Short story: “Harrison Bergeron” by Kurt Vonnegut Jr.

Harrison Bergeron

Harrison Bergeron

It is the year 2081. Because of Amendments 211, 212, and 213 to the Constitution, every American is fully equal, meaning that no one is stupider, uglier, weaker, or slower than anyone else. The Handicapper General and a team of agents ensure that the laws of equality are enforced.

One April, fourteen-year-old Harrison Bergeron is taken away from his parents, George and Hazel, by the government.

(Part of “Welcome to the Monkey House” collection of short stories.  From goodreads.com)

“A Moment of Silence” by Emmanuel Ortiz

 

Before I begin this poem, I’d like to ask you to join me in a moment of silence in honor of those who died in the World Trade Center and the Pentagon on September 11th, 2001.I would also like to ask you to offer up a moment of silence for all of those who have been harassed, imprisoned, disappeared, tortured, raped, or killed in retaliation for those strikes, for the victims in Afghanistan, Iraq, in the U.S., and throughout the world.And if I could just add one more thing…A full day of silence… for the tens of thousands of Palestinians who have died at the hands of U.S.-backed Israeli forces over decades of occupation.Six months of silence… for the million and-a-half Iraqi people, mostly children, who have died of malnourishment or starvation as a result

of a 12-year U.S. embargo against the country.

…And now, the drums of war beat again.

Before I begin this poem, two months of silence… for the Blacks under Apartheid in South Africa, where “homeland security” made them aliens in their own country

Nine months of silence… for the dead in Hiroshima and Nagasaki, where death rained down and peeled back every layer of concrete, steel, earth and skin, and the survivors went on as if alive.

A year of silence… for the millions of dead in Viet Nam­—a people, not a war—for those who know a thing or two about the scent of burning fuel, their relatives bones buried in it, their babies born of it.

Two months of silence… for the decades of dead in Colombia, whose names, like the corpses they once represented, have piled up and slipped off our tongues.

Before I begin this poem,
Seven days of silence… for El Salvador
A day of silence… for Nicaragua
Five days of silence… for the Guatemaltecos
None of whom ever knew a moment of peace in their living years.
45 seconds of silence… for the 45 dead at Acteal, Chiapas…
1,933 miles of silence… for every desperate body
That burns in the desert sun
Drowned in swollen rivers at the pearly gates to the Empire’s underbelly,
A gaping wound sutured shut by razor wire and corrugated steel.

25 years of silence… for the millions of Africans who found their graves far deeper in the ocean than any building could poke into the sky.
For those who were strung and swung from the heights of sycamore trees
In the south… the north… the east… the west…
There will be no dna testing or dental records to identify their remains.

100 years of silence… for the hundreds of millions of indigenous people
From this half of right here,
Whose land and lives were stolen,
In postcard-perfect plots like Pine Ridge, Wounded Knee, Sand Creek, Fallen Timbers, or the Trail of Tears
Names now reduced to innocuous magnetic poetry on the refrigerator of our consciousness…

From somewhere within the pillars of power
You open your mouths to invoke a moment of our silence
And we are all left speechless,
Our tongues snatched from our mouths,
Our eyes stapled shut.

A moment of silence,
And the poets are laid to rest,
The drums disintegrate into dust.

Before I begin this poem,
You want a moment of silence…
You mourn now as if the world will never be the same
And the rest of us hope to hell it won’t be.
Not like it always has been.

…Because this is not a 9-1-1 poem
This is a 9/10 poem,
It is a 9/9 poem,
A 9/8 poem,
A 9/7 poem…
This is a 1492 poem.
This is a poem about what causes poems like this to be written.

And if this is a 9/11 poem, then
This is a September 11th 1973 poem for Chile.
This is a September 12th 1977 poem for Steven Biko in South Africa.
This is a September 13th 1971 poem for the brothers at Attica Prison, New York.
This is a September 14th 1992 poem for the people of Somalia.
This is a poem for every date that falls to the ground amidst the ashes of amnesia.

This is a poem for the 110 stories that were never told,
The 110 stories that history uprooted from its textbooks
The 110 stories that that cnn, bbc, The New York Times, and Newsweek ignored.
This is a poem for interrupting this program.

This is not a peace poem,
Not a poem for forgiveness.
This is a justice poem,
A poem for never forgetting.
This is a poem to remind us
That all that glitters
Might just be broken glass.

And still you want a moment of silence for the dead?
We could give you lifetimes of empty:
The unmarked graves,
The lost languages,
The uprooted trees and histories,
The dead stares on the faces of nameless children…

Before I start this poem we could be silent forever
Or just long enough to hunger,
For the dust to bury us
And you would still ask us
For more of our silence.
So if you want a moment of silence

Then stop the oil pumps
Turn off the engines, the televisions
Sink the cruise ships
Crash the stock markets
Unplug the marquee lights
Delete the e-mails and instant messages
Derail the trains, ground the planes.
If you want a moment of silence, put a brick through the window
of Taco Bell
And pay the workers for wages lost.
Tear down the liquor stores,
The townhouses, the White Houses, the jailhouses, the Penthouses
and the Playboys.

If you want a moment of silence,
Then take it
On Super Bowl Sunday,
The Fourth of July,
During Dayton’s 13 hour sale,
The next time your white guilt fills the room where my beautiful brown people have gathered.

You want a moment of silence
Then take it
Now,
Before this poem begins.
Here, in the echo of my voice,
In the pause between goosesteps of the second hand,
In the space between bodies in embrace,
Here is your silence.
Take it.
Take it all.
But don’t cut in line.
Let your silence begin at the beginning of crime.

And we,
Tonight,
We will keep right on singing
For our dead.

Emmanuel Ortiz is a third-generation Chicano/Puerto Rican/Irish-American community organizer and spoken word poet. He is the author of a chapbook of poems, The Word Is a Machete (self-published, 2003), and coeditor of Under What Bandera?: Anti-War Ofrendas from Minnesota y Califas (Calaca Press, 2004). He is a founding member of Palabristas: Latin@ Word Slingers, a collective of Latin@ poets in Minnesota. Emmanuel has lived in Minneapolis, Minnesota; Oakland, California; and the Arizona/Mexico border. He currently lives in Fort Wayne, Indiana, the “buckle of the Bible Belt,” with his two dogs, Nogi and Cuca. In his spare time, he enjoys guacamole, soccer, and naps.

“Where is Saturn in your chart?” by Robert McEwen, H.W., M.

Wonder where Saturn is in your chart?  Many of you call asking for a session about this very fact.  Saturn plays a significant part in the life of every human being. Some modern astrologers will place the same enormous importance on this karmic god as they would the Sun, Moon, and Ascendant. More commonly, Saturn’s teachings will force us along a footpath towards duty and destiny. However, an ordinary interpretation, especially within traditional astrology, understands Saturn to have always stood for boundaries and limitations. However, with the later discovery of the outer planets (Uranus, Neptune, and Pluto), it has since been viewed as more of a gateway, leading us from the realm of the known towards the unknown.  Saturn placement, the house, sign and aspects in your natal horoscopes lays out your daily habits and how you set limits upon yourself and others.  Some fear is involved for it rules separation from other people and things valued.

Saturn symbolizes the unacceptable side of our nature, and it is believed that by accepting the hidden qualities within ourselves – acknowledging this sense of inferior feeling – we unlock the prison door. Projection is also a major factor with this planet and we often see its face in others or qualities we despise. Most of the shadowy element of any soul, lives in the unconscious and we do not wish it to be acknowledged, but this is also the source of our inner riches. In Saturn’s realm, it is a complex world of frustration, delays, rejection and unfulfilled desires. It can take a lifetime to integrate our shadow and there is always a fated element at work. For at some point, we must confront all of our worst fears. The frustrating experiences will force us to face our responsibilities and these are necessary. Everyone at some time has felt the “malefic” nature of the planet, bringing us bad luck, hard times and a painful situation.

Explore your Saturn placement and where Saturn is transiting in your chart now.  The SEVEN YEAR cycles are most important in your physical evolution on planet earth.

If you want to explore it with me and your astrological chart just text me your birth time, date and place:  503 706-0396
$75 per hr.
paypal: robbystarman@aol.com

Thank you,

Robert McEwen, H.W., M., CADC I

“How to Break Up Like a Poet: Edna St. Vincent Millay and the Art of the Kind, Clean Break” by Maria Popova

“I am most faithless when I most am true.”

How to Break Up Like a Poet: Edna St. Vincent Millay and the Art of the Kind, Clean Break

Published at nineteen and a Pulitzer winner at thirty-three, the poet and playwright Edna St. Vincent Millay (February 22, 1892–October 19, 1950) is one of the most influential writers in the English language. She was also an early and unselfconscious pioneer of free love, openly bisexual and polyamorous in an era when society was still gasping for air from the suffocating grip of Puritanical dogmatism and homosexuality was considered a mental disorder. Her 1920 poetry collection A Few Figs From Thistles became a trailblazing manifesto for women’s sexual and political emancipation — a project she espoused in her poetry and embodied in her personal life, replete with passionate polyamorous romances with both women and men.

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Edna St. Vincent Millay, 1920s

In the autumn of 1917, Millay, newly graduated from Vassar and settled in New York City’s Greenwich Village, answered an audition call for the role of ingenue in a play by Floyd Dell — a charming satirist, fellow intellectual, and kindred champion of free love, thirty-one and recently divorced. He would later recount in a passage from his memoir of Millay:

I fell in love with her voice at once; and with her spirit, when I came to know it, so full of indomitable courage. But there was in her something of which one stood in awe — she seemed, as a poet, no mere mortal, but a goddess; and though one could not but love her, one loved her hopelessly, as a goddess must be loved.

After a fiery love affair, Dell asked Millay to marry him. She declined, breaking his heart and breaking it open — a heartbreak that would, in Dell’s later recollection, “reveal in blinding glimpses something truer about love, and perhaps more terrible in its splendor, than was set forth in any philosophy of freedom.”

In a letter to Millay found in What Lips My Lips Have Kissed: The Loves and Love Poems of Edna St. Vincent Millay (public library), a resigned but dignified Dell takes the only high ground there is for a jilted lover:

I am asking you to end a one-sided love relationship because it seems to be one-sided…. If this is true, then — I really think we can be the best of friends, and I hope you will want to, as I do. If this were a conversation, I should somewhere in the course of it, I know, ask you again to marry me. Will you … let the happiness which is possible between us come to be?

Millay took this invitation to make the clean, kind break that would transform their romance into a lifelong friendship. Perhaps she was thinking back to another intense relationship she had ended a year earlier at Vassar — her formative romance with a boyish Italian-American aspiring scientist by the name of Elaine Ralli, a class year ahead of her. When Elaine graduated from Vassar, Vincent — as Millay signed her letters — razed the relationship with a clean cut. The devastated Elaine tried to make sense of it in a letter to the poet:

I’m sorry we had to disagree so decidedly and that out of all we had been we didn’t have enough left to build up a friendship of some kind. — But I guess that’s the usual thing — the more people are to one another the more decided is the break…. I grant you that I made a fool of myself but I learned an awful lot.

In the years following her relationships with Ralli and Dell, which mounted over the landscape of young Millay’s lively romantic life, she penned a suite of sonnets about the tumults and transformations engendered by the heart’s interplay with other hearts — poems that captured the bittersweet lessons of great loves that had ended and explored her ambivalent regrets as to her own part in those endings.

In one, she writes:

I think I should have loved you presently,
And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all my pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained,
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory’s halls, austere, supreme,
A ghost in marble of a girl you knew
Who would have loved you in a day or two.

Another stands as an eulogy — a simultaneous celebration and lament — for the fickleness of the heart:

Oh, think not I am faithful to a vow!
Faithless am I save to love’s self alone.
Were you not lovely I would leave you now:
After the feet of beauty fly my own.
Were you not still my hunger’s rarest food,
And water ever to my wildest thirst,
I would desert you — think not but I would! —
And seek another as I sought you first.
But you are mobile as the veering air,
And all your charms more changeful than the tide,
Wherefore to be inconstant is no care:
I have but to continue at your side.
So wanton, light and false, my love, are you,
I am most faithless when I most am true.

In another, she pokes mournful fun at the willful blindness inherent to every vow — the sweet delusion that love is impervious to the transience of all things and the oblivion to which the whole of the universe tends:

I shall forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year,
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived,
And vows were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far, —
Whether or not we find what we are seeking
Is idle, biologically speaking.

Complement the altogether delicious What Lips My Lips Have Kissed with Millay on the sublime power of musicwhat it really means to be an anarchist, and her stunning love letters to the British silent film actress Edith Wynne Matthison, then revisit Simone de Beauvoir’s masterwork of a breakup letter.

(BrainPickings.org)

“Consciousness conscious of Consciousness” by Robert McEwen, H.W., M.

Consciousness is stable and constant.  It is not bound in time and it has no history or story. You are only consciousness and consciousness only.  You are observing what is appearing or comes up for you in consciousness.  Now, put it down.  Put down these concepts and sensations you give meaning to and think you are real.

You may try to change or fix yourself or others, yet this is futile. You are not the content of what you are observing in consciousness.  It does not BELONG to you so this is impersonal in nature, or you are not attached to the content.   You are ONLY the presence of consciousness observing.   Only this, not the content; the objects or ideas.  These thoughts come and go.  They are like clouds going by. You make up your identity of these thoughts or content, and think this is you.  You are not these thoughts you have identified with.  They come and go.  But,  as consciousness you are are constant and stable.  As long as you are awareness of this, you will always be at  relaxed, secure and at peace. So breathe deep and BE at peace now.  Let go of any content you attach to, or judge and suffer about.

 You are no longer attached to the content you suffer over and are caught up as your story.  Let go of any idea of past baggage you have been carrying  now. This or that happened to you and your feelings about that.  You are free as consciousness and watching only.  You have permission to just be.  Give Being to yourself.  Accept Being by letting it go.  It is painless.  Relief now is experienced and you experience great joy!  Presence is not a perception or idea.  Presence is being.

 It is simple. Too simple for the intellect, so the intellect has to be dropped in order experience this exquisite joy.  You are awakening to what you were before you came. This is eternal in nature and has no name.

~ Enjoy.

 Love Blessings,

Robert McEwen, HWM
robbystarman@aol.com
503  706-0396

All 12 Zodiac Sign’s Mottos (zodiacadvice.com)

All 12 Zodiac Sign’s Mottos :

Each of the 12 Astrological Signs have their own life Motto, starting with Aries all the way to Pisces! These Zodiac Mottos reveal how each sign approaches challenges of life. Similar to quote, these Mottos describe the strengths of each sign. Each zodiac Motto is in the form of an ‘I Statement’… Find your specific sign by using your birthdate:

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Now find your Zodiac symbol see how you relate to it’s Motto below:

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For Example, the Zodiac Calendar officially starts at Aries and finished at Pisces.

So the First symbol above is Aries, Taurus, Gemini… etc.

Aries Motto: I am

Taurus Motto: I have

Gemini Motto: I think

Cancer Motto: I feel

Leo Motto: I will

Virgo Motto: I analyze

Libra Motto: I balance

Scorpio Motto: I lust

Sagittarius Motto: I see

Capricorn Motto: I use

Aquarius Motto: I know

Pisces Motto: I believe

Each Zodiac Motto gives more insight about the sign itself. For example, Virgo’s Motto is ‘I analyze’. Virgo people are known to be very detailed oriented and they can dissect something or someone completely. A true Virgo is a perfectionist, so this Motto makes sense and helps to learn more about the sign. Libra’s Motto is ‘I balance’ and this means they are seeking equilibrium in life. LIbra sign is the scales, and they truly love for their life to be harmonious. Taurus’ Motto is ‘I have’, which makes perfect sense because Taurus are know to be possessive and materialistic. A Taurus likes to own things, and sometimes even people… Capricorn’s Motto of ‘I use’ is also appropriate because Capricorns are great at setting goals and striving to achieve them. True corporate ladder climbers at heart, Capricorns use people, skills, anything to get closer to their achievements. Anyone who has met a Leo will confirm that their Motto ‘I will’ is very fitting. Leos are one of the most driven signs of all the zodiac, also stubborn too!

Follow Us on Twitter for Daily Zodiac Advice! Click here!

SUNDAY NIGHT TRANSLATION GROUP — SEPTEMBER 10, 2017

To quote Heather Williams, H.W., M., “Translation is the creative process of re-engineering the outdated software of your mind.” Translation is a 5-step process using syllogistic reasoning to transform apparent man and the universe back into its essential whole, complete and perfect nature.  Through the process of Translation, reality is uncovered and thus revealed. Through word tracking, getting to the essence of the words we use to express our current view of reality, we are uncovering the underlying timeless reality of the Universe.

Sense testimony:

Not being smart enough to listen to our intuition makes us feel inferior.

Conclusions

  1. All is ONE INFINITE BEING, boundlessly individuating in perfectly balanced polarity (giving and receiving), and thus always expressing utter equality.
  2. Truth is all-remembering, all-intending, all-purpose, our Tutor who art in Heaven.
  3. Truth is one Mind all knowing known listening observer in the illumined consciousness of perfect being.
  4. To come.

[The Sunday Night Translation Group meets at 7pm Pacific time via Skype. There is also a Sunday morning Translation group which meets at 7am Pacific time via GoToMeeting.com.  See Upcoming Events on the BB to join, or start a group of your own.]

“Ways of Faith”: Part 1

“Sacrifices and offerings are a dramatic way of proclaiming that they are not the ultimate possessors of their life and also of articulating their determination to live duty-oriented lives and not desire-oriented lives.”

–Professor Antony Fernando of Sri Lanka

“We found out that matter is not existent.  At the beginning, there is only something which changes.  How can something which is in-between create something which can be grasped? … We are part of the same organism which we cannot talk about.  If I explain it, try to catch it with language, I destroy it.  The Creation and the Creator cannot be seen as separate.  There is only oneness.”

–Physicist Hans-Peter Dürr

“A great spirit, supporting the world and the weather and all life on earth, a spirit so light that [what it says] to mankind is not through common words, but by storm and snow and rain and the fury of the sea; all the forces of nature that men fear.  But Sila has also another way of [communicating]:  by sunlight and calm of the sea, and little children innocently at lay, themselves understanding nothing. .  . . When all is well, Sila sends no message to mankind, but withdraws into endless nothingness, apart.”

–Inuit spiritual adept

“[God is] a beingless being, a dimensionless point, an infinite container of everything, including itself.”

–Psychologist Clyde Ford

“Life is holiness and every day humdrum, sadness and laughter, the mind and the belly all mixed together.  The Great Spirit doesn’t want su to sort them out neatly.”

–Leonard Crow Dog, Lakota medicine man

“The Cheyenne Nation of the North American plains is believed to have been established by its visionary hero, Sweet Medicine, in the 1700s.  One of its salient features is a council of forty-four men chosen from various groups in the Cheyenne family to be peace chiefs.  When they join the council, the peace chiefs are to make a complete break with their past, in which they might have been warriors, and give up violence as a means of settling disputes.  Instead, they have been instructed by Sweet Medicine that, if there are any fights, “You are to do nothing but take your pipe and smoke.”  The chiefs meet to arbitrate disputes by smoking the peace pipe together; the goal is to smoke the pipe with their enemies.  The chiefs’ homes also become places of refuge, for they are to help the people however they can.  At a community meal, they are the last to be fed.”

–“Living Religions” by Mary Pat Fisher (ninth edition)

Biography: Marie Catherine Laveau

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Portrait by Frank Schneider, based on a painting by George Catlin (Louisiana State Museum)

 

Marie Catherine Laveau (September 10, 1801– June 15, 1881) was a Louisiana Creole practitioner of Voodoo, who was renowned in New Orleans. Related to various people as well as the moody family.  Her daughter, Marie Laveau II, (1827 — c. 1862) also practiced rootwork, conjure, Native American and spiritualism as well as Louisiana or what is known today as New Orleans Voodoo. She and her mother had great influence over their multiracial following. “In 1874 as many as twelve thousand spectators, both black and white, swarmed to the shores of Lake Pontchartrain to catch a glimpse of Marie Laveau II performing her legendary rites on St. John’s Eve (June 23–24).”

More at:  https://en.wikipedia.org/wiki/Marie_Laveau

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