| Akbar | |||||
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Late 16th century portrait of Akbar by Manohar
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| 3rd Mughal Emperor | |||||
| Reign | 11 February 1556 – 27 October 1605 | ||||
| Coronation | 14 February 1556 at Kalanaur, Punjab | ||||
| Predecessor | Humayun | ||||
| Successor | Jahangir | ||||
| Regent | Bairam Khan (1556–1560) | ||||
| Born | Jalal-ud-din Muhammad Akbar 15 October 1542 Umerkot, Rajputana (present-day Sindh, Pakistan) |
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| Died | 27 October 1605 (aged 63) Fatehpur Sikri, Agra, Mughal Empire (present-day Uttar Pradesh, India) |
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| Burial | Sikandra, Agra | ||||
| Consort | Ruqaiya Sultan Begum | ||||
| Wives | Salima Sultan Begum Mariam-uz-Zamani Raziya Begum Qasima Banu Begum Bibi Daulat Shad |
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| Issue | Fatima Banu Begum Hassan Mirza Hussain Mirza Jahangir Khanum Sultan Begum Sultan Murad Mirza Daniyal Mirza Shakr-un-Nissa Begum Aram Banu Begum Mahi Begum |
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| House | Timurid | ||||
| Father | Humayun | ||||
| Mother | Hamida Banu Begum | ||||
| Religion | Sunni Islam, Din-e-Illahi | ||||
Abu’l-Fath Jalal-ud-din Muhammad Akbar (15 October 1542– 27 October 1605), popularly known as Akbar I(IPA: [əkbər], literally “the great”) and later Akbar the Great, was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include nearly all of the Indian Subcontinent north of the Godavari river. His power and influence, however, extended over the entire country because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing tribal bonds and Islamic state identity, Akbar strove to unite far-flung lands of his realm through loyalty, expressed through an Indo-Persian culture, to himself as an emperor who had near-divine status.
Mughal India developed a strong and stable economy, leading to commercial expansion and greater patronage of culture. Akbar himself was a patron of art and culture. He was fond of literature, and created a library of over 24,000 volumes written in Sanskrit, Urdu, Persian, Greek, Latin, Arabic and Kashmiri, staffed by many scholars, translators, artists, calligraphers, scribes, bookbinders and readers. Holy men of many faiths, poets, architects and artisans adorned his court from all over the world for study and discussion. Akbar’s courts at Delhi, Agra, and Fatehpur Sikri became centres of the arts, letters, and learning. Perso-Islamic culture began to merge and blend with indigenous Indian elements, and a distinct Indo-Persian culture emerged characterised by Mughal style arts, painting, and architecture. Disillusioned with orthodox Islam and perhaps hoping to bring about religious unity within his empire, Akbar promulgated Din-i-Ilahi, a syncretic creed derived from Islam, Hinduism, Zoroastrianism, and Christianity. A simple, monotheistic cult, tolerant in outlook, it centred on Akbar as a prophet, for which he drew the ire of the ulema and orthodox Muslims. Many of his courtiers followed Din-i-Ilahi as their religion as well, as many believed that Akbar was a prophet. One famous courtier who followed this blended religion was Birbal.
Akbar’s reign significantly influenced the course of Indian history. During his rule, the Mughal empire tripled in size and wealth. He created a powerful military system and instituted effective political and social reforms. By abolishing the sectarian tax on non-Muslims and appointing them to high civil and military posts, he was the first Mughal ruler to win the trust and loyalty of the native subjects. He had Sanskrit literature translated, participated in native festivals, realising that a stable empire depended on the co-operation and good-will of his subjects. Thus, the foundations for a multicultural empire under Mughal rule were laid during his reign. Akbar was succeeded as emperor by his son, Jahangir.
Din-i-Ilahi
Akbar was deeply interested in religious and philosophical matters. An orthodox Muslim at the outset, he later came to be influenced by Sufi mysticism that was being preached in the country at that time, and moved away from orthodoxy, appointing to his court several talented people with liberal ideas, including Abul Fazl, Faizi and Birbal. In 1575, he built a hall called the Ibadat Khana (“House of Worship”) at Fatehpur Sikri, to which he invited theologians, mystics and selected courtiers renowned for their intellectual achievements and discussed matters of spirituality with them. These discussions, initially restricted to Muslims, were acrimonious and resulted in the participants shouting at and abusing each other. Upset by this, Akbar opened the Ibadat Khana to people of all religions as well as atheists, resulting in the scope of the discussions broadening and extending even into areas such as the validity of the Quran and the nature of God. This shocked the orthodox theologians, who sought to discredit Akbar by circulating rumours of his desire to forsake Islam.
Akbar’s effort to evolve a meeting point among the representatives of various religions was not very successful, as each of them attempted to assert the superiority of their respective religions by denouncing other religions. Meanwhile, the debates at the Ibadat Khana grew more acrimonious and, contrary to their purpose of leading to a better understanding among religions, instead led to greater bitterness among them, resulting in the discontinuance of the debates by Akbar in 1582. However, his interaction with various religious theologians had convinced him that despite their differences, all religions had several good practices, which he sought to combine into a new religious movement known as Din-i-Ilahi.
Some modern scholars claim that Akbar did not initiate a new religion but instead introduced what Dr. Oscar R. Gómez calls the transtheistic outlook from tantric Tibetan Buddhism, and that he did not use the word Din-i-Ilahi. According to the contemporary events in the Mughal court Akbar was indeed angered by the acts of embezzlement of wealth by many high level Muslim clerics.
The purported Din-i-Ilahi was more of an ethical system and is said to have prohibited lust, sensuality, slander and pride, considering them sins. Piety, prudence, abstinence and kindness are the core virtues. The soul is encouraged to purify itself through yearning of God. Celibacy was respected, chastity enforced, the slaughter of animals was forbidden and there were no sacred scriptures or a priestly hierarchy. However, a leading Noble of Akbar’s court, Aziz Koka, wrote a letter to him from Mecca in 1594 arguing that the discipleship promoted by Akbar amounted to nothing more than a desire on Akbar’s part to portray his superiority regarding religious matters. To commemorate Din-e-Ilahi, he changed the name of Prayag to Allahabad (pronounced as ilahabad) in 1583.
It has been argued that the theory of Din-i-Ilahi being a new religion was a misconception that arose because of erroneous translations of Abul Fazl’s work by later British historians. However, it is also accepted that the policy of sulh-e-kul, which formed the essence of Din-i-Ilahi, was adopted by Akbar not merely for religious purposes but as a part of general imperial administrative policy. This also formed the basis for Akbar’s policy of religious toleration. At the time of Akbar’s death in 1605 there were no signs of discontent amongst his Muslim subjects, and the impression of even a theologian like Abdu’l Haq was that close ties remained.
More at: https://en.wikipedia.org/wiki/Akbar