How news coverage eases us into tyranny

When the media act like things are normal, they don’t reassure us – they gaslight us

Mark Jacob

Nov 10, 2025 (stopthepresses.news)

Imagine if Donald Trump had been a normal politician for a decade and then suddenly demolished the East Wing of the White House.

Or if he were normal for a decade and then posted a video showing a cartoon version of himself using a plane to drop feces on a crowd of Americans.

Or if he were normal for a decade and then pardoned someone who gave his family a huge cryptocurrency payday that looked very much like a bribe – then denied he even knew who the pardon recipient was.

If a president had done any of those things in a normal time, the news media would have gone big with the story. But a very abnormal Trump has done all three of those things in the last month, and the stories have lasted only a day or two in major news coverage.

Trump has been dropping feces on us for a decade… and now we’re used to it.

It would be great if we had an institution enshrined in the Constitution that would alert us when dangerously out-of-bounds things happen. An institution like, maybe, the press.

Instead, the media are easing us into tyranny. Here are some of the ways it’s happening.

News outlets rarely “hit the total button.”

When I was an editor at the Chicago Tribune, we had an expression for when we would step back from day-to-day coverage of an issue and put the whole thing in context. We called it “hitting the total button.” For example, instead of just covering each individual settlement the city of Chicago made for police misconduct, we knew we would tell a more revealing truth by adding them all up and putting the amount in the headline.

This was not an amazing innovation. It was basic journalism. But too often the national media fail to do it in their political coverage. They’ve often done a decent job of reporting Trump’s individual steps toward autocracy, but it’s rare for them to publish a sweeping story that sums it all up.

For months I’ve been calling on the media to write headlines like “Trump is building a dictatorship.” Because he is, and there’s a mountain of evidence to support that conclusion. The failure to do that keeps us sliding toward authoritarianism.

Major media have surrendered to the liars.

When Trump says, “I have my best numbers ever,” the reporters covering him don’t shout in unison, “No, you don’t!” even though they know he’s lying. Trump keeps making conditions more difficult for the media, so they realize there would be repercussions if they challenged him that way. Their bosses want to maintain “access.”

You see a similar acceptance of lies when TV news shows run video of Trump or other con artists like Mike Johnson. Sometimes they let all the lies go unchallenged. Sometimes they pick out one false statement and fact-check it. But many, many lies are delivered straight to the public without any correction.

It’s an indictment of mainstream media that this process keeps getting worse. There’s no learning curve. The operating principle seems to be: MAGA Republicans have lied to us for a decade, but we have to pretend they might be telling the truth this one time.

Meanwhile, the concept of shared facts is steadily eroded, making a functioning democracy impossible.

Everything seems to have the same volume.

When the crisis is constantly getting worse, why do the media cover it with the same monotonous, muffled drumbeat? Are they ever going to set off the fire alarms?

Part of the problem is the formatting of news sites on the web, which tends to make every story appear similar in importance. I do not pine for the days of print newspaper dominance – really – but that format offered a clearer news hierarchy. Websites could solve this problem if they’d break their rigid format more often.

Then there’s National Public Radio. I don’t want to blame NPR for being NPR, but its cool, breezy tone makes it seem as if everything will be alright when, in fact, we’re in deep trouble.

The media don’t need to crank up the volume to 11 for every act of misconduct by the regime. They just need to modulate. They should look for opportunities to break out from their regular coverage and recognize extraordinary developments. For example, a president sending masked, armed thugs to beat up and abduct people in American cities. Or 7 million people protesting Trump on a single day. The recent “No Kings” protests deserved more than two small photos below the New York Times’ Page 1 fold and a story back on Page 23.

The media’s desire to sedate its audience is evidenced by NBC News’ new slogan: “Facts. Clarity. Calm.” This is not the time to be calm. This is the time to be scared enough to defend our democracy.

If we start thinking what’s happening is routine, we’re doomed.

If only the media acted more like frogs.

During this time when so many Americans are complacent about the authoritarian threat, you’ve probably heard the metaphor of the boiled frog. It goes like this: If a frog is dropped into boiling water, it will jump out. But if the frog is placed in water that is slowly brought to a boil, it won’t realize the danger in time and will be cooked to death.

Problem is, that’s not true. At least not for frogs. Experts say when the water got uncomfortably hot, a frog would leap to safety.

But it seems like we’re finding out that the national news media aren’t as smart as frogs.

How to Be a Lichen: Adaptive Strategies for the Vulnerabilities of Being Human from Nature’s Tiny Titans of Tenacity

By Maria Popova (themarginalian.org)

When I was a child, little delighted me more than the magical green garlands draping from the pine trees, which I made into wreaths and mustaches to roam the mountains of Bulgaria as a miniature Orlando. I had no idea that Usnea longissima is just one of more than 20,000 known species of lichen — almost twice as many as birds.

In the lifetime since, I have collected and photographed lichen all over the world, from the spruces lining the wild shores of Alaska to the stone walls lining the rural roads of Ireland, from Basquiat’s grave in Brooklyn’s Green-Wood Cemetery to my oldest friend’s young husband’s tombstone in London’s Brompton Cemetery. And because anything you polish with attention will become a mirror, I have come to see that lichen knows many things we spend our lives learning — about adversity, about belonging, about love.

Color wheel of lichen I have encountered around the world. Available as a print and more, benefitting The Nature Conservancy.

Here are some instructions for living gleaned from nature’s tiniest titans of tenacity:

Contain multitudes without inner conflict. Linnaeus classified lichens as plants — a notion no one questioned until Peter Rabbit creator Beatrix Potter undertook her little-known scientific studies and made the revolutionary discovery that lichens are part algae and part fungus, with a sprinkling a bacteria — three kingdoms of life in a single organism, not warring for dominance but working together to make it one of the most resilient life-forms in nature and a keystone of many ecosystems. They are what that the German microbiologist and botanist Heinrich Anton de Bary was studying when he coined the word symbiosis, which is the technology evolution invented for unselfing.

Roots are overrated — invent other structures of belonging. Lichens don’t have a root system to draw nutrients and moisture from the ground. Instead, they alchemize sunlight into sugar, using their plant part to photosynthesize and their fungal part to grow root-like rhizines that allow them to attach to nearly any surface — house walls and tree bark, dead bones and living barnacles — drawing moisture and nutrients from the air. This allows them to thrive across an astonishing range of environments — from tide pools to mountaintops, from the hottest deserts to the iciest tundra.

Cultivate healthy attachment that doesn’t syphon the energy of the other. Contrary to the common misconception, lichens do not parasitize the organisms on which they grow but only use them as a substrate and often contribute to the overall health of the ecosystem.

Become a pioneer of possibility amid the ruins of before. Lichens are often the first organisms to grow on the denuded rock left in the wake of landslides and earthquakes. They are the life that goes on living over the tombstones of the dead.

When you can’t change your situation, change your attitude. When environmental conditions harshen, lichens can shut down their metabolism for months, years, even decades. They survive in radioactive environments by entering a dormant state and releasing protective chemicals that block radiation and neutralize free radicals. They survive simulations of Martian conditions and even the black severity of outer space: When a team of Spanish scientists sent the common map lichen Rhizocarpon geographicum and the bright orange wonder Rusavskia elegans aboard a Russian spacecraft to be exposed to cosmic radiation for 15 days, the lichens returned to Earth unperturbed and resumed their reproductive cycles.

Know that you don’t need a partner to fulfill your life. Many lichens reproduce asexually — by dispersing diaspores containing a handful of cells from each of their inner kingdoms or simply by breaking off pieces of themselves to grow into new organisms.

Spores of various lichen species from An Introduction to the Study of Lichens by Henry Willey, 1887,

Leave the world better than you found it. Lichens enrich the soil of deserts, stabilize sand dunes, and create loam from stone across the long arc of their lives. They are part of how mountains become golden sand.

Have great patience with the arc of your life. Some of the oldest living things on Earth, lichens grow at the unhurried pace of less than a millimeter per year. The continent I now live on and the continent on which I was born are drifting apart more than 250 times as fast. The Moon is leaving us four hundred times faster.

Become a living poem. Lichen anchors one of the subtlest, most powerful poems ever written — Elizabeth Bishop’s ode to time and love lensed through the greying hair of the love of her life, the Brazilian architect and landscape designer Lota de Macedo Soares:

Elizabeth Bishop

THE SHAMPOO
by Elizabeth Bishop

The still explosions on the rocks,
the lichens, grow
by spreading, gray, concentric shocks.
They have arranged
to meet the rings around the moon, although
within our memories they have not changed.

And since the heavens will attend
as long on us,
you’ve been, dear friend,
precipitate and pragmatical;
and look what happens. For Time is
nothing if not amenable.

The shooting stars in your black hair
in bright formation
are flocking where,
so straight, so soon?
— Come, let me wash it in this big tin basin,
battered and shiny like the moon.

How to Be a Lichen: Adaptive Strategies for the Vulnerabilities of Being Human from Nature’s Tiny Titans of Tenacity

When I was a child, little delighted me more than the magical green garlands draping from the pine trees, which I made into wreaths and mustaches to roam the mountains of Bulgaria as a miniature Orlando. I had no idea that Usnea longissima is just one of more than 20,000 known species of lichen — almost twice as many as birds.

In the lifetime since, I have collected and photographed lichen all over the world, from the spruces lining the wild shores of Alaska to the stone walls lining the rural roads of Ireland, from Basquiat’s grave in Brooklyn’s Green-Wood Cemetery to my oldest friend’s young husband’s tombstone in London’s Brompton Cemetery. And because anything you polish with attention will become a mirror, I have come to see that lichen knows many things we spend our lives learning — about adversity, about belonging, about love.

Color wheel of lichen I have encountered around the world. Available as a print and more, benefitting The Nature Conservancy.

Here are some instructions for living gleaned from nature’s tiniest titans of tenacity:

Contain multitudes without inner conflict. Linnaeus classified lichens as plants — a notion no one questioned until Peter Rabbit creator Beatrix Potter undertook her little-known scientific studies and made the revolutionary discovery that lichens are part algae and part fungus, with a sprinkling a bacteria — three kingdoms of life in a single organism, not warring for dominance but working together to make it one of the most resilient life-forms in nature and a keystone of many ecosystems. They are what that the German microbiologist and botanist Heinrich Anton de Bary was studying when he coined the word symbiosis, which is the technology evolution invented for unselfing.

Roots are overrated — invent other structures of belonging. Lichens don’t have a root system to draw nutrients and moisture from the ground. Instead, they alchemize sunlight into sugar, using their plant part to photosynthesize and their fungal part to grow root-like rhizines that allow them to attach to nearly any surface — house walls and tree bark, dead bones and living barnacles — drawing moisture and nutrients from the air. This allows them to thrive across an astonishing range of environments — from tide pools to mountaintops, from the hottest deserts to the iciest tundra.

Cultivate healthy attachment that doesn’t syphon the energy of the other. Contrary to the common misconception, lichens do not parasitize the organisms on which they grow but only use them as a substrate and often contribute to the overall health of the ecosystem.

Become a pioneer of possibility amid the ruins of before. Lichens are often the first organisms to grow on the denuded rock left in the wake of landslides and earthquakes. They are the life that goes on living over the tombstones of the dead.

When you can’t change your situation, change your attitude. When environmental conditions harshen, lichens can shut down their metabolism for months, years, even decades. They survive in radioactive environments by entering a dormant state and releasing protective chemicals that block radiation and neutralize free radicals. They survive simulations of Martian conditions and even the black severity of outer space: When a team of Spanish scientists sent the common map lichen Rhizocarpon geographicum and the bright orange wonder Rusavskia elegans aboard a Russian spacecraft to be exposed to cosmic radiation for 15 days, the lichens returned to Earth unperturbed and resumed their reproductive cycles.

Know that you don’t need a partner to fulfill your life. Many lichens reproduce asexually — by dispersing diaspores containing a handful of cells from each of their inner kingdoms or simply by breaking off pieces of themselves to grow into new organisms.

Spores of various lichen species from An Introduction to the Study of Lichens by Henry Willey, 1887,

Leave the world better than you found it. Lichens enrich the soil of deserts, stabilize sand dunes, and create loam from stone across the long arc of their lives. They are part of how mountains become golden sand.

Have great patience with the arc of your life. Some of the oldest living things on Earth, lichens grow at the unhurried pace of less than a millimeter per year. The continent I now live on and the continent on which I was born are drifting apart more than 250 times as fast. The Moon is leaving us four hundred times faster.

Become a living poem. Lichen anchors one of the subtlest, most powerful poems ever written — Elizabeth Bishop’s ode to time and love lensed through the greying hair of the love of her life, the Brazilian architect and landscape designer Lota de Macedo Soares:

Elizabeth Bishop

THE SHAMPOO
by Elizabeth Bishop

The still explosions on the rocks,
the lichens, grow
by spreading, gray, concentric shocks.
They have arranged
to meet the rings around the moon, although
within our memories they have not changed.

And since the heavens will attend
as long on us,
you’ve been, dear friend,
precipitate and pragmatical;
and look what happens. For Time is
nothing if not amenable.

The shooting stars in your black hair
in bright formation
are flocking where,
so straight, so soon?
— Come, let me wash it in this big tin basin,
battered and shiny like the moon.

Jonathan Goldman’s Healing Sounds

SPECIAL ANNOUNCEMENT 
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On November 11, 2011, Jonathan Goldman and Andi Goldman presented an initiatory 3 day workshop, ASCENSION HARMONICS–The 11:11 Divine Name Seminar.” This Healing Sounds presentation was held in celebration of their 11th Wedding Anniversary. This event was filmed and is now available as a streaming award winning on-line video course. 

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Andi & Jonathan Goldman are well known pioneers in the field of sound healing. Award winning authors and co-creators of numerous CDs, they have dedicated their lives to the path of service, helping awaken and empower others with the ability of sound to heal and transform. They represent the loving energies of the sacred masculine and feminine in their embodiment of the universal principles of frequency shifting.  

(Contributed by John Atwater, H.W.)

The Mystical Path with James Tunney

New Thinking Allowed with Jeffrey Mishlove Nov 10, 2025 James Tunney, LLM, is an Irish Barrister who has lectured on legal matters throughout the world. He is a poet, a visual artist, and also author of The Mystical Accord: Sutras to Suit Our Times, Lines for Spiritual Evolution. In addition, he has written two dystopian novels — Blue Lies September and Ireland I Don’t Recognize Who She Is. In this video, rebooted from 2020, he proposes that one need not lose one’s sovereign autonomy to a guru or spiritual leader in order to pursue an authentic mystical path. The path involves learning to distinguish the true Self from false images of the self. Ultimately, it involves the cultivation of compassion for both oneself and others — leading to transcendence. New Thinking Allowed host, Jeffrey Mishlove, PhD, is author of The Roots of Consciousness, Psi Development Systems, and The PK Man. Between 1986 and 2002 he hosted and co-produced the original Thinking Allowed public television series. He is the recipient of the only doctoral diploma in “parapsychology” ever awarded by an accredited university (University of California, Berkeley, 1980). He is also the Grand Prize winner of the 2021 Bigelow Institute essay competition regarding the best evidence for survival of human consciousness after permanent bodily death. He is Co-Director (with Callum Cooper) of Parapsychology Education at the California Institute for Human Science. (Recorded on January 17, 2020)

Book: “Warhead: How the Brain Shapes War and War Shapes the Brain”

Warhead: How the Brain Shapes War and War Shapes the Brain

Nicholas Wright

From Dr. Nicholas Wright, a leading neuroscientist and advisor to the Pentagon, discover a new perspective on the human brain and on war.

Why did France lose to the Nazis, despite its defenders having more tanks, troops, and guns? How did we bring peace to Germany after World War Two? How do you know if you can trust an ally? How can we make clearer decisions under pressure?

In Warhead, Nicholas Wright takes us on a fascinating journey through the brain to show us how it shapes our behaviour in conflict and war. Drawing on his work as a neuroscientist, and over a decade advising the Pentagon and the UK Government, Wright reveals that, whether we like it or not, the brain is wired for conflict – in the office or on the battlefield.

With a unique framework that helps explain today’s rising tensions and how to defuse them, Warhead brings cutting-edge research to life through battle stories from history. What was it like for a foot soldier at the Battle of Waterloo in 1815, or in China’s Red Army as it fought to survive and triumph throughout the 1930s and 40s? How could leaders such as World War Two tank commanders, Shaka Zulu, or Winston Churchill see through the fog of conflict, make better decisions, and communicate with those who must carry those decisions out? How will human conflict shape our future technologies?

In an increasingly dangerous world that threatens our values and success, Warhead is an essential read to understand why we fight, lose and win wars. Because self-knowledge is power.


About the author

Nicholas Wright

Dr Nicholas Wright, MRCP, PhD is a neuroscientist who researches the brain, technology and security at University College London, Georgetown University, and the Center for Strategic and International Studies in Washington DC, where he also advises the Pentagon Joint Staff.

He works with governments and the private sector. He worked as a neurology doctor in London and Oxford, and has published numerous academic papers, which have been covered by the BBC and New York Times. He has appeared on CNN and the BBC, and regularly contributes to outlets like Foreign Affairs, Foreign Policy, the Atlantic, and Slate.

(Godoreads.com)

Gurdjieff on what means could be adopted to save the inhabitants of the world

“The sole means now for the saving of the beings of the planet Earth would be to implant again into their presences a new organ … of such properties that every one of these unfortunates during the process of existence should constantly sense and be cognizant of the inevitability of his own death as well as the death of everyone upon whom his eyes or attention rests. Only such a sensation and such a cognizance can now destroy the egoism completely crystallized in them.”

G. I. Gurdjieff

All and Everything: Beelzebub’s Tales to His Grandson (1950)

Salon Calvin November 2O25

Video And Discussion

Pixar animated film   Inside Out   (the first half)

Friday 28 November 2025

4:30 PM – 7:00 PM Pacific Time.

Inside Out is a 2015 Pixar animated film that takes a fun look at Emotions. The ones we all Love and those we hide.  They are all there —Joy, Sadness, Anger, Fear, and Disgust— being shown to us at a safe distance as living inside the mind of a cartoon girl named Riley. The story centers on the turmoil that ensues when her family moved from Minnesota to San Francisco.  Thus a journey will begin, when each emotion at “headquarters”  tries to restore happiness to Riley’s mind while the emotions Joy and Sadness have gone missing and are lost on a quest to get back to headquarters. On the quest Joy and Sadness begin to see something that we did not see before.

Welcome to an expedition, where you may find yourself exploring your past and how you make choices about your future. The film explores surprisingly themes of growing up, emotional complexity, and the importance of knowing and accepting our full range of feelings.

image.png 

We will be watching the first half of this film this month and finishing in December 2025.  We will then move into our discussion about what unfolded for you in this film. I am sure for some of you this will be personal and should prove lively and animated conversation. It can uncover deep meanings for each of us and sometimes hold life affirming truths that we do not always see on the surface.

 Mark your Calendars: Salon Calvin

Date: Friday, November 28, 2025

Time: 4:30 pm to about 7:00 pm Pacific Time

Where: Over Zoom – Link to follow

See you there 

Calvin

Words: Pablo Neruda’s Love Letter to Language

By Maria Popova (themarginalian.org)

“Words are events, they do things, change things. They transform both speaker and hearer… feed understanding or emotion back and forth and amplify it,” Ursula K. Le Guin wrote. Words are the invisible hands with which we touch each other, feel the shape of the world, hold our own experience. We live in language — it is our interior narrative that stitches the events of our lives into a story of self. We love in language — it is the lever for every deep and valuable relationship, which Adrienne Rich knew to be “a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.” When two people meet in a third language, parts of each always remain unmet by the other. When two people meet in the same language, they must learn to mean the same things by the same words in order to meet in truth. And so we must love language in order to love each other well, in order to love our own lives.

I know of no greater love letter to language, to its simple pleasures and its infinite complexities, than the one Pablo Neruda (July 12, 1904–September 23, 1973) tucks into his posthumously published Memoirs (public library) under the heading “Words” — a stream-of-consciousness prose poem nested between chapters about his changing life in Chile and his eventual choice to leave Santiago, “a captive city between walls of snow,” half a lifetime before he was awarded the Nobel Prize for “a poetry that with the action of an elemental force brings alive a continent’s destiny and dreams.”

Art by Julie Paschkis from Pablo Neruda: Poet of the People

A generation after Virginia Woolf rasped in the only surviving recording of her voice that “words belong to each other,” Neruda writes:

… You can say anything you want, yessir, but it’s the words that sing, they soar and descend … I bow to them … I love them, I cling to them, I run them down, I bite into them, I melt them down … I love words so much … The unexpected ones … The ones I wait for greedily or stalk until, suddenly, they drop … Vowels I love … They glitter like colored stones, they leap like silver fish, they are foam, thread, metal, dew … I run after certain words … They are so beautiful that I want to fit them all into my poem … I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives … And then I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them, I let them go … I leave them in my poem like stalactites, like slivers of polished wood, like coals, pickings from a shipwreck, gifts from the waves … Everything exists in the word … An idea goes through a complete change because one word shifted its place, or because another settled down like a spoiled little thing inside a phrase that was not expecting her but obeys her … They have shadow, transparence, weight, feathers, hair, and everything they gathered from so much rolling down the river, from so much wandering from country to country, from being roots so long … They are very ancient and very new … They live in the bier, hidden away, and in the budding flower.

Art by Julie Paschkis from The Wordy Book

Nested into Neruda’s passionate ode to the brightness of language is also a reminder of the darknesses out of which its light arose:

What a great language I have, it’s a fine language we inherited from the fierce conquistadors … They strode over the giant cordilleras, over the rugged Americas, hunting for potatoes, sausages, beans, black tobacco, gold, corn, fried eggs, with a voracious appetite not found in the world since then … They swallowed up everything, religions, pyramids, tribes, idolatries just like the ones they brought along in their huge sacks … Wherever they went, they razed the land … But words fell like pebbles out of the boots of the barbarians, out of their beards, their helmets, their horseshoes, luminous words that were left glittering here … our language. We came up losers … We came up winners … They carried off the gold and left us the gold … They carried everything off and left us everything … They left us the words.

Art by Paloma Valdivia for Pablo Neruda’s Book of Questions

We forget this, but it is a truth both uncomfortable and liberating — that there is no wasted experience, that the heartbreaks, the disasters, the plunderings of trust and territory all leave the seeds of something new in their wake. Our very world was born by brutality, forged of the debris that first swarmed the Sun four and a half billion years ago before cohering into rocky bodies that went on to pulverize one another in a gauntlet of violent collisions that sculpted the Earth and the Moon. Words too can do that — universes of perspective colliding in order to shape a habitable truth, to shape the stories we tell ourselves in order to live, the stories we tell each other and call love.

The Coziest Place on the Moon: An Illustrated Fable about How to Live with Loneliness and What It Means to Love, Inspired by a Real NASA Discovery

By Maria Popova (themarginalian.org)

On July 26, 2022, as I was living through a period of acute loneliness despite being a naturally solitary person, NASA reported that computer modeling of data from its Lunar Reconnaissance Orbiter (LRO) had revealed several cylindrical pits on the Moon with just the right shape to be shaded just the right amount to offer shelter from the extremes of the lunar surface. Because the Moon has no atmosphere to act as its thermostat, its temperature fluctuates dramatically as it faces and turns away from the Sun, rising to 260°F (about 127°C) in the daytime and plummeting to -280°F (about -173°C) at night. But these unique nooks, which are most likely collapsed lava tubes, are a cozy 63°F (17°C) inside — he feeling-tone of a crisp autumn day in Brooklyn, where I live. Images from the LRO suggested that these pits might unfold into caves that would make perfect sites for lunar exploration — campsites with a stable temperature, more protected from cosmic rays, solar radiation, and micrometeorites.

There is something poetic in knowing that we evolved in caves and might one day inhabit caves on another celestial body, having invented the means to get there with the imagination that bloomed over millions of years in the lonely bone cave of the mind.

There is also something poetic in knowing that as we fantasize about leaving for the Moon, the Moon is leaving us.

The prolific English astronomer Edmund Halley first began suspecting this disquieting fact in the early 18th century after analyzing ancient eclipse records. Nobody believed him — the Moon looked so steady, so unlosable. It took a quarter millennium for his theory to be vindicated: When Apollo astronauts placed mirrors on the lunar surface and when laser beams were beamed a them from Earth, it was revealed that the Moon is indeed drifting away from us, at the precise rate of 3.8 centimeters per year — more than half the rate at which a child grows.

The Moon is leaving us because of the gravitational conversation between it and the Earth: the ocean tides. The drag they cause slows down the planet’s spin rate. Because gravity binds the Moon and the Earth, as the Earth loses angular momentum, the Moon overcompensates in response; as it speeds up, it begins slipping out of our gravitational grip, slowly moving away from us.

We know this thanks to Albert Einstein’s theory of general relativity — the revelation that space is not flat, time is not absolute, and spacetime is a single fabric along the curvature of which everything, including light, moves.

I thought of Einstein, who at sixteen, lonely and introverted, began wondering about the nature of the universe by imagining himself chasing a beam of light through outer space; I thought of the poet Rainer Maria Rilke, also lonely and also dedicated to the light, who at the same time was formulating his general theory of love as “two solitudes that protect, border, and greet each other.” And I thought about how love is simply the solitary light between people, neither partitioned nor merged but shared, to light up the sliver of spacetime we have each been allotted before returning our borrowed stardust to the universe.

Somehow it all felt like a children’s book that didn’t yet exist. So I wrote it, having always believed that every good children’s book is a work of philosophy in disguise, a field guide to the mystery we are a part of and the mystery we are — in the language of children, which is the language of curiosity and unselfconscious sincerity, such books speak the most timeless truths to the truest parts of us by asking the simplest, deepest questions to help us understanding the world and understanding ourselves so that we may be more fully alive.

By one of those wrinkles in time and chance that we call luck, shortly after I sent the manuscript to my friend Claudia at Enchanted Lion Books, I received a lovely note from a stranger named Sarah Jacoby in response to my essay about Margaret Wise Brown’s complicated love with Michael Strange. Sarah told me that she too had fallen under the spell of their singular love while illustrating a picture-book biography of Margaret. I ordered it and, enchanted by Sarah’s soulful watercolors and tender creatures, spontaneously invited her to illustrate my lunar story of loneliness and love on nothing more than an instinct of creative kinship. She must have felt it too because, felicitously, she said “yes.”

And so The Coziest Place on the Moon (public library) was born.

This is how it begins:

It was on a Tuesday in July that Re woke up feeling like the loneliest creature on Earth and decided to go live in the coziest place on the Moon.

At exactly 7:26 — a pretty number, a pretty hour — Re mounted a beam of light and sailed into space.

It took exactly 1.255 seconds, because light travels at the speed of dreams, to land exactly where Re wanted to land.

Across Sarah’s enchanted spacescapes, Re has a surprising encounter that takes the story to where it always wanted to go — a reckoning with how to bear our loneliness and what it really means to love.

Goethe on wisdom

Portrait by Joseph Karl Stieler, 1828

“Who is the wisest man? He who neither knows nor wishes for anything else than what happens.”

~ Goethe

Johann Wolfgang von Goethe (August 28, 1749 – March 22, 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on literary, political, and philosophical thought in the Western world from the late 18th century to the present. Wikipedia

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