation” of the church, and while he argues for more Christian beliefs to “be tolerated, rather than compelled,” he does not mean to tolerate “popery, and open superstition, which as it extirpates all religions and civil supremacies, so itself should be extirpate.” While Milton argues against the pre-publication censorship of books, he supports the censorship and full eradication of the Catholic Church. Milton maintains that Parliament’s new practice of suppressing books “is the worst and newest opinion of all others; and is the chief cause why sects and schisms do so much abound, and true knowledge is kept at a distance from us.” He claims to know that “errors in a good government and in a bad are equally almost incident,” and he intreats Parliament “to redress willingly and speedily what hath been erred” in the passing of the Licensing Order of 1643.

US PANDEMIC ADVISOR SAYS THE COUNTRY NEEDS TO SHUT DOWN AGAIN

“THE US RESPONSE HAS BEEN EXTRAORDINARILY DISAPPOINTING AND WRONGHEADED. WHENEVER THERE’S BEEN AN OPPORTUNITY TO DO THE RIGHT THING, WE SEEM TO HAVE DONE THE WRONG THING”

BY DAN ROBITZSKI / July 6, 2020 (Futurism.com)

According to one of the world’s foremost pandemic experts, everyone will need to stay vigilant for years in order to truly beat the coronavirus.

Eric Toner, a senior scholar at the Johns Hopkins University Center for Health Security and a prominent government advisor on pandemic preparedness, told CNET that wearing masks and some degree of social distancing will be necessary for years — and that to beat the disease, we’d need to lock down the country again.

“I think what’s important is that there’s going to be no summertime lull with a big wave in the fall,” Toner told CNET. “It’s clear that we are having a significant resurgence of cases in the summer, and they’ll get bigger. And it’ll keep going until we lock things down again.”

In Toner’s view, the U.S. government can’t act quickly enough. While other countries managed their COVID-19 outbreaks comparatively swiftly, Toner sees the American response to the pandemic as a resounding failure across the board.

“The US response has been extraordinarily disappointing and wrongheaded,” Toner told CNET. “Whenever there’s been an opportunity to do the right thing, we seem to have done the wrong thing. The US has to recognize that it is competing for first or second position of the worst affected country in the world.”

Unfortunately, mass inoculation — one of the major requirements for actually ending the pandemic — may not happen until 2022, CNET reports. So above all else, Toner says that we need to get used to the idea of wearing masks in public. And he suggests those who complain about masks get on board pronto.

“They will get over it,” he said of the anti-mask crowd. “It’s just a question of how many people get sick and die before they get over it.”

Shakespeare vs Milton: The Kings of English Literature Debate

Intelligence Squared Want to join the debate? Check out the Intelligence Squared website to hear about future live events and podcasts: http://www.intelligencesquared.com __________________________ http://www.intelligencesquared.com/ev… Filmed at the Royal Geographical Society on 22nd June 2014. Nearly four centuries after his death, no writer has come close to matching Shakespeare’s understanding of the world — or his gift for dramatic poetry. It’s not just kings and queens that he captured so uniquely in his transcendent verse. Shakespeare analysed the human condition, not just for Elizabethan England, but throughout the world and for eternity. Britain may not have matched the Continent for music or art but when it comes to literature, Shakespeare sees off all international rivals, whether it’s in the spheres of comedy, tragedy or the sonnet. Even today you and I quote Shakespeare without knowing it: if you act more in sorrow than in anger, if you vanish into thin air or have ever been tongue-tied, hoodwinked or slept not one wink, you’re speaking the Bard’s English. Milton, say his fans, works on an altogether different, higher plane. In Paradise Lost — the best poem ever written in English — Milton moved beyond the literary to address political, philosophical and religious questions in a way that still resounds strongly today. In his complex, intellectual poetry he drilled down deep into the eternal truths and sought to embody new scientific discovery in his work. His engagement with the issues of the day — with the nature of knowledge, slavery, free will, love and creation — was unparalleled. Despite complete blindness in middle age, he was the English republic’s best known, most fervent apologist, and a key civil servant for Oliver Cromwell. In his other works, notably in Areopagitica, his attack on censorship, he showed himself as much a master of prose as poetry. He defines not only his age, but our own. To help you decide who should be crowned king of English letters we brought together advocates to make the case for each writer, and they called on a cast of leading actors to illustrate their arguments with readings from the works.

Bedecked

By Victoria Redel

Tell me it’s wrong the scarlet nails my son sports or the toy
store rings he clusters four jewels to each finger.

He’s bedecked. I see the other mothers looking at the star
choker, the rhinestone strand he fastens over a sock.
Sometimes I help him find sparkle clip-ons when he says
sticker earrings look too fake.

Tell me I should teach him it’s wrong to love the glitter that a
boy’s only a boy who’d love a truck with a remote that revs,
battery slamming into corners or Hot Wheels loop-de-looping
off tracks into the tub.

Then tell me it’s fine – really – maybe even a good thing – a boy
who’s got some girl to him,
and I’m right for the days he wears a pink shirt on the seesaw in
the park.

Tell me what you need to tell me but keep far away from my son
who still loves a beautiful thing not for what it means –
this way or that – but for the way facets set off prisms and
prisms spin up everywhere
and from his own jeweled body he’s cast rainbows – made every
shining true color.

Now try to tell me – man or woman – your heart was ever once
that brave.

Victoria Redel (born April 9, 1959) is an American poet and fiction writer who lives in New York City. She is the author of five books of fiction: Before Everything, Make Me Do Things, The Border of Truth, Loverboy and Where the Road Bottoms Out and three books of poetry: Woman Without Umbrella, Swoon, and Already the World. Wikipedia

The Power of Poetry, with William Sieghart, Jeanette Winterson and Helena Bonham Carter

Intelligence Squared Want to join the debate? Check out the Intelligence Squared website to hear about future live events and podcasts: http://www.intelligencesquared.com __________________________ The Power of Poetry, with William Sieghart, Jeanette Winterson and Helena Bonham Carter For 15 years, the power of the spoken word has been at the heart of Intelligence Squared’s mission. Argument and debate, we believe, can move, persuade and create real change. Now, in these anxious and divided times, we held a special event that celebrated the positive, transformative force of another kind of spoken word – poetry. William Sieghart told the extraordinary story of his bestselling book, The Poetry Pharmacy: Tried-and-True Prescriptions for the Heart, Mind and Soul. This is no conventional collection but one created from Sieghart’s own, personal experience of prescribing real poems to real people in need. Every poem is matched to a specific condition: fear of the unknown, unrequited love, stagnation, purposelessness, convalescence, oppression Joining him in conversation were novelist and poetry devotee Jeanette Winterson. Together they explored poetry’s uncanny ability to calm, console and, above all, connect us to the minds and feelings of others. Finding the right poem at the right moment is not just a problem shared, Sieghart says, but a problem transformed. It is ‘to discover a powerful sense of complicity, and that precious realisation: I’m not the only one who feels like this.’ It is to forge a connection with ‘this stranger who understands – and what results is a sort of peace.’ Bringing the poems to dramatic life were a cast of star actors including Helena Bonham Carter, Sue Perkins, Jason Isaacs and Tom Burke.

Albert Camus on Democracy

Albert Camus

“Democracy is not the law of the majority but the protection of the minority.”

— Albert Camus

Albert Camus (November 7, 1913 – January 4, 1960) was a French philosopher, author, and journalist. He won the Nobel Prize in Literature at the age of 44 in 1957, the second-youngest recipient in history. Camus was born in Algeria to French Pieds Noirs parents. His citizenship was French. Wikipedia

Consciousness, spirituality, biography, sexuality, androgyny, futurism, space, the arts, science, astrology, democracy, humor, books, movies and more